Category Archives: Man Booker Prize

Milkman by Anna Burns #BookerPrize

MilkmanImagine a world where it’s dangerous to be different.

Where people with cameras lurk in bushes to capture your every action.

Where masked  paramilitary “heroes” dole out summary justice to suspected informers.

Where almost every family you know has seen brothers, sons, sisters, fathers killed.

We’re not talking here about a fictionalised nightmarish dystopian society where every vestige of normality has broken down. The world of Anna Burns’ Milkman is an all too real place. It’s one where, though she represents them in a highly imaginative manner, these atrocities did occur.

She never names the town in which she sets the novel, nor even the country. But it’s evident she is describing her home city of Belfast, Northern Ireland during the 1970s. This was a time when the country was embroiled in sectarian warfare and the city of Belfast was at the heart of what became labelled as “The Troubles”.

Anna Burns tackles the conflict through the eyes of an unnamed 18-year-old girl. She’s an oddity in her neighbourhood because she has no interest in marriage or babies and she reads books.   She reads while she walks, usually 19th century novels.

I didn’t see anything wrong with this but it became something else to be added as further proof against me. ‘Reading-while-walking’ was definitely on the list.

This unusual behaviour draws the attention of one of the high-ups in the paramilitary organisation – Milkman – a man who begins to shadow her and treat her as if she’s his property.  He has the disconcerting habit of turning up when she least expects him: when she’s out running, as she leaves her French evening classes. He’s creepy and threatening (he says he’ll kill her boyfriend unless she ends that relationship) but in this city it doesn’t do to cross such a powerful figure.

Having been brought up in a hair-trigger society where the ground rules were – if no physically violent touch was being laid upon you, and no outright verbal insults were being levelled at you, and no taunting looks in the vicinity either, then nothing was happening, so how could you be under attack by something that wasn’t there?

The predicament of the narrator, known only as “middle sister”, intensifies when rumours begin that she’s having an affair with this older married man. She’s now “beyond the pale” in the eyes of her community. They daren’t openly attack her for fear of retribution upon their own families but they can still make their distaste evident. Even a simple task like buying chips for her sisters’ supper becomes loaded with hostility.

Milkman is a powerful and intense novel about a city in turmoil and a population  fearful they will make just one wrong comment or take one false step.  Even groceries are loaded with meaning. There is “the right butter. The wrong butter. The tea of allegiance. The tea of betrayal. There were ‘our shops’ and ‘their shops’.”  Distrust of state forces is universal but so too is distrust of hospitals.

It’s not a novel that dazzled me initially. In fact I was frustrated because none of the characters were named. Instead they all have labels: “third brother-in-law”, “tablets girl”, “nuclear boy” and “maybe-boyfriend”. It felt an unnecessary artifice; the product of an author trying to be ‘too clever for their own good.’

But the book slowly wormed its way into my imagination and the more I read, the more entranced I became. Light eventually dawned that what was initially an irritant was actually a strength of the novel. The very namelessness made the novel more sinister, as if the world Burns is describing is impossible to comprehend in normal terms and where individual expression and identity have been lost among the violence and political speak.

The narrator is a tremendous creation. She tries to maintain a chippy devil-may-care attitude but she is left isolated and ground down by the association with the milkman  Few people other than “the real milkman” come to her help or speak up on her behalf. She tries to reach out for help but “Ma”, “Maybe-Boyfriend” and “Oldest Friend” all believe the rumours, seeing her as a  Jezebel involved in an affair with a older, married man, rather than the innocent victim of  a creepy stalker.  She even comes to doubt her own version of events: “Was he actually doing anything?” she wonders. “Was anything happening?”

It was not until years later that she more fully appreciates what had happened:

I came to understand how much I’d been closed down, how much I’d been thwarted into a carefully constructed nothingness by that man,” … “Also by the community, by the very mental atmosphere, that minutiae of invasion.”

Milkman is a strange novel. When it was announced as the winner of the Booker Prize in 2018, there were many comments about how ‘challenging’ it was to read. It was compared with Sterne’s Tristram Shandy because of its stream of consciousness, digressive narrative and non linear structure.   It’s certainly unconventional.  It’s definitely original. I consider it one of the best and most deserving winners of the Booker Prize in recent years.


About the Book

Milkman, by Anna Burns, was published by Faber and Faber in 2018.  Chair of the Booker judges,  Kwame Anthony Appiah, described the language as ” simply marvellous; beginning with the distinctive and consistently realised voice of the funny, resilient, astute, plain-spoken, first-person protagonist. From the opening page her words pull us into the daily violence of her world — threats of murder, people killed by state hit squads — while responding to the everyday realities of her life as a young woman, negotiating a way between the demands of family, friends and lovers in an unsettled time.”

