Category Archives: American authors
It’s time for another Six Degrees of Separation hosted by Kate of Books Are My Favourite and Best where we start with one book and link to six other books to form a chain. My rule is to link only to books that I’ve read, even if it was decades ago.
This month, once again, we are starting with a book that I’ve never read and, I will admit, not even heard of until now: Less Than Zero by Bret Easton Ellis. The blurb description says:
Set in Los Angeles in the early 1980’s, this coolly mesmerizing novel is a raw, powerful portrait of a lost generation who have experienced sex, drugs, and disaffection at too early an age, in a world shaped by casual nihilism, passivity, and too much money– a place devoid of feeling or hope.
Apparently Less than Zero was published as his debut novel in 1985 when he was just 21 years old, and rapidly gained attention for its portrayal of a hedonistic lifestyle. It became a cult novel.
The drug culture also figures large in another novel that came out in 1966 and was also set partially in Los Angeles. My first link is to Valley of the Dolls by the American writer Jacqueline Susann. Its more low brow than Ellis’ novel; Time magazine called it the “Dirty Book of the Month” ; but it became the biggest selling novel of its year. It relates the troubled lives of three young women who become fast friends in the turbulent post-war worlds of Broadway and Hollywood and grow increasingly dependent on “dolls” (amphetamines and barbiturates). They help take the edge off their anxieties for a time but the women become increasingly dependent. Over the course of 20 years, each woman strives to achieve her dreams only to find herself back in the valley of the dolls. I’m embarrassed now to think that I ever read this book but it was ‘required’ reading for teenagers who craved excitement even if it was only vicariously.
Dolls of a different kind provide the theme for my second link. In A Doll’s House by Henrik Ibsen, the playwright uses the idea of a doll to symbolise the predicament of married women in Denmark in the late nineteenth century. The doll in this play is Nora Helmer, a mother of three who seemingly lives an ideal existence as the wife of a bank manager. But she feels trapped and frustrated b y the lack of opportunities for self-fulfillment in a male dominated world. The ending of the play Nora Helmer – wife of Torvald, mother of three, is living out the ideal of the 19th-century wife aroused a great sensation and outrage when the play was first performed.
The Awakening by Kate Chopin similarly provoked a strong reaction when it was first published in 1899 because it featured a woman who sets herself at odds with the prevailing social attitudes of the turn-of-the-century American South. Set in New Orleans and on the Louisiana Gulf coast it shows Edna Pontellier, a wife and mother, who, just like Nora in Ibsen’s play, develops unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. Critics found the behaviour of Edna Pontelier so‘ sickening’ and ‘selfish’ that one reviewer said it ‘should be labelled poison’ but over the century, Chopin’s novella has come to be viewed as a landmark work of early feminism and thus a feature of many university literature modules.
Oppression and freedom from patriarchal control provide my fourth link in the form of The Colour Purple by Alice Walker. This is an epistolary novel, set mainly in rural Georgia, that reflects on lives of African-American women in the southern United States in the 1930s, addressing numerous issues including their exceedingly low position in American social culture. The protagonist is Celie is a poor, uneducated, 14-year-old girl who writes letters to God because her father, Alphonso, beats her harshly and rapes her continuously. The novel won the 1983 Pulitzer Prize for Fiction and the National Book Award for Fiction yet has been the frequent target of censors. It appears on the American Library Association list of the 100 Most Frequently Challenged Books of 2000–2009 because of it sometimes explicit content.
Four my fifth link I’m staying in the US with another book that has been frequently challenged and banned in some school districts because of its unflinching depiction of childhood rape and racism. I Know Why the Caged Bird Sings by Maya Angelou is the first part of a seven-volume series that shows how she rose from a poor and troubled childhood to become a world renowned author and poet, overcoming racism and hostility through strength of character and a love of literature.
Racism and strength of character take me to another coming of age novel for my sixth and final link. Roll of Thunder, Hear my Cry by Mildred Taylor is set in southern Mississippi during the years of the Great Depression. Its narrator is nine-year-old Cassie Logan, a strong-willed girl with a fiery temper whose family fights to hold onto the land that rightfully belongs to them. Once again this is a novel whose content has generated concerns – it was one of the most frequently challenged books of 2002 on the basis that it contained offensive language and portrayed racism.
And with that we are at the end of the chain having stayed mainly in USA but with a little side trip to Norway. One of the things I enjoy about the Six Degrees meme is that it takes you into unexpected places. If you’re wondering about connections other bloggers made, check out the links at Kate’s blog.
It’s taken me long enough to get around to reading the novel considered to be Shirley Jackson’s masterpiece, We Have Always Lived in the Castle, but it was well worth the wait.
How could it be otherwise when the novel begins with one of the strangest introductions to a narrator I’ve come across in a long while.
My name is Mary Katherine Blackwood. I am eighteen years old and I live with my sister Constance. I have often thought that with any luck at all, I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in our family is dead.
