This week’s Top Ten Tuesday hosted by The Broke and the Bookish requires me to list 10 novels on my to read list this Spring. An impossible task I fear for one who finds planning and reading do not make for happy bedfellows. I’ve tried – really I have (quit rolling those eyes would you please) over the last five years. I have pledged my allegiance to various challenges short and long and dutifully listed what I would read as my entry ticket to such events. The list making is the fun part. After that it all goes down hill rapidly. The minute a book title goes on a list, I seem to lose all interest in reading it and instead much prefer something lurking in the darker recesses of the bookcase. So I’ve given up essentially and just read what takes my fancy at the time.
My list of 10 is therefore offered with full disclosure that I might read all of these. I might read some of them. It’s conceivable, being as fickle as I am, that I will read none of them. I reserve the right to completely change my mind in the next few weeks (scratch that, I mean next few hours). The most likely one I will read is the book I drew in the Classic Club Spin – Diary of a Nobody by George and Weedon Grossmith.
My one and only commitment is that whatever I do read, it will be from the collection of books I already own – this is in support of my 2017 goals.
Hell’s Gate by the French author Lauren Gaude is due for publication by Gallic Books in April.I have a NetGalley copy for review. Gallic describes it as “A thrilling story of love, loss, revenge and redemption in Naples and beyond.”
GhostBird by Carol Lovekin: Another title by the independent Welsh publisher Honno Press that I picked up as part of my plan to read more fiction from my fellow countrymen and women. This was Waterstones Wales and Welsh Independent Bookshops
Book of the Month in April 2016.
Good Behaviour by Molly Keane: One of the titles I have in mind for Reading Ireland 2017 – I’ve read only one novel by Keane (Devoted Ladies – under her other name of M.J Farrell) so I’m keen to see if this one resonates more with me.
When the Doves Disappeared by Sofi Oksanen, translated from Finnish by Lola Rogers. It’s described by The Independent newspaper as a tense family drama. I was more interested in their assessment that “When The Doves Disappeared is indeed a thrilling page-turner but it is equally a shattering family drama and an unsparing deconstruction of history.” I bought this as part of my quest to broaden my reading horizons with authors from many parts of the world.
Twilight in Djakarta by Mochtar Lubis, I picked up a second hand copy of this about four years ago. Its one of only two books I own by an author from Indonesia. The cover has a rather dark, retro feel which apparently matches the mood of the book. It was published about 50 years ago, having been smuggled out of Indonesia where the author was held under house arrest, and depicts social and political events in the capital during the run up to a national election.
His Bloody Project by Graeme Macrae Burnet. A historical thriller that was longlisted for the Booker Prize in 2016. I meant to read it before shortlist was announced and got a bargain electronic copy but it wasnt the right format – I wanted to be able to flick back to previous chapters etc which is never easy on an e reader. But now my sister donated her print copy to me, I have no more excuses.
We Have Always Lived in the Castle by Shirley Jackson (note that I erroneously had this attributed to Dodi Smith until an astute reader spotted the error). I know, I know, you are astounded I have never read this classic. So am I. And so I will. At some point
The Finkler Question by Howard Jacobson. One of the remaining titles on my Booker project list. It has its fans and its detractors. I’ve read the opening chapter and enjoyed it.
Sacred Hunger by Barry Unsworth. Another Booker prize winner that has been highly recommended by many of you who follow this blog.
How many of these will I actually read? I dare you to make a forecast…..
Around this time last year I went on record with this statement about my goals for 2016.
2016 is going to be all about completion. ….
I deliberately avoided making definitive reading plans knowing how useless I proved to be in past years in sticking to them. Instead I opted for something more general thinking it would give me more flexibility and increase the chances of success.
Guess how I did on this goal?
You got it in one. It was a complete fail. Not a near miss or even a creditable effort. Not only didn’t I finish one of those three projects I barely made any inroads into the Classics Club list, reading just one ‘classic’ in the entire year (Mrs Dalloway) which leaves me with 22 still to read to achieve the goal of 50 classics by August 2017. It’s unlikely to happen….
I fared slightly better with my intention of reading more books by authors outside the western canon – 4 new countries were ‘visited’ in 2016 which takes my total to 35. Not a stellar performance but at least its going in the right direction.
Star billing goes to the Booker Prize project however where I managed to read a further 7 of the winning titles. Just 15 more to go now …
So why didn’t I achieve any part of this plan?
a) I was too ambitious or
b) I spread my efforts too broadly and would have done better being more focused or
c) I picked the wrong goals or
d) I am really bad at sticking to plans and get easily distracted.