About the Author

Anna Burns

Anna Burns has drawn on her upbringing in a working-class, Catholic family in the troubled city of Belfast in all three of her novels – Milkman, Little Constructions (2007) and No Bones. She wrote Milkman four years ago while suffering excruciating back pain and struggling to make ends meet (she resorted to using food banks which she thanks in the acknowledgments of the book). She is considering using part of her Booker prize money to pay for treatment on her back. If it’s not successful she has said, she doesn’t feel she will be able to write again.

Why I read Milkman

Although I have a cut off date of 2015 for my Booker prize reading project, I do read the later winners if they appeal to me. Milkman was the first since 2015 which held any appeal.

It just about qualifies for ReadingIrelandMonth2019 hosted by Cathy at 746books.com

Warlight by Michael Ondaatje #bookreview

WarlightMichael Ondaatje’s latest novel, Warlight, is a stunning tale about loss and displacement set in the mysterious world of espionage.

It opens in 1945 when 14-year-old Nathaniel and his sister Rachel discover their parents are off to Singapore, supposedly in connection with their father’s job. They are left in the care of a strange man called The Moth and an odd assortment of his friends who drift in and out of the house in Ruvigny Gardens in London. The purpose of their visits and their connection to the absent parents only becomes clear in the second half of the book. 

Chief among the visitors is The Darter, a former boxer turned con artist, who ropes Nathaniel into his illegal nighttime expeditions through the streets and waterways of post-war London. Together they collect illegally imported greyhounds and smuggle them to racing tracks around the capital.

The first half of the novel is essentially about Nathaniel’s education in life, when “cut loose by my parents, I was consuming everything around me.” Through the Moth’s connections he begins working as a dishwasher at the Criterion hotel, mingling with the mainly immigrant staff, and bunking off school. And he has his first sexual experience with a girl who calls herself Agnes (we never learn her real name), in empty houses that have escaped bomb damage and are now up for sale.

Part two of Warlight sees Nathaniel, now aged 28, and working in a department of an unnamed branch of British Intelligence. Though he is narrating his strange adolescence we come to realise that this book is not about him, but about his now-dead mother Rose and his attempts to piece together her life. In particular he wants to discover what happened during the final year of the war when he was left in the care of The Moth. 

In furtive forays through the basement archives of his employer, he traces his mother’s double life as a spy whose radio transmissions were monitored closely by the Nazis. But though he can piece together fragments of her life, including her narrow escape from capture, she remains an enigma. Equally puzzling is his mother’s relationship with another agent, whom she first met when she was a child and he was the boy who fell from the roof of her parents’ house while working as a thatcher.

But as Nathaniel reflects towards the end of the book that all he has done is to “step into fragments of their story”. 

We never know more than the surface of any relationship after a certain stage, just as those layers of chalk, built from the efforts of infinitesimal creatures, work in almost limitless time.

Although much in this novel is murky, one thing is clear: the qualities I loved in Ondaatje’s earlier novel The English Patient are in abundance in Warlight. In particular his ability to convey character and atmosphere through sharply perceived images: Nathaniel’s night time trips through the waterways of the darkened city, his assignations with Agnes in grand mansions as greyhounds romp around the empty rooms.  They are scenes that will longer long in my memory. 

There is a poignancy too in this novel. Nathaniel never sees his father again; his role in the whole escape to Singapore remains unclear, he cannot even find a photograph of the man. Though he does re-unite with his mother who has hidden herself in a cottage in “a distant village, a walled garden”, the relationship between them is taut and uncomfortable. The boy’s desire to find that bond is palpable but Rose is too much on her guard to be at peace with her son, fearing that one day, she will be discovered by those who believe her actions during the war were dishonourable. 

Warlight is a thoughtful book. Ondatjee doesn’t focus only on the human dimension of relationships but about the morality of actions committed during war. Rose and her fellow agents were acting in the name of piece but they were still responsible for many deaths It’s a point that Nathaniel reflects upon:

In this post-war world, twelve years later, it felt to some of us, our heads bowed over the files brought to us daily, that it was no longer possible to see who held a correct moral position.

Warlight is such an outstanding novel that I am completely perplexed how it didn’t win the Booker Prize in 2018.

 

WWWednesday 12 December, 2018

It’s ages since I did a post for WWWednesday which is hosted by Sam at Taking on a World of Words . This might turn out to be the last one for this year….

 

What are you currently reading? 

I have multiple books on the go at the moment.

