A wonderful surprise awaited me on my return from an intense working week in snow-clad Eastern USA — a signed copy of Christos Tsiolkas’s newest novel Barracuda which I won via National Book Tokens. I never got around to reading his best seller The Slap but this latest novel is apparently equally provocative in the way it questions what it means to be Australian.
But first I have to finish two other novels: Penelope Lively’s Moon Tiger which won the 1987 Booker Prize and New Finnish Grammar by Diego Marani. By complete coincidence they both deal with memory and are partly set in World War 2. The first is a brilliantly constructed novel in which a secret love affair is revealed by an old woman as she lies dying in a hospital bed. The second is a novel I started reading on the flight home. It’s a curious story about a man found beaten up at a dockside in Trieste – he can’t remember anything about his life, not even his name. The Finnish doctor who treats him thinks he must be Finnish (purely on the basis of a name found inside his jacket) and sets about trying to teach him that language in the hope it will rekindle his memory.
These two are such a contrast to the novel that sustained me through the long flight out and the wintry nights that followed. Emile Zola’s L’Assommoir has been sitting on my book shelf for at least four years — quite why I delayed reading it for so long, I’m not sure since I’ve loved every other novel I’ve read by him and Germinal is one of my all-time favourites. Maybe I was afraid L’Assommoir wouldn’t be as good but fortunately it’s turned out to be equally as riveting.
So in all February has been a good month. I’ll keep my fingers and toes crossed that March turns out the same. I’ll be reading E.M. Forster’s A Room with a View which is the book I landed up with after the Classics Club spin and probably something from my World Literature list but I haven’t decided what that will be yet. Abyssinian Chronicles by Moses Isegawa and Dublinesque by Enrique Vila-Matas are both calling for my attention. I suspect it will depend what mood I’m in at the point when I’m ready to begin a new book.