Judging by some articles I’ve read recently about how to be effective at setting and achieving goals the issue was really a combination of b) and d). I got distracted by the long and short lists for the 2016 Booker prize so instead of reading previous winners I became too engrossed in who might win next. I also got carried away with Net Galley. Some lessons here that are influencing my 2017 goals. What are they you wonder? I shall leave you in suspense for a few more days….
We’re off to South Africa for our next country in The View From Here series on literature from around the world. We’ll be in the capable hands of Penny who blogs at 2015 Reading Challenge – SA books only.
Let’s meet Penny
I work at one of South Africa’s major retailers. Over the years, I’ve taken on many different roles mainly relating to the buying/planning space. However my passions lie in reading, hiking and birding. My blog is called 2015 Reading Challenge – SA books only. I didn’t even know reading challenges were a thing then. In 2014, I read a chance remark, on a reading Facebook group, to the effect that there is so much South African Fiction now, one could go a whole year and read nothing else. I thought it would be fun to try that out; I keep year lists for birds in the Southern African region, so why not books? At the same time, I decided to write a review on every book I read and start a blog.
Q. Authors like Andre Brink, Alan Paton and Doris Lessing are names that many people outside of SA would recognise. Is their work the reading experience considered to be ‘classic literature’? If not, what are some of the classics of fiction from S.A?
These writers (Doris Lessing to a lesser extent) could be regarded as classics of SA Literature, if not ‘classic literature’. It depends what is meant by classic literature; if this is meant to refer to works that, in some way, emulate works of the Western canon, then possibly not. I do not necessarily believe ‘classic literature’ to be an ideal to which our writers should be aspiring. Good writing, literary writing are very subjective terms; more important to me is if I have a quality reading experience in which I am engaged, in which characters are multi-dimensional, plot is intriguing and I learn more about the human condition.
There are many novels that meet these criteria, amongst them Afrikaans writers translated into English. These are amongst some of my favourite novels and include writers such as Karel Schoemann, Etienne van Heerden, Marlene van Niekerk and Ingrid Winterbach. Another ‘classic’ is Down Second Ave by Es’kia Mphahlele, a marvellous work that, though autobiographical, experiments with form and reads as fiction. It is set in the 1930s in a township in Pretoria and illuminates how much discrimination was endured by black people even before apartheid. Anyone interested in SA Literature should also make sure they read Bessie Head’s work, even though she may well be considered as a Botswana writer.
Q. Would you consider there are some distinct differences between literature from South Africa and those from some of the other African countries like Nigeria for example?
I am no expert on literature from other African countries so this is merely my opinion. Until very recently, I had only read a few Nigerian writers such as Chinua Achebe, Wole Soyinka and Flora Nwapa. I would say they are far ahead of South Africa, having experienced their independence from colonial rule much earlier. We have only been a democracy since 1994 and prior to this, we were not producing much fiction. Possibly Nigeria have been marketing themselves as the African Lit for longer and more widely too.
With respect to the reading experience, I find SA Fiction quite different. Not so much with contemporary writers, but the classic Heinemann novels are often quite dense and heavy going.
South African writing is drawn from many different cultural communities that add variety to our topics, characters and interactions. This I see as a distinct difference. We have Black, White, Indian (both Hindu and Muslim) and mixed race communities (so-called ‘coloured’ people) all writing fiction. South African writers explore many genres too, like crime fiction and speculative fiction.
Q. South Africa has produced two winners of the Nobel Prize for Literature: Nadine Gordimer in 1991 and J M Coetzee in 2003. How far do you think their work is representative of the issues and challenges of the country?
I cannot comment on Gordimer as I have only read one of her books, The House Gun, published in 1998. I did not like it much as I found it cold and detached. Personally, I found JM Coetzee’s pre-Disgrace (published 1998) novels to be more representative of the country then, allegorical as they might have been. The writer I believe to be truly representative of South Africa is Zakes Mda. Although both Coetzee and Mda live in other countries now, Mda’s topics are still strongly South African while Coetzee seems to have focussed on being a stranger in a new country (isolation has always been an underlying theme in nearly every book he has written).
Since I was in my early twenties, I was hungry to read books set in my own country that, in some way, might reflect my lived experience and my surroundings; books in which I would recognise the environment but be introduced to aspects that were hidden from me. The first novels of this nature that I discovered were Andre Brink’s novels written in the seventies; the next was J.M. Coetzee’s, The Life and times of Michael K. published in 1983 (for which he won the Booker prize; still my favourite Coetzee). Then in the nineties, I discovered Zakes Mda’s She Plays With the Darkness published in 1995. I love all his novels; particularly The Madonna of the Excelsior and Heart of Redness. One of the things I love about Mda’s novels are the way they are grounded in history and also explore contemporary life. He has also written many plays but I am not familiar with them.