Amidst the humdrum detail about hygiene and dogs there are some clues in that mention of deadly fungus that this is a dark and strange novel. And it gets darker and stranger once we learn that the reason “everyone else in our family is dead” is because they were the victims of poisoning six years previously. Someone put arsenic into the sugar bowl and then the family sprinkled it on their fruit dessert.
Mary Katherine (known as Merricat) survived because she’d been sent to bed as punishment for some misdemeanour or other so never partook of the family dinner that claimed the lives of her parents, an aunt and her brother. Her elderly uncle Julian did eat the poisoned sugar but fortunately only in a small quantity so he survived while Constance who didn’t ingest any sugar was arrested for, though eventually acquitted of, the crime. Now the remaining three members live in isolation in a large rambling house out of the sight of villagers. Constance hasn’t left their home since her acquittal while Uncle Julian, confined to a wheelchair, obsessively writes and re-writes notes for his memoirs about his relatives’ deaths. It’s left to Merricat to brave the hostility of suspicious villagers when she does the weekly grocery shopping and visits the library, their taunting song ringing in her ears as she passes:
“Merricat, said Connie, would you like a cup of tea?
Oh no, said Merricat, you’ll poison me.
Merricat, said Connie, would you like to go to sleep?
Down in the boneyard ten feet deep!”
It’s a peaceful if restricted existence disrupted by the arrival of cousin Charles, a man against whom Merricat takes an instant dislike because she suspects he is visiting only to get his hands on the family’s money. When she thinks Constance is failling for his charms, she plots the several ways in which she could get rid of him.
I could turn him into a fly and drop him into a spider’s web and watch him tangled and helpless and struggling, shut into the body of a dying buzzing fly; I could wish him dead until he died. I could fasten him to a tree and keep him there until he grew into the trunk and bark grew over his mouth. I could bury him in the hole where my box of silver dollars had been so safe until he came; if he was under the ground I could walk over him stamping my feet.
The revenge she eventually enacts is rather more dangerous than turning him into an insect. It brings the wrath of the whole village against the sisters, culminating in violence and pushing them even further into reclusiveness.
Jackson tells this story in a style that’s sparing yet evocative using a narrator who is an arch deceiver. She’s childlike in her belief that she can protect her family with lucky days and magic rituals which include burying relics and nailing items to trees. She spends her days parading the boundaries of their home marking it out with fetishes and totems made from scraps and trinkets. Yet she is a perceptive commentator on the people and places that surround her. On her trip into the village she observes:
In this village men stayed young and did the gossiping and he women aged wih grey evil weariness and stood silently waiting for the men to get up and come home.
All of the village was of a piece, a time, and a style; it was as though the people needed the ugliness of the village, and fed on it. The houses and the stores seemed to have been set up in contemptuous haste to provide shelter for the drab and the unpleasant.
Together Merricat and Shirley Jackson lead readers a merry dance with a trail of clues about the events of that night six years previously. Who did put the arsenic into the sugar bowl? Why did Constance wash out the sugar bowl before the police arrived, on the pretext there was a spider in it? It’s not until the book is almost over that the truth is revealed.
In true Gothic traditionWe Have Always Lived in the Castle features a rambling ruin of a house and a tyrranical figure in the form of cousin Charles. It does have a haunting quality but there are no chain-rattling ghosts or spectral figures. Jackson is too fine a writer to resort to such devices. Yet We Have Always Lived in the Castle is a disturbing, unsettling novel, maybe even more so because of the very absence of those devices. It’s as if the largely domestic focus makes the events more disquieting, particularly when you force yourself to stop being seduced by Merricat’s tomboy persona and begin to wonder about her true nature.
To say more however would spoil the pleasure of reading this book for others.
About this book: We Have Always Lived in the Castle was Jackson’s final work and was published three years before her death in 1965. It was named by Time magazine as one of the “Ten Best Novels” of 1962. The first film version is due for release later in 2017.
About the author: Shirley Hardie Jackson was born in San Fransisco in 1916. Her first novel, The Road Through the Wall was publised in 1948. Also published in 1948 was the story The Lottery which established her reputation as a master of the horror tale. Although popular and well regarded during her lifetime, the 1980s saw more scholarly interest in Jackson’s work and her influence on other writers become more appreciate (she has been cited as an influence on a diverse set of authors, including Neil Gaiman and Stephen King) . According to the post-feminist critic Elaine Showalter, Jackson’s work is the single most important mid-twentieth-century body of literary output yet to have its value reevaluated by critics in the present day. She died in 1965.
Why I read this book: Quite simply it’s one that regularly appeared on blog sites as a highly recommended novel. It was one of my #20booksofsummer books and is on my Classics Club list. I’m now encouraged to read her other landmark text – The Haunting of Hill House published in 1959.
Ann Patchett’s Bel Canto makes a grand claim for the power of music not only to sustain the spirit in the bleakest of times but even to transform a life.