I’m meant to be reading A Brief History of Seven Killings by Marlon James because it is one of only two unread titles in my Booker prize project. However, I’m finding it hard going because it has so many different characters (75 in total), several of whom pop up at different points to tell their part of the story. I keep forgetting who all these people are and have to refer to the character list to discover whether the current narrator is the local CIA head, a Colombian drug gang member, a hooker or a journalist. Adding to the difficulty is that parts of the narration are in Jamaican patois. So it’s not the ideal novel to read late at night…..

Which is why I’m also reading The Next Big Thing by Anita Brookner. It’s another of her intense character portraits about loneliness and characters who long for something else in their lives. Hertz Fritz has led a very unremarkable life. Now 73 years old he ponders what he is going to do with the time he has remaining. He could leave London and move to Paris. He could become a regular guest on a chat show about art. He could remarry. He knows he needs to do something. But what???  He’s such a ditherer that I want to shake him out of his apathy and his constant worries about his health.

I’m also continuing to read Why We Sleep by Matthew Walker. It’s packed so full of information that I’m not able to absorb more than a few pages at a time. It’s fascinating however. I’ve learned why caffeine is absolutely the last thing you want to ingest in the evening (it blocks the hormone that tells us we need to sleep), and what happens during the different phases of sleep.

What did you recently finish reading? Miss Peabody’s Inheritance by Elizabeth Jolley

I’d never heard of Elizabeth Jolley until I saw her mentioned by Lisa at ANZ LitLovers LitBlog who held an Elizabeth Jolley reading week earlier this year. She sounded so good I immediately bought two of her books.

The first – Sugar Daddy was extremely funny at times but the humour was nicely balanced with some disquieting themes. I had high expectations that my other purchase Miss Peabody’s Inheritance would be just as enjoyable. And I have certainly not been disappointed.

This is a novel within a novel about Miss Peabody, a lonely middle-aged spinster who has a boring office job and lives with her overbearing, bedridden mother. The only excitement in her life is a correspondence she begins with a writer of romance novels in Australia. Through the letters Miss Peabody is drawn into the world of the author’s newest novel. My review of this book will follow soonish….

What do you think you’ll read next?

It’s going to take me a few weeks to finish the Marlon James I suspect but in the meantime I have the next book club choice to read by early in January. We’ve chosen The Librarian by Salley Vickers. The description tells me this is about a new children’s librarian in the small town of East Mole who is on a mission to improve the lives of local children by giving them just the right books. Then she begins a scandalous affair with a married doctor. Not sure about the romance aspect of this but if this book features books then it has to be worth reading doesn’t it? 

 

The Mars Room by Rachel Kushner [book review]

The Mars RoomShould I be so unfortunate to find myself  detained in one of Her Majesty’s prisons, I will at least, thanks to Rachel Kushner’s The Mars Room, have several survival strategies at my fingertips.

I will know for example that it’s possible to smuggle pills by using peanut butter to attach them to the roof of your mouth.

I’ll know how to send and receive contraband through the air vents and toilet system (making sure of course to wrap everything tightly in plastic).

And, to make up for the absence of real alcohol, I will be able to brew hooch from ketchup sachets, fruit juice cartons and a sock stuffed with bread (necessary to create the yeast) even if the result does look and smell like vomit. The secret is that  “… you got to double decant it ….. It’s got to breathe.”

Kushner displays an impressive knowledge of life inside a women’s correctional facility in California; the strip-searches, shacklings and lock downs and the rules that govern every moment and every aspect of the women’s lives.

There are lists of rules scattered through the book

No orange clothing

No clothing in any shade of blue

No white clothing

No yellow clothing

No beige or khaki clothing

No green clothing

No red clothing

No purple clothing

Wouldn’t it just have been simpler to tell these inmates what they could wear??

There are even rules about rules.

The failure to report a rule violation … is also a rule violation. The failure to report a rule violation of a failure to report a rule violation is another rule violation.

The Mars Room is a powerful indictment of the penal system as seen through a 29-year-old single mother who has been convicted of murder. We first encounter Romy Hall as she is taken by bus to the Stanville correctional facility where she will serve two consecutive life sentences with an additional six years for endangering her young son.

She’s already learned not to cry. Two years earlier on her first night in jail after her arrest she had cried uncontrollably, believing her life was over though hoping desperately that it was all a dream. But now she knows there is no point in looking ahead.

 I don’t plan on living a long life. Or a short life, necessarily. I have no plans at all. The thing is you keep existing whether you have a plan to do so or not. But not having plans doesn’t mean I don’t have regrets.