Q. What recommendations would you have for readers who want to discover books that show a more contemporary side to life in South Africa – how it is dealing with life post-apartheid for example?
I have so many recommendations for books written post-apartheid, I could never list them all here (check my blog for some of them). I have already mentioned Zakes Mda and some Afrikaans writers. Add Eben Venter to that list (especially for his most recent novel, Wolf, Wolf). Niq Mhlongo (Dog Eat Dog, After Tears, Way Back Home and short story collection, Affluenza) does a great job of representing ‘township’ life; (during apartheid, black people were prohibited from choosing where to live and were not allowed to live in areas designated as white; these areas were called townships or in vernacular slang; eKasi).
Thando Mqolozana tackles the taboo subject of Xhosa initiation rites in A Man who is Not a Man, as well as student politics in Unimportance. Nthikeng Mohlele, writes in a cerebral, philosophical style – try Small Things, Rusty Bell and Pleasure. Henrietta Rose-Innes is another favourite of mine; I particularly enjoyed The Rock Alphabet, Nineveh and The Green Lion. K. Sello Duiker, who committed suicide at the age of 30, produced two brilliant novels in Thirteen Cents and The Quiet Violence of Dreams. These two books are tough reads; not for the faint-hearted.
On a lighter note, our crime fiction is excellent (it says something that I regard crime as ‘lighter’, I suppose). Deon Meyer is our most well-known crime fiction writer. He writes in Afrikaans and is translated into English. A lover of this genre should read all his books; start at the beginning with Dead Before Dying and continue to the 10thand latest, Icarus. This is not necessary as they do stand-alone but I always enjoy knowing what characters had done before.
Q. What would you recommend to someone who has never read any S African authors? Where would you suggest they start?
This is a tough one because the answer depends on the readers’ preference with regard to topic, genre and style. An extremely serious reader may want to trace the development of SA fiction by beginning in the last century while another may be more interested in South Africa today.
If the latter, Imraan Coovadia’s Tales of the Metric System is as good a place to start as any as it dips into every decade since the seventies. Zoe Wicomb writes of a ‘Coloured’ family that ‘tries for white’ during apartheid in Playing With the Light. Although I am not usually a fan of non-fiction, there are several books that are written in the fictional style that I have really enjoyed; anything by Jonny Steinberg who has covered topics that vary from farm murders (Midlands) to prison gangs (The Number) to HIV and Aids (Three Letter Plague). He investigates his areas of interest through in-depth, intimate interviews with individuals and teases out information that fascinates as much as it shocks.
Zukiswa Wanner’s, London Cape Town Joburg, moves between these three cities and with her protagonist, uses an outsider’s voice to illuminate the ins and outs of aspects of SA life in the business, political and personal world. Lauren Beukes is our darling of speculative fiction; inventive, imaginative and highly readable. Her second novel, Zoo City, is set in a Johannesburg that, though imagined, is strangely familiar. Then there is Finuala Dowling, said to be the ‘home-grown Jane Austen’ of SA Lit. In The Fetch and Homemaking for the Down-at-Heart, she writes of the minutiae of life with wit and sparkle and a strand of pathos.
This is merely a taste and there are many more.
Q. How important are prizes like Caine Prize for African writing to contemporary authors?
My feeling is that they are important as they do bring previously unknown writers to the attention of both publishers and readers.
Another prize which is important is the Etisalat Prize for Literature which is awarded to first time African writers of published books. It was inaugurated in 2013 and books by South African writers have been short-listed each year. The 2014 winner, Penumbra was by South African novelist, Songeziwe Mahlangu. One of my favourite novels of last year,What Will People Say by Rehana Rossouw, was short-listed last year. I highly recommend this novel; set in the Cape Flats, it is a heart-breaking tale of parents trying to do the best for their children in an environment dominated by gangs, drugs and politics at the time of the State of Emergency during the eighties.
Q. Which contemporary S African authors do you think we could be hearing more from in the future – people who may be at an early stage of their career?
Names to watch out for are Mohale Mashigo whose first novel, The Yearning, was published this year. It is an accomplished debut, well-written and with a compelling plot. The Reactive by Mashande Ntshanga gives the reader a glimpse into the disaffectedness of youth who live in a world of trauma, untimely death and limited opportunities. Yewande Omotoso’s second novel, The Woman Next Door is a great read. I think it is quite a feat to capture the personalities of two women in their eighties, as she does here. Nakahane Toure and Panashe Chigumadzi have both published debut novels in the last year.