In an unnamed South American country, the world-renowned soprano Roxane Coss sings at a birthday party in honour of a visiting Japanese industrial magnate. She’s the bait in a plan by the hosts to persuade Mr Katsumi Hosokawa, one of her biggest fans, to rescue their failing economy by building an electronics factory in their country. Unfortunately the plans go awry because on the night of the party in the vice presidential mansion, a band of guerrillas swarm in through the air ducts. Their quarry is the president but he’s nowhere to be found having decided he much preferred to stay home watching his favourite TV soap opera rather than entertain a room of distinguished and powerful diplomats and leaders from around the world.
Taking advantage of a bad situation the invaders decide to take all the party goers hostage and use them as bargaining tools to secure the release of their comrades held in prison. They’re pretty ineffective negotiators and not much better at controlling the hostages. It soon becomes clear that it’s the soprano who is calling the shots. During the month-long standoff with neither government nor guerrillas giving ground, her singing keeps the atmosphere calm. Soon the guerrillas are running around to satisfy her whims just to keep her singing — one minute they are finding dental floss and herbal throat lozenges for her, the next it’s musical scores she needs.
Unexpected talents and depths of character emerge during the stand-off. The vice president for example assumes the dual roles of housekeeper and gracious host:
He seemed to think that the comfort of his guests was still his responsibility. He was always serving sandwiches and picking up cups. He washed the dishes and swept and twice a day he mopped up the floors in the lavatories. With a dishtowel knotted around his waist, he took on the qualities of a charming hotel concierge … Everyone was very fond of Ruben. Everyone had completely forgotten that he was the Vice President of the country.
Near the end of the stand-off he has a moment of epiphany in the garden, appreciating for the first time the sensation of grass beneath his feet and the scent of flowers. And he resolves there and then to be a better man, a better father and a better husband.
Change comes to the rebels too. Enchanted by the grandeur of their surroundings they begin wandering through the house sniffing hand lotion and snaffling pistachio nuts. They become so hooked on a TV drama (the same one that delights the president) much to the disgust of their commander, they begin missing drills or fitting them in around the program schedules.
Amid the tension, love is kindled. For Mr Hosokawa, proximity to his idol is a dream come true. He has already seen her 18 times in performances around the world, often inventing business trips that will place him in the audience. Hearing her in the close, intimate setting of the besieged mansion, admiration burgeons into love. Captivity also brings romantic fulfilment for his loyal translator Gen Watanabe, in the form of a guerrilla fighter appropriately named Carmen for whom her time in the house is the happiest point in her life.
Roxane and Mr Hosokawa, Gen and Carmen are the novel’s principals but they are surrounded by a strong cast including a Frenchman, Simon Thibault, who weeps into the stole his beloved wife leaves behind when all the women except Roxane are allowed to leave. There’s a Red Cross representative who interrupts his holiday to act as a hostage negotiator though in his suit and tie he looks more like “an earnest representative of an American religion” and a chain-smoking Russian, who makes an unexpectedly delicate declaration of love, regaling Roxane with mournful and meandering childhood stories.
What unites the 50 or so people thrust together in the mansion, is music.
Mr Hosokawa’s eleventh birthday was a life-changing experience. It was the first time he heard opera, a moment imprinted on his eyelids that marked the beginning of his love affair with music, a love that surpassed all other interests and responsibilities.
The records he cherished, the rare opportunities to see a live performance, those were the marks by which he gauged his ability to love. Not his wife, his daughters or his work. He never thought that he had somehow transferred what should have filled his daily life into opera. Instead he knew that without opera, this part of himself would have vanished forever.
In the vice presidential music a young priest undergoes a similar experience when he hears opera sung live for the first time.
It was different in ways he could never have imagined, as if the voice were something that could be seen. Certainly it could be felt … It trembled inside the folds of his cassock, brushed against the skin of his cheeks. Never had he thought, never once, that such a woman existed, one who stood so close to God that God’s own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven. It was a miracle and he wept for the gift of bearing witness.
For her part Roxane comes to appreciate the true power of the music that has been her life’s work, causing her to sing ”as if she was saving the life of every person in the room.” Patchett’s idea of the power of music does strain too far however when Roxane takes an interest in one of the rebels she discovers is a musical prodigy, able to repeat perfectly the notes and lines that she sings. As if her readers don’t really understand that this talent could be his escape route from poverty, Patchett makes the General her mouthpiece:
It makes you wonder, All the brilliant things we might have done with our lives if only we suspected we knew how.
Such a cod piece of philosophy strikes a really duff note in an otherwise absorbing and finely tuned novel about the the various ways in which human connections can be forged, even in the most unlikely of circumstances and situations.
About the book: Bel Canto by Ann Patchett was first published in UK by Fourth Estate in 2001. My paperback copy dates from 2002. Bel Canto won the Orange Prize for Fiction in 2002. The novel is loosely inspired by an event in December 1996 when members of a guerrilla group entered the Japanese ambassador’s residence in Lima, Peru, seized nearly 600 hostages and demanded the release of a number of political prisoners. The resulting siege lasted four months.