From this point, the novel moves backwards and forwards in time,  tracing her childhood and early years in the “fog-banked, treeless and bleak” streets of San Francisco. The city she inhabited is one tourists don’t get to see, a city of brothels, dive bars, casinos and strip joints, the seediest of all being The Mars Room where she worked as a lap dancer.  The man she killed was one of the regulars at the club. When he began turning up at her local supermarket and shadowing her home, she did a disappearing act only for him to track her down. The night she killed him her young son was asleep in her arms.

The Mars Room is predominantly Rachel’s story though there are narratives from two men associated with the penal system. One is a corrupt police officer now behind bars who takes pride in the crimes he committed and the other is a bit of an idealist brought in to teach literature in the prison. Neither of these interludes was anywhere as engrossing as Rachel’s own story and her interactions with fellow inmates.

What a fascinating bunch they are: the resident ultra bully Teardrop; Conan, a trans woman who uses woodwork classes to make dildos; the baby-killer Laura Lipp and, on death row, the former model Betty LaFrance,  chief brewer of the ketchup moonshine. When they’re on stage, the book comes alive.

Unfortunately, while there is much to admire in The Mars Room, it’s attraction began to fade for me in the final section. Up until this point we’d been exposed to the injustice at the heart of Romy’s situation. The court never heard how she was terrified by the man she killed because the lawyer appointed to take her case was incompetent. Once convicted she has no recourse for an appeal and no-one willing to help her when her son is taken into care.

Kushner’s narrative gives full exposure to the way the justice system has broken down. There is a wealth of information to explain how her fellow inmates are also victims; nudged into crime as a result of poverty, drugs and abuse. After a while it feels like we’re being beaten over the head until we understand the point. I found myself skipping paragraphs (never a good sign). And then it ends with a moment of epiphany that simply didn’t ring true. What started as a book that impressed me with its directness just seemed to dissolve without reaching any resolution.

I can see why the Booker Prize judges put it on the shortlist but for me it was a book that was good in parts but ultimately didn’t live up to its initial promise.

 

 

 

 

The Line of Beauty by Alan Hollinghurst [Booker prize]

LineOfBeautyWhat a disappointment The Line of Beauty, winner of the 2004 Booker Prize, turned out to be. It was so dull at times that I was tempted to abandon it in preference for the ingredients panel of a cereal packet.

It’s meant to be a novel reflecting on the nature of Britain in the 1980s, the era of Margaret Thatcher and a time of economic euphoria and ultra confidence among the privileged governing classes. This is also the decade that saw  the emergence of the Aids/HIV crisis.

Alan Hollinghurst tackles both topics  via the story of Nick Guest, a young homosexual who comes from a middle class background but has mingled with the great and the good during his time at Oxford university.   He’s invited by his friend Toby, the son of  a rising Tory MP (Gerald Fedden) to move into their upmarket family house as a lodger while he undertakes his postgraduate research on Henry James. His presence in the house gives Nick a chance to mingle with aristocrats and politicians, to party in castles, holiday in French chateaux and even to dance with the Prime Minister.

Nick is a charmer, an aesthete who is entranced by beauty in all its forms. A piece of furniture, a Gauguin painting; the shape of a man’s buttocks and especially the double “S” shape of the ogee, the  double curve cited by Hogarth as the “line of beauty”. Where the Feddens see art as a commodity, Nick appreciates beauty for its own sake.

Over the course of the novel, we see the changing nature of his relationship with the Feddens. But more fundamentally we also witness the development of Nick’s sexuality. The Feddens accept his sexuality if only to the extent of never mentioning it but when it threatens their privileged lives and Gerald’s prospects of high office, they turn on him. The tolerated lodger becomes persona non grata.

Hypocrisy is just one of the themes explored in The Line of Beauty.  The book also considers the relationship between politics and homosexuality, the bubble world of the the Conservatives in the 1980s (summed up by one civil servant “The economy’s in ruins, no one’s got a job, and we just don’t care, it’s bliss.”) and, of course, the nature of beauty.

So why do I say the novel is boring?

Firstly it’s incredibly slow especially in the first of the three sections which takes place in 1983 when Nick is in the first few months of his stay at the Feddens’ Knightsbridge home. He takes a lover for the first time, meeting him in secret in public parks and quiet streets.

Part 2 is an improvement. We now move forward to 1986 when Nick is in a relationship with Wani Ouradi, the wealthy son of a Lebanese businessman, with whom he enters the world of drugs and promiscuity.

Part 3 takes place just one year later when his lover has been diagnosed as HIV positive and deteriorating rapidly and the Feddens world is about to disintegrate.

The drama doesn’t materialise in any meaningful way until more than halfway through that second part. Until then we’re subjected to a series of eventful country-house parties and family gatherings where Nick is still very much the outsider (his surname – Guest – is a clue to his real status). They’re considerably more sedate than his other social interactions which involve sex and drugs.