We’re staying with the Celtic nations for the choice of our next country in The View From Here series on literature from around the world. Our featured country is Ireland and who better to give us the insight on this country’s literature than the blogger who has co-hosted Reading Ireland month for the past few years: Cathy at 746books
Let’s meet Cathy
Just over two years ago, as I went to buy yet another book, I decided to do a count and see how many unread books I had to hand – on my shelves, my iPad and my Kindle. It came to 746 and I was so shocked! I was reading around 30 books a year and worked out that if I didn’t buy any more books, it would still take me about 25 years to read all the books I had in the house! So, I set myself the challenge to not buy any more books, read all 746 and blog about it along the way.
I’ve rediscovered my love of Irish literature in particular, so I also blog about the Irish literary scene and review new books by Irish authors.
Outside of blogging, I am a mother of 5 year old twins and work in an Arts Centre in Northern Ireland so I’m kept pretty busy!
Q. Who are your favourite authors from Ireland (north and south)?
This is a really hard question, because I love so many! My favourite novelists would be Bernard McLaverty, Brian Moore, Edna O’Brien, Colum McCann and Nuala NiChonchuir, but I also love playwrights like Conor McPherson and Martin McDonagh and poets like Paul Durcan and Sinead Morrissey.
Q. Why did you start the Reading Ireland Month?
I had spotted a few reading months relating to Germany and Japan and just thought, why not?! March seemed like the perfect month for it and I decided to team up with my old friend and fellow blogger Niall at The Fluff is Raging to broaden the scope of the month to include posts on movies, music, TV and travel as well as books. I see it as a real celebration of all Irish culture and I love spreading the word about all the great writers that have come from this tiny island! Last year we had over 100 posts and we are hoping for even more this year!
Q. Does literature from Ireland have a particular atmosphere or style, something that maybe makes it stand out as distinctively “Irish”?
This is an interesting question that I think about it a lot. What is it about a small island like Ireland that has produced 4 Nobel Prize winners and a host of world class writers, playwrights and poets? Alongside Greek and Latin, Ireland had one of the earliest ‘languages’ Ogham which dates back to the 4th century AD. There is a great oral tradition of storytelling and myth making that carries on throughout Irish history. In ancient Irish society, the poet was revered and was second only to the chieftain and I think we still carry that reverence today. Add to that a turbulent history of invasion, immigration, famine and war and you have a fertile ground for literature to flourish in.
For me, Irish writing is lyrical and poetic, with a real sense of vitality, always with an eye to the past and to the tradition from which it has come.
Q. What books are creating a buzz in Ireland at the moment?
There is a great range of young authors making a buzz in Ireland at the moment. Writers like Colin Barrett, Danielle McLaughlin, Belinda McKeon, Rob Doyle, Anakana Schofield, Lisa McInerney, Sara Baume and Eimear McBride are all being talked about on a national level. Sara Baume’s Spill Simmer Falter Wither was shortlisted for the Costa First Novel Award and the Guardian First Novel Award and Eimear McBride’s A Girl is a Half-Formed Thing won the 2014 Bailey’s Prize for Women.
The buzz isn’t only about writers though – there are lots of fantastic literary magazines from Ireland exploring new work, like Banshee and The Stinging Fly and Tramp Press is an exciting new publisher working to promote the voices of women in Ireland, old and new. A fabulous book to check out is Dubliners 100, published by Tramp Press where new and established writers from Ireland created a ‘cover version’ of their favourite stories from James Joyce’s Dubliners. It’s a great introduction to Irish writers you may not have heard of!
There is also a great surge in crime writing coming out of Ireland, Tana French is an obvious example of this, but writers like Eoin McNamee, Stuart Neville and Jane Casey are writing very interesting Celtic Noir!
Q. Who are the authors you would consider ‘must read’ for people who wanted to deepen their knowledge of Irish literature?
This is a hard question to answer as the breadth of work there is to choose from is vast. There are the classic writers like Swift, Wilde and Stoker and the modernists like Beckett, Joyce and Yeats. I have a list of 100 Irish Novels on my blog which is a great starting point for anyone interested in Irish Literature. It is in chronological order and spans from 1729 to 2014 and really highlights the diversity and quality of Irish Literature. There were so many books I wanted to include, that I could have made the list go up to 200!