About the author: Ann Patchett was born in Los Angeles in 1963. She is the recipient of a Guggenheim Fellowship. Bel Canto is her fourth novel.
One of the biggest trends in publishing in recent years has been the emergence of ‘cross-over fiction” – novels written for teen readers which can also be enjoyed by adults. J.K Rowling set the trend with her Harry Potter series and it’s continued with the Stephanie Myers’ Twilight series, Hunger Games, Curious Incident of the Dog in the Night; The Boy in the Striped Pyjamas; The Book Thief etc etc Here are three ‘cross-over” novels I’ve read in the last year which all can be enjoyed by young readers but which contain plenty of material to get adults thinking…
First of all a confession. I hated this book the first time I read it. If it hadn’t been required reading for my children’s literature course I would never have even considered reading this. It’s in the fantasy genre which is never my cup of tea. We not only get anthropomorphic animals – in the shape of armoured bears with human-level intelligence – but Pullman introduces some weird fictional beings called “dæmons” that are the companions of humans and accompany them everywhere. Both these elements were guaranteed to get me squirming with discomfort. I struggled through the book and was relieved to get to the end.
But such is the nature of reading for academic purposes that reading a set text once is not enough. So I gritted my teeth and entered once more the parallel universe in which Northern Lights is set. And you know what; after a while I actually began to appreciate that what Pullman has created a book that can be enjoyed in two vastly different ways.
One one level this is a pure adventure story of good versus evil. Lyra Belacqua, an orphaned girl, sets off on a quest in search of her friend Roger who’s gone missing. There are plenty of narrow escapes and thrilling moments to keep younger readers entertained – this is a world that crawls with danger in the form of gobblers who snatch children and academics who use poison. Lyra makes her way through this world with the aid of a golden compass which acts like a lie detector and one of those armoured polar bears.
For readers who want more thought-provoking content, Pullman introduces a mysterious celestial phenomena called ‘Dust.” This, Lyra discovers, has spawned parallel universes, is connected to death and misery, and is believed to be the physical basis of original sin. Dust accumulates only around adults, not around children who are more ‘innocent’ and unconscious beings. Her adopted uncle Lord Asriel believes ‘Dust” is a force for evil and wants Lyra’s help to destroy it. This is a novel that explores big themes: the conflict between the powers of science and religion; innocence versus knowledge; the soul versus the human body. Apparently Pullman’s intention was for Northern Lights to be “A rewriting of Milton’s Paradise Lost,” for young adults, hence the ideas of Dust and daemons are meant to be read allegorically. I have a feeling this is a book that could easily be re-read several times for that reason. I’m glad I gave it a second chance.
This is another powerful novel which asks big questions, this time about racism and poverty. It’s set in southern Mississippi during the years of the Great Depression and has a wonderful narrator in the form of nine-year-old Cassie Logan. She’s a strong-willed girl with a fiery temper, whose family fights to hold onto the land that rightfully belongs to them. It’s through her that we experience attitudes towards the black population of the state and see the catastrophic effects when some local people take the law into their own hands. For young readers the content around school and friendship would likely be of interest but for older readers there is a lot of darker material with lynch mobs and arson. I thought the first few chapters were bogged down by too much exposition and the narrative voice didn’t always feel like that of a young girl. But the remainder of the novel was a compelling story about dignity in the face of injustice.
Mortal Engines by Phillip Reeve
I had no idea when I started reading this book that it fell into the category of ‘steampunk’. Frankly I had no idea what that term even meant. Good old Wikipedia came to my rescue by explaining that steampunk is a “subgenre of science fiction or science fantasy that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered machinery. ” Glad we got that cleared up. It does describe Mortal Engines pretty well since this is an alternative history kind of novel which imagines a post-apocalyptic world of Traction Cities – giant mobile machines that roam a land torn apart by earthquakes and volcanoes. London, the primary traction city, has to hunt down and dismantle other cities and towns to ‘feed’ itself. This is a fast-paced action novel with two teenagers as the heroes who uncover a sinister plot by the city’s Lord Mayor and get into plenty of scrapes and near misses as they try to block his plans. My problem with science fiction/fantasy novels is usually that the imaginary world doesn’t feel realistic enough or that the narrative is stuffed full of technical info that I don’t find interesting let alone understandable. But Reeve’s imaginary world is so superbly conceived I had a whale of a time reading this book. Like Northern Lights, it can be read as an adventure story but it also has some powerful ideas about nuclear warfare, the value of learning from history. In our current volatile world, it’s not a huge stretch of the imagination to envisage these traction cities like countries always on the prowl for other nations to swallow.
My path to The Good Earth by the Nobel prize winner Pearl S Buck was one I almost did not take. I had asked two colleagues in Korea to suggest local authors. Their first choice sounded appealing – it was a best seller called Please Look After Mom (click on the title to see my review). I was less enthused by their second recommendation – The Good Earth – because it was set in China not Korea and was written by an American author. My preference is to read native authors wherever possible but I was heartened subsequently to learn that Pearl S Buck was in fact very familiar with China’s rural life and traditions having spent much of her early life there as the daughter of missionaries.