The problem here is that the interest in a decadent lifestyle declined for me as rapidly as my appetite for a second ice-cream. Sex is seldom far from Nick’s mind.  He only has to see a man in a street and he immediately imagines him as a sexual partner.  But how many times do we need to know this? How many times do we need to read a passage describing furtive coke-snorting and sexual encounters?  The repetitive nature of this book made it hard to enjoy.

One critic in The Independent thought The Line of Beauty was “fabulous” and Hollinghurt’s recreation of a “bigoted, nepotistic, racist, callous and mean-spirited epoch” was “brilliant”.  Not for the first time I find myself considerably at odds with critics and with the judges of the Booker Prize.

 

 

Booker prize shortlist 2018

And then there were six.

The Booker Prize judging panel announced today the books that have made it through to the shortlist round of the 2018 prize.

One surprise is that the biggest name on the longlist has now been removed from the prize. I’m still waiting for my copy of Michael Ondaatje’s Warlight  to become available in the library but I’ve seen nothing but praise for this book so it’s strange not to find it on the shortlist.

One disappointment is that Donal Ryan’s From A Low And Quiet Sea didn’t make it through. As you can read in my review I thought this was even better than his earlier Booker contender The Spinning Heart.  

No surprises that Belinda Bauer’s Snap is not on the shortlist. Frankly it was a surprise to find it on the longlist. Much has been made of the fact that this was the first crime novel to be included in the Booker longlist. That’s not factually correct (Eleanor Catton’s The Illuminations was a crime novel in a sense) but even  Snap isn’t anything remarkable according to many comments and reviews I’ve seen in recent weeks.  I’ll reach my own conclusion shortly since this has been chosen for our next book club read.

The other longlisted title about which there was a lot of fuss was Sabrina by Nick Drnaso, the first graphic novel to be included on the list. This has now disappeared from the contenders.

So what are we left with? These are all the shortlisted titles, ranked in order by members of the Mookes and the Gripes group on Goodreads.

Robin Robertson (UK):  The Long Take (Picador): debut novel from a Scottish poet, written partly in verse. Chronicling the drift of a Canadian D-Day veteran across post-war America, Robertson fuses poetry, cinema and the traditions of noir into an elegy for a lost age.

Richard Powers (USA): The Overstory (William Heinemann): Pulitzer- winning                  novelist longlisted in 2014 for Orfeo. The Overstory is a mosaic of stories spanning time and space, joined together by the overarching strata of the world’s trees and a mission to save the last virgin forest

Daisy Johnson (UK): Everything Under (Jonathan Cape): debut novel that reimagines The Oedipal myth of divided families, inter-generational rivalry and twisted fate. Set in a remote cottage in the British countryside, the novel centres on the complex and fractured relationship between an isolated young lexicographer and her mother, a woman gradually succumbing to dementia.

Anna Burns (UK) : Milkman (Faber & Faber): described as a darkly wry – but disquieting – coming of age novel set in a thinly-disguised Belfast of the “Troubles”. The narrative focuses on a nameless, 18-year-old narrator and her affair with the somewhat sinister ‘Milkman’, a much older married man allied with the paramilitaries.

Rachel Kushner (USA): The Mars Room (Jonathan Cape):  a novel partly set in a women’s correctional facility from an author who says her inspiration is Don DeLillo. The narrative follows convict Romy Hall as she begins two consecutive life sentences at Stanville Women’s Correctional Facility.

Esi Edugyan (Canada): Washington Black (Serpent’s Tail): Edugyan is a previous nominee having been shortlisted in 2011 for Half-Blood Blues. Her new novel is described as a dazzlingly inventive new story of antebellum-era slavery and exploration that spans the globe.

I have three of these on hold at the library so with a little luck I might get to read at least a few before the winner is announced on October 16.

 

WWWednesday 25 July 2018

It’s Wednesday and so time for WWWednesday hosted by Sam at Taking on a World of Words  This week’s post comes to you from a balcony overlooking the River Dart in Devon where we are enjoying the delightful scenery and clotted cream teas (well I enjoy them though my arteries tell another story)

 

What are you currently reading?The Line of Beauty by Alun Hollinghurst

LineOfBeautyThis was the book that won the Man Booker Prize in 2004 and is one of the few books remaining for me to read in my Booker Prize project. Almost a year ago I asked you all which of the winners still outstanding you would would recommend. The Line of Beauty came in as joint first with The True History of the Kelly Gang. Some of you described Hollinghurst’s book as very readable.

