Category Archives: Classics
Time for another WWW Wednesday hosted by Sam at Taking on a World of Words.
What are you currently reading?
I’m almost at the end of The Salt Path by Raynor Winn. This was one of the books I received as a present last Christmas having heard about it via one of the national newspapers in the UK. It’s proving as superb as their review indicated. It’s the true story of a couple in their fifties who lose their farm, their home and their business after an investment in a friend’s company went belly up. Then they get told the husband (who labours under the strange name of Moth) has a serious brain disease for which there is no cure. Homeless and penniless they decide to walk the South West Coastal Path – a trail of 630 miles, camping wild as they tramped. It’s a fantastic tale about courage but also makes some insightful comments about the way in which homeless people are viewed in the UK.
I’m also reading Punch, a collection of short stories by Kate North, one of the authors from Wales I’ve highlighted in my Cwtch Corner feature. Kate described the book as “A collection of strange and unsettling stories exploring the unexpected in the everyday.” I’ve read two so far and they are definitely strange – one involves an author who takes a rental cottage in France to complete her latest commission but has to share the premises with a very unfriendly mask. Another is about a man who develops a weird growth on his hand….
What did you recently finish reading?
Mary Barton was the first novel by Elizabeth Gaskell although her authorship was not known at the time of its publication in 1849. It’s set in Manchester and is partly a romance but, far more interesting, is that depicts the problems experienced by the working class in the city and the growth of trade unionism. The final sections do become a little heavy on the message of redemption and the need for increased understanding between workers and employers but otherwise this was a beautifully written and constructed tale.
What do you think you’ll read next?
I don’t have to think too hard about this for once. We have a book club meeting at the weekend and I haven’t yet opened the chosen novel – Kate Atkinson’s Transcription. My last experience with Atkinson via Life After Life wasn’t a good one so I’m hoping Transcription proves to be more akin to the earlier Atkinson novels that I loved.
After that comes Evelina by Francis Burney which was the novel I ended up with as a result of the last Classics Club spin and which I’m *supposed* to read by end of May. But I won’t feel compelled to read it if I don’t feel in the mood at the time. I keep eyeing all the books I’ve bought in recent weeks and they’re calling to me more than Miss Burney.
This week’s Top Ten meme hosted by the Broke and Brookish is about a few of our favourite things. I’ve neglected my Classics Club project this year but looking back at the list of books I put together 5 years ago reminded me of so many other classics I’ve loved over the years. So here are my top ten classics .
From the Seventeenth Century
1. Paradise Lost by John Milton (1667). I can remember sitting on my bed in
my university halls of residence feeling daunted by having to read this for a tutorial. It was a monster of a book because of the extensive notes to explain Milton’s references. And boy did I need those explanations not being blessed with a deep knowledge of the Bible or the classics. But I still found this epic a gripping read with its rebel angels, the clash of good and evil, creation of the world and then the fall from grace of Adam and Eve. Yes it’s long and the prose is often convoluted but well worth tackling.
From the Nineteenth Century
This was the century that saw the greatest change in the form and nature of the novel. From early realist texts of the early part of the century, by the end we’re in the realm of stream of consciousness. So many wonderful novels from which to choose that I could easily have just done a list of 10 favourite 19th century novels. But I’ve tried to pick ones that are novels I never tire of reading.
2. Pride and Prejudice by Jane Austen (1813) There is no way that a list of favourites from the nineteenth century could ignore Jane Austen. This one can be read as a story about romance but as the title indicates Austen was more concerned about social issues. In this novel we get issues of social class and the precarious position of unmarried women.
3. Jane Eyre by Charlotte Bronte (1847) This was one of the first classics I ever read and it’s still giving me pleasure 50 years later. Obviously my understanding and interpretation of Charlotte Bronte’s most famous novel has changed over those decades. But that’s one of the beauties of this novel, that it can be read in many different ways. At it’s most basic level it can be a story of a put-upon orphan to finds love and happiness. Delve deeper however and you can find ideas about women’s right for independence and a fulfilling life; the unenviable position of governesses and 19th century attitudes towards science in the form of phrenology.
4. Middlemarch by George Eliot (1871) Another novel that lends itself to multiple readings and interpretations. I know so many people who have started to read this book but struggled because it’s a bit slow to get going and has a very large cast. One way to read it is to think of it like a soap opera with a few key relationships – the ‘eternal triangle’ of Dorothea, Casaubon and Ladislaw and the predatory Rosamund who snares Dr Lydgate and almost bankrupts him. Look beyond that however and you’ll find a novel about ambitions for great medical discoveries, altruism and electoral reform. All are thwarted. This is a novel about big ideas but one that also shows how gossip can bring a man down.
5. Germinal by Emile Zola (1885) My first experience of reading Zola and, though I’ve gone on to read a few others by him, this is the one that has a special place in my affection. It’s hard reading not because Zola’s prose is impenetrable but because of the subject matter – a struggle for survival by impoverished miners in France. They take strike action in the hope of a better future but their rebellion is violently crushed by the army and police. Uncompromisingly harsh this is a novel that is unforgettable.
6. The Awakening by Kate Chopin (1898) A novella about a woman who feels trapped in her role as wife and mother that was deplored at the time of publication but has come to be viewed as a key feminist text. Edna Pontellier’s process of “awakening” and self-discovery that constitutes the focus of the book takes several forms: she learns to swim, has an affair and leaves her husband and children. But her freedom doesn’t provide her with happiness. The ending is enigmatic – does Edna’s action represent a failure of her bid for freedom or is it a liberating triumph?
From the Twentieth Century
8. A Passage to India by E. M Forster (1924) Set against the backdrop of the British Raj and the Indian independence movement in the 1920s, Forster’s novel traces the disastrous consequences when well-meaning but clueless representatives of the colonial class mix with those who are subjects of the Raj. It features a tremendous set piece of an expedition to the Marabar caves where something happens (exactly what is a typical Forsterian ‘muddle’ that causes the disgrace of an Indian doctor and inflames the ruling Sahibs. The novel might feel a bit dated at times but it’s on the ball in its depiction of the difficulties in bridging cultural divides.
9. Heart of the Matter — Grahame Greene (1948). Few authors do a better job of portraying people undergoing a moral crisis and tortured by their consciences. Greene himself didn’t care much for this book but I find his story of a British police officer who becomes embroiled in a moral crisis when he tries to do the decent thing for his wife who has had to endure years with him in a decaying, rotting African outpost of the British Empire. In the end there is no way out for him, except one of eternal spiritual damnation.
10. Cry, the Beloved Country — Alan Paton (1948). I’m staying in Africa for my final choice. This novel is set in South Africa on the eve of apartheid,. Paton uses the story of a clergyman who travels to Johannesburg from his home in a small rural village and discovers racial tension, economic inequalities between black and white and a breakdown of traditional values. Paton uses multiple voices to expresses his love for South Africa and his fear for the future of his homeland. This is a novel of protest in a sense but its also an appeal for justice.