My reservations about The Good Earth didn’t last for long. Right from chapter one I was hooked by this novel about the rising/falling fortunes of two families: the peasant farmer Wang Lung and his wife O-lan and the rich, wealthy House of Hwang headed by The Old Lord and the Old Mistress.
The book opens on Wang Lung’s wedding day and then charts their progress through successive years during which time their family grows, they enjoy plentiful harvests and manage to become landowners only to see it all disappear -and then astonishingly they get it back many times over. Meanwhile the rich Hwangs, for whom O-lan once worked as a house servant, go through a reverse experience because of the Old Lord’s penchant for multiple concubines and his wife’s addiction to opium. Their fortunes dwindle to the point they can no longer remain in their large house with its lavish furnishings. Wang Lung seizes the opportunity to make his mark on local society and becomes the new owner.
It’s a story that has so many twists and turns it feels like a soap opera at times. What sustained my interest was Pearl Buck’s portrait of Wang Lung and his deeply rooted believe in the beneficial power of the earth.
He took his life from this earth; drop by drop by his sweat he wrung food from it and from the food, silver.
He enjoys the wealth his toil brings not simply because it brings peace of mind because he can now feed and sustain his family but as time goes on it brings him a new status in his community. “… everyone knew now that Wang Lung owned this land and in his village there was talk of making him the head.”
But of course such pride makes his fall even more acutely felt. When the harvests fail, when every grain of rice and wheat has been eaten and the ox killed for food and when he has used every coin he possesses, there is no other path open than to go south. Either he has to see his family die or he has to give up the land and find work and food in a more wealthy province. to the city to try and find a new life. There they are reduced to living in a makeshift hut while Wang Lung pulls a rickshaw, earning barely enough to buy rice for the next day. He gets a break and obtains enough money to take his family back to their native land where he begins to rebuild his life, so successfully he becomes one of the wealthiest men in the locality.
At times Wang Lung seems to feel the earth has mystical powers – early on in his married life in fact he erects two crude figures on his plot of land to which he regularly pays homage. Throughout the novel, the land is the “good earth”; providing Wang Lung, with physical, emotional and spiritual nourishment. He is at his happiest when he works in the fields, knowing he is following in the footsteps of many generations of his family. Whenever he is troubled, physical labor on the land restores him. Whenever he is away from it, he feels out of his element. Even when he is wealthy old man who is too weak to get behind the plough, the pull of the earth sustains him:
… of his land he thought no more what harvest it would bring or what seed would be planted or of anything except of the land itself, and he stooped sometimes and gathered some of the earth up in his hand and he sat thus and held it in his hand, and it seemed full of life between his fingers. And he was content, holding it thus, and he thought of it fitfully and of his good coffin that was there; and the kind earth waited without haste until he came to it.
I’m glad I laid my initial reservations about this book to one side because The Good Earth proved a fascinating insight into the culture of China in the years spanning the end of the nineteenth century and the outbreak of World War 1.
The Book: The Good Earth by Pearl S Buck was published in 1931. Its commercial and critical success was considered an influential factor in her award of the Nobel Prize for Literature in 1938. The Good Earth is the first book in a trilogy.
The Author: Pearl S Buck was taken to China when she was five months old and lived there for much of her life as the daughter and then the wife of a missionary. She was awarded the Pulitzer Prize in 1932. After returning to the United States in 1935, she continued to write and became a prominent advocate of the rights of women and minority groups, and wrote widely on Asian cultures,
My edition: e-book
Why I read this: As part of my project to read more books by authors outside of the traditional western canon.
Continuing the idea from a recent post, here are some short reviews of novels I read a few years ago but failed to finish the reviews. Luckily I had started them and had kept a few notes to help but don’t expect any deep insight on each of these…..
My Cousin Rachel by Daphne du Maurier: I had high expectations for this one having seen multiple reviews about how good it was. I picked it up as a companion to a long international flight, thinking it would distract me but I found it decidedly dull. It’s set largely at a large estate in Cornwall owned and run by Ambrose Ashley together with his young cousin Philip . All goes swimmingly until Ambrose’s health deteriorates and he has to leave England for warmer climates, choosing to sojourn instead in Italy. There he meets cousin Rachel, marries her and sends letters back home about how happy he is. Gradually the tone changes and he begins complaining of repeated headaches. A few weeks later Rachel, now a widow, turns up at the estate. Philip is attracted to her despite his doubts that she might have had a hand in Ambrose’s death. The rest of the novel is an unraveling of the mystery about Rachel and Ambrose’s demise and whether Philip wakes up to the reality of the situation in time to avoid a personal catastrophy. I thought the mystery ponderous and the writing lacking in energy. Just about managed to finish it.