I have to say that so far I am finding it rather dull. It’s meant to be about class, politics and sexuality in 1980s Britain but so far there is a noticeable absence of the political dimension. Class does make an appearance but overwhelmingly the first 100 pages or so have been about sex. Our protagonist Nick Fadden is a middle class Oxford graduand who is lodging with an MP and his family. Nick feels very much the outsider in their midst but the book’s main tension revolves around his homosexual desires and his relationships with two men. My reaction to the book isn’t connected to prudish sensitivities on my part but just that so far this is all the book is about and its highly repetitive. Can someone please assure me that the next 400 pages will be rather more interesting?

What did you recently finish reading? The Latecomers by Anita Brookner

the latecomersFew authors can get into the skin of the “outsider” as well as Brookner.  The Latecomers features two delightfully conceived men of this ilk: Thomas Hartmann and his friend Thomas Fibich. The men are both Jewish and sent to London as refugees in the war. They go into business together and, once married, have apartments in the same building.  We follow them from their youth, into marriage with women who seem to reflect their idiosyncratic traits and the puzzling world of fatherhood. It may not be Brookner’s strongest novel but still highly engaging.

 

What do you think you’ll read next?

Shall I continue on my Booker trail with How Late it Was How Late by James Kelman? It may be however that by the time I’m finished with Hollinghurst one of the Booker 2018 longlisted titles will have come through from the library.  I’m not planning to read all the longlist since some of them hold no appeal for me but I would like to read two or three if possible before the shortlist is announced.

Man Booker Prize longlist 2018: reaction

There was a time not so many years ago that the announcement of the long list for the Man Booker Prize would have me heading straight to the library.

How things change. I’m still interested in the prize but not to the same extent.  It’s not the fact that the rules changed to allow American authors but that it meant there were fewer authors from other countries on the list. It became less international.

This year I forgot that today would see the long list for the 2018 prize released. It was only that I happened to be in a bookshop and overheard a customer asking the shop owner for his reactions to the list, that my memory was jogged.

There are a few positives about this year’s list:

  • Four debut novels
  • Good mixture of genres with the first ever graphic novel to be long listed. Plus a crime novel. This latter isn’t the first time we’ve had a crime novel on the list but it doesn’t happen often. I have to believe that it reflects the influence of Val McDermid who is a judge this year.
  • Continued presence of independent presses. These publishers deserve the help that inclusion on prize lists can bring because they so often take a punt where the larger companies play safe.
  • Two authors from Wales are included. We’ve had a Welsh author before who actually won the prize (Bernice Rubens in 1970 with The Elected Member) but never two on the same list. Ok the purists among you might say there is only one since unlike Sophie Mackintosh, Belinda Bauer was not born in Wales (in fact the Booker website describes her as English) but she worked in Wales and lives there.  Cause for further celebration is that Bauer who is long listed for Snap, lives in my neighbourhood and I see her in our local library. Now that should surely count for a few votes?

Despite that reflection of diversity I’m sad to see that the international flavour of the prize has diminished even further.  In a nutshell we have a list made up of:

• Two Canadian authors

• Six authors from the UK

• Two writers from Ireland

• Three writers representing the USA

So yet another year when there is not a single author from Oceania on the list. Strange that Peter Carey, a previous winner, didn’t make it this year.

No author from the Indian sub continent. Last year at least we had one Indian and two UK/Pakistan writers on the list.

But once again no author from any African country.

This is such a disappointing trend. One of the things I loved about the Booker lists in the past was the international flavour because it introduced me to new authors from parts of the world whose literature was generally an unknown quantity to me. The Man Booker International Prize doesn’t entirely fill the gap because that is only for fiction translated into English, so many Australians, New Zealanders, South Africans are not eligible.

Do I have any predictions for this year’s ultimate winner? Short answer is no, I haven’t a clue because I’ve not read any of these books. I do have Bauer’s novel on hold at the library because I’ve enjoyed her previous novels but there is a long waiting list. As good as it’s likely to be, I don’t see it winning purely because the Booker judges would be afraid of being labelled “popularist” if they dared to choose a crime novel. I’d be happy for Donal Ryan to win because I thoroughly enjoyed The Spinning Heart and Michael Ondaatje’s previous winner The English Patient is one of my top 3 Booker favourites across all the years. Is it likely they would choose him for their 50th anniversary. If they did it would be a remarkable feat since he was only recently announced as the winner of the Golden Booker prize. Stranger things have happened with the Booker prize however.

