Category Archives: fantasy
Last week was Banned Books Week, an annual even run by the American Library Association to highlight challenges to our freedom to read. As always this event comes with a reminder of which books groups have campaigned successfully to have prohibited from school and public libraries. Children’s authors who frequently show up on the list include J K Rowling, Phillip Pullman and Jacqueline Wilson often because religious groups feel the texts are at odds with their own beliefs. The other key reason given for a ban is that the book is deemed to contain content inappropriate for children, such as sex or drugs.
It was a surprise to me that Harry Potter was so frequently on the banned books list. I never read any of the novels when they were published (why as an adult would I want to read a children’s book was my thinking at the time). It’s only because of my course on children’s literature that I ended up reading the first in the series Harry Potter and the Philosopher’s Stone. I know there are some among the literati who were very sniffy about this series. The critic Anthony Holden for example called the books ‘pedestrian, ungrammatical… patronising, conservative…derivative. ”
That seems rather harsh. Rowling’s narrative may not be as multi-layered as say Phillip Pullman’s His Dark Materials but we should give her credit for reinventing the traditional school story as a form of fantasy. The magical elements have cited by various religious groups as reasons to restrict children’s access to the series but it seems this rather misses a key point. Yes the books contain wizards and spells but the magic is not set up to be a superior force – in fact it’s logical reasoning, not spells, that enables the trio of Ron, Harry and Hermione to discover the philosopher’s stone. Nor is the magic used without fetters – from his first connection with the non-Muggle world, Harry is instructed on the proper and improper, legal and illegal, uses of magic. He is not to use magic in the Muggle world during summer vacations, for example, and while at Hogwarts he is expected to follow the rules around the appropriate and inappropriate uses of magic.
Focusing so much on the magic also seems to miss the point that this is a novel that is firmly grounded in the kind of morality and codes of behaviour that surely parents want their children to understand and follow. Read beyond the magic and you’ll find Harry gets several ‘lessons for life’ during his time at Hogwarts. This is a novel very much in the tradition of the Bildungsroman where Harry changes from an unkept, unloved, abused child to the hero of the hour who has defeated the forces of evil. Along the way he learns the importance of study, of loyalty among friends and that while it’s fun to challenge and break the rules, there are undesirable consequence. By far the most important thing Harry learns in this novel, however, is not that he is special and has magical power but that it matters how he uses this power. He has a choice to use it on the side of goodness or to follow the example of Lord Voldemort and go over to the dark side. Every challenge he encounters at Hogwarts are tests of his character and his resolve to be the good guy. young readers can identify with Harry not just because he defeats Voldermot but because he makes the right choices. Why would that be something dangerous for children to read about – instead of seeing him as something bad and dangerous, isn’t he in fact a good role model for children? Instead of trying to ban the spectacled kid, shouldn’t we embrace him?