Sarah’s Key by Isabelle de Rothsay
This was recommended to me by a colleague in North America who is even more of an avid reader than I am. We discovered this connection via a team building exercise where you have to come up with three things that you think no-one else knows about you, then the other people have to guess who that fact relates to. It was a good recommendation for a book I doubt I would have picked up otherwise.
It has a dual time frame.In one we meet ten-year-old Sarah Starzynski, a Jewish girl born in Paris, who is arrested with her parents during the Vel’ d’Hiv Roundup. Before they go, she locks her four-year-old brother in a cupboard, thinking the family should be back in a few hours. The second plot follows Julia Jarmond, an American journalist living in Paris, who is asked to write an article in honour of the 60th anniversary of the roundup. Gradually the two stories coalesce.
This is a narrative that is full of emotional appeal, particularly those set in France. The scenes that take place in the Vélodrome d’Hiver, where more than 7,000 Jews were enclosed without water or food for days before being moved to concentration camps, were deeply moving, the kind of episode which it is hard to read without feeling bitter and tearful. The modern day story of Julia and her cheating husband had less impact and the ending was far too neatly wrapped up in a big chocolate box bow to work for me. But on the whole I’m glad I read it – the film version wasn’t bad either.
Resistance by Owen Sheers
Owen’s debut novel, Resistance is set in 1944 and imagines what would have happened if the Normandy landings had failed and German troops manage to arrive on British soil. Within a month half of the country is occupied.
In an isolated farm in the Welsh borders Sarah Lewis, finds her farmer husband Tom as disappeared. All the other husbands in the valley have similarly gone. The women are left alone to cope as best they can with the crops and livestock. Later in the novel it transpires they have all become members of the secret British resistance. In the meantime a German patrol arrives on a mystery mission, forming a fragile support for the women when a severe winter hits the valley. Sarah begins a taut relationship with the patrol’s commanding officer. But this puts further pressure on the fragile harmony of the valley and reveals deep undercurrents of feeling.
On the plus side I enjoyed reading about an area of my birth country with which I am familiar but seeing it through fresh eyes. It’s one that is not stack exactly but spare and often overlooked in favour of more lush scenery nearby. Sheers writes in a lyrical mode that really brings alive the landscape and the battle that endures to make a living from this land. Ultimately though this proved nothing more than just an ok novel though – neither good nor bad but not one that would make me recommend it. I think I struggled to engage with the characters and feel them ‘real’. My mum on the other hand loved it and so did her book club so maybe I am in a minority. Its now been turned into a film for which Owen Sheers was the co-screenwriter.
Sheers lives in Wales so I’m keen to support him and will likely read his most recent novel I Saw A Man which is set in London and New York and though also about relationships, has the pace of a thriller.
I was far too excited by the phenomenal success of the Welsh national football team to post my July snapshot on the first of the month. Against all the odds they soundly beat off the favourites Belgium last night (ranked number two in the world) to get through to the Euro 2016 semi finals, the first time we’ve qualified for a major tournament since 1958.
We’re a nation whose passion is normally devoted to a different shaped ball but last night everyone seemed to be glued to the tv screens. Even me whose knowledge of the finer rules of soccer can be written on the back of a beer mat.
Don’t worry I am not about to abandon Booker Talk’s normal fare of literary postings in favour of sports topics but I hope you’ll allow me a little indulgence on this historic occasion.
So what else was I doing on the first of this month??
After months in which my world literature reading project seemed to have stalled, I added one more country to the list – Belgium. That makes 31 countries completed from a goal of 50 by January 2018. Fear and Trembling by Amélie Nothomb was a delight and thanks to sylvie heroux I have recommendations for three more books by her: The Character of Rain,
Tokyo Fiancee and The Stranger Next Door. My review is posted here.
I have two books on the go at the moment. Having made good progress so far with the 20booksofsummer challenge run by Cathy at 746 books, I’ve taken a pause to dip into my TBR.
Bel Canto by Ann Patchett is a novel I first heard of in 2013 when I was trying to think of books which had a musical theme (other titles are in this post). It got added to my TBR later that year when I found a bargain copy in a library sale. It’s set in a South American country which is desperate to attract international investment. The president hits on the idea of inviting the head of a powerful electronics corporation in Japan celebrate his birthday in the country with a lavish party at which a world-renowned soprano will perform. The President decides at the last minute he has far more important things to do (namely to watch the latest episode of his favourite tv soap opera). Which proves a problem for the insurgents who surround the birthday venue planning to take the president hostage. There follows a stand off between the terrorists and their hostages. This isn’t an action novel however, but one that looks at the way people react to danger and entrapment and how leaders become impotent while ordinary individuals find new sources of strength. So far it’s wonderful to read.
My other book is also a story of courage in the face of adversity but this is a true story. In August 2005, Hurricane Katrina caused devastation in New Orleans. The Memorial Medical Center – the city’s premier hospital – endured five days trapped by floodwater. Its back-up generators failed, leaving it without lights, air conditioning, sewer systems and essential medical equipment. Medical staff had to prioritise which patients should be evacuated, and – controversially – which patients to euthanise because their conditions were so poor.