The Man Booker Longlist 2018

  • Belinda Bauer (UK) : Snap (Bantam Press): a thriller by an author from Wales
  • Anna Burns (UK) : Milkman (Faber & Faber): described as a ‘creepy’ novel set against the background of The Troubles in Ireland
  • Nick Drnaso (USA)Sabrina (Granta Books): the first graphic novel  to reach the
    Booker longlist
  • Esi Edugyan (Canada): Washington Black (Serpent’s Tail): Edugyan is a previous nominee having been shortlisted in 2011 for Half-Blood Blues
  • Guy Gunaratne (UK): In Our Mad And Furious City (Tinder Press): a debut                  novel
  • Daisy Johnson (UK): Everything Under (Jonathan Cape): debut novel
  • Rachel Kushner (USA): The Mars Room (Jonathan Cape):  a novel partly set in a women’s correctional facility from an author who says her inspiration is Don DeLillo
  • Sophie Mackintosh (UK): The Water Cure (Hamish Hamilton): debut dystopian novel from a young Welsh author
  • Michael Ondaatje (Canada): Warlight (Jonathan Cape): the only previous                  winner  of the prize to be selected this year
  • Richard Powers (USA): The Overstory (William Heinemann): Pulitzer- winning        novelist longlisted in 2014 for Orfeo.
  • Robin Robertson (UK):  The Long Take (Picador): debut novel from a Scottish poet, written partly in verse
  • Sally Rooney (Ireland): Normal People (Faber & Faber): the second novel from the winner of the 2017 Sunday Times Young Writer of the Year Award
  • Donal Ryan (Ireland)From A Low And Quiet Sea (Doubleday Ireland):  Ryan is a previous nominee having been longlisted in 2013 for The Spinning Heart

Booker Prize winners – the books that got away

Americanah

Robbed of the Booker Prize?

 

As a run up to the 50th anniversary of the Booker Prize, the team at the Sunday Times’ Culture magazine, asked whether the judges had always made the right decision. The article is available here.

Their conclusion? A resounding no.

Out of the 49 years when the prize has been awarded,  the Culture team agreed with only 12 of the winning titles. In all remaining 37 years, they believe the Booker judges overlooked a far superior novel.

They were in agreement on:

1973: The Siege of Krishnapur by J. G Farrell, describing it as a book that is “brilliantly imagined, surprisingly funny”

1980: Rites of Passage by William Golding “complex dissection of society”

1981: Midnight’s Children by Salman Rushdie “Rushdie has never written a better novel … it is sumptuous, exuberant and funny.”

1988: Oscar and Lucinda by Peter Carey ” a wonderful feat of storytelling”

1989: Remains of the Day by Kazou Ishiguro “a subtle classic … moving and perceptive”

1996: Last Orders by Graham Swift ” a quietly authentic triumph”

1997: The God of Small Things by Arundhati Roy “totally engrossing”

1999: Disgrace by J. M Coetzee – Culture calls this his masterpiece

2004: The Line of Beauty by Alan Hollinghurst. The Culture team had little to say other than they thought the Booker judges were ‘spot on’ in their decision

2008: White Tiger by Arvind Adiga, the right choice among a list of strong contenders

2012: Bring Up the Bodies by Hilary Mantel. Culture thought this was curiously flat and leaden but they didn’t have an alternative

2017: Lincoln in the Bardo by George Saunders “a worthy winner’ though there were a number of other books that would have been just as deserving.

Some of these are among my favourites from the Booker Prize so I’m not going to disagree with the Culture journalists. Disgrace is uncomfortable reading but it’s a very powerful novel about post apartheid South Africa. The God of Small Things is a book full of glorious characters and Remains of the Day is just perfection.

I’m also in agreement with some of their alternative winners: Americanah by Chimamanda Ngozi Adichie which they say should have won in 2013, is indeed a far superior book to the actual winner Luminaries by Eleanor Catton (I thought it readable but not special). Similarly Oranges Are Not the Only Fruit by Jeanette Winterson knocks spots off the 1985 winner The Bone People by Keri Hulme though Winterson never even made it to the shortlist.  How the judges managed to choose The Old Devils by Kingsley Amis over Margaret Atwood’s The Handmaid’s Tale is a complete mystery to me. I enjoyed the Amis but Atwood’s novel stands out as a truly imaginative venture into a dark dystopian world.

But there are also many years where the Culture team’s preference is for a book I don’t believe did deserve to win the Booker.

Brooklyn

One the Booker judges overlooked?

Colm Toibin’s novel Brooklyn instead of Hilary Mantel’s Wolf Hall seems a very strange choice for example. Ditto David Lodge’s Changing Places is an enjoyable read but doesn’t stand out as remarkable so I wouldn’t rate it higher than the actual winner, Heat and Dust by Ruth Jhabvala.