Q. Most keen readers will know of James Joyce and Oscar Wilde. Are there any authors you think deserve more attention?
There are a lot of women writers who deserve attention and have been in the shadows for too many years. Writers like Maria Edgeworth, Elizabeth Bowen and Kate O’Brien can more than hold their own with the titans of Irish literature. There is a famous Irish Writers poster, which was very popular in Ireland and featured only male writers. Last year the Irish Times recreated the poster with only female writers and there is a real feeling that readers are starting to hear and to listen to these voices. I would recommend The Long Gaze Back which is an anthology of short stories by Irish women writers edited by Sinead Gleeson. It is a fascinating collection of work featuring writers like Maria Edgeworth, Maeve Brennan and Elizabeth Bowen alongside less well known writers like Norah Hoult.
Q. Talking of Joyce … he seems to divide readers. Where do you stand on the love him/hate him debate?
I feel like a wee bit of a fraud at this point, as I haven’t read Ulysses! I know, it’s embarrassing, but it is in the 746 so I will be reading it at some point. I have read Finnegan’s Wake and The Dead and would some down on the ‘love’ side, solely for the short story ‘The Dead’ which is a perfect short story and contains one of the most beautiful passages ever written:
‘A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, on the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.’
Hope Cathy’s guest post has given you a taste for Irish authors. If you’re tempted to explore further now is a good time to join Reading Ireland Month which runs until end of March. Find out more info on the sign up page on Cathy’s blog. Follow the Facebook page here or join in the discussion on Twitter using #readireland16.
I can’t prevaricate any longer. The cobwebs are starting to settle on the brain already and if I leave it much longer I will never remember my top books from 2015.
The outstanding book of the year was almost, but not quite, the last one I read – Michael Ondaatje’s 1992 Booker Prize-winning novel The English Patient. It’s a beautifully written story of four damaged characters who end up in an abandoned Italian villa at the end of World War 2. I enjoyed reading his most recent novel The Cat’s Table a few years ago but The English Patient was in a totally different league. Now I want to dig out the film version again ..
Other favourites from the year were: The Miniaturist by Jessie Burton which has to be the most gloriously produced book I’ve experienced for many years. The cover design showing a miniature of the house that features in the book, was so delightful I went in search for some info on the illustrator and came across a fascinating little video about how a design company made the house. Old Goriot by Honore de Balzac was my first experience of this author but will certainly not be my last. Cry the Beloved Country by Alan Paton was as moving on a re-read as it was decades ago when I opened the pages for the first time. Three discoveries came in the form of The Snow Kimono by Mark Henshaw and from the Jerwood Fiction Uncovered Prize A Man Lies Dreaming by Lavie Tidhar and The Redemption of Galen Pike, a tremendous short story collection by Carys Davies. I don’t usually care for short stories but Davies’ book knocks spots off all other collections I’ve read.
Were there any duds? Well yes, a few. Three were so bad I couldn’t finish them: In the Light of What we Know by Zia Haider Rahman; Between Tides by V.Y. Mudimbe and The Japanese Lover by Isabel Allende.
That’s 2015 done.
What’s on the horizon for 2016?
Despite all the reading challenges I’ve seen in the last few weeks (I’ve been keeping a list here and it’s upwards of 30) I’m trying really really really hard to resist temptation. I like the idea of them but the reality is that I’m really hopeless at sticking with them. The minute I feel I have to follow a list, my interest in the books drops off markedly. Even if the title was one that excited me when I bought it, the minute it gets written on a list starts to make it feel too much like a chore or a ‘to do’ list for work. Hence why I managed just 8 out of the 12 books on the TBR Challenge I joined last year. I was all ready to join a Reading Shakespeare challenge but I’ve changed my mind.
I prefer the idea of reading projects rather than challenges. They somehow sound more relaxed and I can go entirely at my own pace. I have three on the go at the moment which are steadily making progress. I’m just over the half way mark with my Classics Club project, have read 27 of the 46 Booker-prize winners and novels from 30 countries around the world as part of my World of Literature Project.
2016 is going to be all about completion.
I plan to make it a year where I finish at least one of these (the Booker prize). I may even get close to finishing the Classics Club but I won’t make that a goal because I want space to be flexible, to go with the flow of whatever takes my fancy. I also want time to dip into a few short projects – Ali’s #Woolfalong reading project is perfect since I already have 4 Woolf titles in the bookshelves. Later in the year there’ll be a Reading Ireland month and a Spanish literature month which are already tickling my fancy. The beauty of these projects is that they’re short and free of pressure to read a particular number of books or to make lists in advance.
Here’s to a year of unconstrained delight……