Five Days at Memorial by Sheri Fink originated as an article which appeared in the New York Times Magazine in 2009 and went on to win a Pulitzer Prize. Fink details the events of those five days and the investigation that followed into the actions of a few members of the medical team. She then goes on to examine the legal and political consequences of the decision to euthanize patients and the ethical issues surrounding euthanasia and health care in disaster scenarios. I’m only a little way into the book but it’s riveting. There is a chilling prologue which sets the scene. In a reception area, patients lie awaiting rescue amid the miasma of the receding floodwaters. Rescue has started but it is painfully slow. A few members of the medical staff begin to prepare a lethal concoction of drugs for the most critically ill. This is not a book you can read quickly but more one that needs to be read in small chunks to allow for reflection on the key issues.
I had a little indulgence while on my trip to the USA earlier this year and ended up with more new books than I could fit into the suitcase so had to ship some of them home. The US mailing system screwed up somewhere along the line so it took far longer than expected. By the time they arrived late last week I’d forgotten what I’d bought….
First of all three books I bought in a discounted store.
I’ve read only Penelope Lively to date – her Booker winning novel Moon Tiger. It was a stunner so I’ve been on the look out for a few more titles from her. Family Album is her 16th book. As you’d guess from the title, Family Album concerns a family. In this case Alison and Charles who have established a seemingly perfect life in a restored Edwardian mansion. But when their six adult children return to the family home, their visit triggers a set of revelations and the unravelling of long-held secrets.
This was a completely speculative buy since I have never read anything by Kunzru. I bought it on the strength of the synopsis. The central character is Mike Frame who appears to be the kind of dad that doesn’t stick out from the crowds. But Frame is really Chris Carver, a former member of an underground far left group that, in the 1970s, advocated violent action against the state and protested against the Vietnam War by setting bombs around London. Now a mysterious figure from those days has reappeared and wants to dig up Chris’ past.
Last year saw me dip my toe in the waters of South African writing. Those novels proved to be some of the highlights of the year. Andre Brink is one author I’ve been aware of for some time but never got to read so when I saw this buried in a corner of the bookstore at the ridiculously low price of $1 I jumped at it. A Dry White Season is set in Johannesburg during the time of apartheid. It features Ben du Toit, a white schoolteacher who believes in the essential fairness of the South African government until the sudden arrest and subsequent ‘suicide’ of a black janitor from his school. His quest for the truth draws him into a world of lies and corruption which then engulf his own family. Sounds terrific doesn’t it? The New York Times certainly thought so, making it a notable book of the year when it was published in 1979.
And finally, a book that I know only as a film and wouldn’t have thought about reading except for a discussion on the The Readers podcast which gave me the clue that the text of Breakfast at Tiffany’s could be far superior to the film. It’s only now looking at the book after a gap of more than 2 months that I realise this is really more of a short story at 87 pages long.
When a blogger I respect says a book is “perfect” my antennae begin to twitch. When I then see similar positive reviews by a string of other bloggers, it goes into overdrive. Elizabeth Strout is an author I’ve ignored until now somehow having got it into my head that her work wasn’t ‘deep’ enough for my taste. But Alex at Thinking in Fragments doesn’t do ‘light’ so when she said Strout’s newest novel My Name is Lucy Barton was the best book she’d read all year, it was clear the time had come to cast away my misconceptions.
Appropriately I started reading this exploration of a mother/daughter relationship on the day when the UK celebrates motherhood in the form of Mothering Sunday. Motherhood is a subject that can so easily descend into predictability or saccharin laden prose. Strout avoids these pitfalls to give us a thoughtful and moving examination of a relationship in which the two parties love each other deeply yet cannot bring themselves to say so.
It’s a story told by Lucy Barton as a recollection of the time when she was in hospital for complications after her appendectomy. Separated from her husband and two young daughters she misses them desperately. Unexpectedly, her mother, whom she has not seen for years, turns up at her bedside and hardly leaves it for five days. In between Lucy’s bouts of feverish sleep and regular stream of visits from medical practioners, the two women talk. Mostly they gossip about friends and relatives from her childhood in a rural town in Illinois; a litany of stories about failed marriages and emotional breakdowns.
Her mother’s presence re-ignites painful memories of the desperate poverty of Lucy’s childhood; living with her parents, sister and brother in an unheated garage down a long direct track with nothing in sight except for cornfields. “We were oddities, our family, even in that tiny rural town …” explains Lucy, going on matter-of- factly to relate how other children shunned her and her siblings because they were dirty and smelly. That sense of loneliness has remained with her throughout her life.
“Loneliness was the first flavour I had tasted in my life, and it was always there, hidden in the crevices of my mouth, reminding me.” It is this loneliness, and lack of love and affection from her parents, that prompted her to become a writer: “Books made me feel less alone… I thought: I will write and people will not feel so alone!” Despite all this, the adult Lucy doesn’t exhibit any signs of bitterness. Instead, in her mother’s presence at her bedside and the way her mother calls her by her old pet name she finds consolation: “It was the sound of my mother’s voice I most wanted; what she said didn’t matter.”
It’s what these two women don’t say that shows us the emotional truth of their relationship. They skirt carefully around episodes when her father became very anxious and ‘not in control of himself”; or the times when Lucy was locked in her father’s truck (once terrified to find she was sharing the space with a snake). There’s no discussion about her brother who has remained living with his parents, reading children’s books and sleeping next to pigs in the barn. More significantly over the course of all those hours together, her mother never once asks her about her life now in New York, her children and husband or her success as an author.
There are many moments in this novel where Lucy’s attempts to make peace with her mother’s lack of interest mask the reality of the ache she feels deep down. At one point , Lucy explains: “I feel that people may not understand that my mother could never say the words I love you. I feel that people may not understand: It was all right.” And yet she tries to get her mother to utter those very words, turning it into a game that it’s clear they have played many times before:
I sat up and, like a child, clapped my hands. ‘Mom! Do you love me, do you love me, do you love me?’
‘Lucy, you stop it now.” I heard the mirth in her voice.
‘Come on, Mom. My eyes are closed.’
‘When your eyes are closed,’ she said.
‘You love me when my eyes are closed?’
‘When your eyes are closed,’ she said. And we stopped the game, but I was so happy..
It’s a small scene but one of many where in just a few words Strout shows how complicated and complex the relationship can be between a mother and her offspring. Light? It’s anything but. Worth reading? Unequivocally so. An award winner? Highly likely if the judges have any sense.
We get an Islamic terrorist who uses a variety of disguises to infiltrate the country he has grown to detest and an erratic history professor obsessed with the degradation of his home town – once a beacon of the industrial age it’s now full of little more than ubiquitous shopping malls and car parking lots. Then there’s the alcoholic detective in rehab, a reporter who isn’t what she seems to be and a teenage boy so determined to have a normal life despite his leukaemia that he joins a gang of drug-taking undesirables.
You’d think that would be enough of a cast for one book. But no, we haven’t got to the character whose narrative dominates the first half of the book.
This is Charlotte Swenson, a former model whose life at the top was already going south when she was horrifically injured in a car crash. Her new face is held together with 80 titanium screws, changing her appearance so drastically that few people, even former lovers, recognise her. She returns to her apartment in Manhattan but when it becomes the fashion houses no longer want her she descends into despair and some serious drinking.
As Charlotte tours the studios desperately seeking work, Egan provides glimpses of the darker side of the ephemeral world of modelling. In one scene she’s on a photo shoot, transformed with layers of make up and hair spray and feeling the buzz of her old life return. Until an assistant approaches with razor blade and latex gloves. It’s not the clothes he plans to cut but Charlotte’s face. “I’m trying to get at some kind of truth here, in this phone, sick, ludicrous world. something pure,” the photographer pleads. “Releasing blood is a sacrifice. It’s the most real thing there is… I want to cut through to what’s real and fundamental.” It proves the breaking point for Charlotte but not for a younger girl waiting in the wings to take her place. The world it seems has moved on; the glossy groomed look exemplified by models like Charlotte, is no longer in vogue; now the world yearns for ‘refugee chic’ and girls rescued from the debris of disasters.
This could easily have become a novel of cliches about the sordid world of the image machine but Egan proves remarkably prescient in her treatment of perception and the creation of ‘personalities’. Look At Me was written in the late 1990s, before the time when much of the western world fell under the spell of reality tv programs and instant ‘fame’. Yet Charlotte finds a new life as one of the first people featured in a dotcom startup endeavour. “Ordinary People™”, signs up people willing to give 24-hour access to their lives and a sexed up testimony of their past. Through a webcam which records every detail of her life, subscribers will get access to the authenticity they lack in their own lives, explains the CEO of Ordinary Lives.
” … books, movies – they try, but they’re all so lame – so mediated! They’re just not real enough.”
In the future he predicts people won’t have to go to all the bother of experiencing the world for themselves. One click of the switch and they can call up a Kenyan warrior. Another click takes them to a homeless man. Travel overseas? Why go through all that cost and inconvenience of travelling to Egypt to see the Temple of Luxor when it can come to you direct in your living room?
It might have seemed a far fetched idea when Egan wrote Look At Me – who on earth would want to spend their free time in front of the tv watching other people lounging in their houses watching tv. Or just sitting around talking?? Clearly the viewing statistics for the early series of Big Brother showed Egan was ahead of the curve here.
It’s an ambitious novel, probably overly so for at times it feels like its labouring under the weight of the message Egan is trying to convey. But then there are scenes where she pulls off something remarkable. It’s not her best novel – that accolade is reserved for A Visit from the Goon Squad with which she won the Pulitzer – but it’s a more than worthy debut.