The choice that really made my eyebrows arch was 2014 which, according to Culture, should have been won by Anthony Doerr’s All the Light we Cannot See instead of Richard Flanagan’s The Narrow Road to the Deep North.   I couldn’t even finish Doerr’s novel; it was far too heavily laden with adjectives and contained many anachronistic Americans whereas Flanagan’s novel was beautifully written and engrossing from start to finish.

I suspect this is one of those exercises where you could get a different result for every group of people you asked to participate. Each of us will have our favourites as well as titles that we struggled to understand what it was even doing on the short or long list (Ben Okri’s The Famished Road falls into that category for me).

Over at Goodreads, there is a group called The Mookse and the Gripes which whose members do their own rankings and then combine the results. Their league table from this collective effort puts Remains of the Day in top position out of all the Booker winners.  Midnight’s Children comes in at number 2 and then there is a surprise for the third slot – Troubles by J. G Farrell which is a book I thoroughly enjoyed though didn’t think as good as his other Booker winner The Seige of Krishnapur.

If you want to make up your own mind on whether the winners were worthy of the prestige conferred by Booker Prize success, take a look at the reviews published at Shiny New Books as their way of marking the Booker anniversary.  The posts are published by decade – here is the most recent.   By the time you’ll have got through all that reading, the longlist for this year’s award will be announced (actual announcement day is July 24th).

To mark the Booker anniversary this year I’m going to do two things:

  • finish reading the list of winners. It’s taken me far longer than I expected to read all the winners but I’m nearly there.
  • run my own ‘did it deserve the prize?’ series of posts. I’ll do these decade by decade starting next week and asking you all to join in with your own thoughts. I’ll give you a hint as to what some of my choices could be – take a look at a post I wrote last year where I selected my top 3 Booker titles of all time.

 

New additions to the shelves

After months of admirable self restraint, the flood gates opened in the last few months and all my attempts to whittle down my stack of owned-but-unread books have been thwarted.

Scriveners-BooksOur holiday through the middle of England took us to Buxton in Derbyshire which happens to be the home of Scriveners — one of the 10 best second hand bookshops in the country according to The Guardian newspaper. Five floors of books I was promised. So of course I had to visit. And of course I had to buy.  So keen was I that I was outside the shop waiting for it to open. Long after the announced opening time, I was still waiting. But minor frustration set aside I had a wonderful hour browsing their collection which included a lovely section on literature in translation. I haven’t seen other second hand shops do that but it’s a great idea.

I ended up with the three Virago Modern Classics editions you can see in the photograph because I can’t get those easily anywhere near my home.So when I see a green cover in reasonably good condition peeking at me from a shelf, it’s an opportunity too good to miss.  books aquired summer 2018

The Rising Tide by M. J Farrell (an early pseudonym for Molly Keane) was first published in 1937, her seventh novel. Like many of her other works this is a tale of an Irish family.  Miles Franklin is an author I’ve heard about many times over from bloggers in Australia and since I am trying to read more from that part of the world,

My Brilliant Career seemed the perfect purchase. It’s her first novel, written when she was only sixteen years old. The publisher’s summary on the back cover says it has the faults of immaturity but “it is impossible not to love.”

And finally, we have Willa Cather, an author I came late to via My Antonia which I didn’t expect to enjoy but thought it was glorious. Oh Pioneers is the first of her ‘Great Plains’ trilogy which actually ends with My Antonia. So I’m reading them in the reverse order but it probably doesn’t matter too much.

The copy of A Change of Climate by Hilary Mantel is another second-hand shop purchase, this time from the Oxfam book shop in Stratford upon Avon. This isn’t one of her historical novels but I see that it is partly set in South Africa, a region of the world which fascinates me. Mantel lived for many years in Botswana which is where the idea for this story about a missionary couple originated.

My acquisitions haven’t been all used books.

When I got home from the holiday it was to find several packages awaiting me including a copy of  Wally Funk’s Race for Space by Sue Nelson, courtesy of the lovely team at Westbourne Press. This is an extraordinary true story of a woman who was in the first group of American pilots to pass the Women in Space programme. She went on to become the country’s first aviation safety inspector.

Also on the doormat were the monthly choices from three book subscription services (I’ll tell you all about these in a separate post later this week).  Plus my ordered copy of Alan Hollinghurst’s The Line of Beauty, one of the very few Booker prize winners I have yet to read, and Adam Thorpe’s Missing Fay which is a book club choice for this month.

Now I have all of these two questions are causing much furrowing of brows in the BookerTalk household. Where am I going to put all these new books given every bookshelf is full and the floor around them is equally congested. And when am I ever going to read them?

But aren’t these wonderful problems to have????

%d bloggers like this: