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Homage To An Irish Childhood: Never No More by Maura Laverty

Never No More is a delightful tale that evokes the generosity of spirit at the heart of a small rural Irish community in the 1920s.

Maura Laverty spent her childhood in the vast peatlands known as the Bog of Allen in County Kildare. Through her fictional alter ego, Delia Scully, Laverty vividly recreates the natural beauty of this region, its colourful characters and the traditions that provide a rhythm to their lives.

Delia is nine years old when her recently widowed mother decides to move her large family to Kilkenny where she will open a new drapery business. Delia hates the idea but fortunately her beloved Grandmother, Mrs Lacy, comes to rescue – Delia can live with her in Derrymore House, Ballyderrig.

Gran sees potential in the girl where her mother sees nothing more than a dreamer. In the gentle nurturing bosom of the older woman. Delia flourishes, becoming a trusted helpmate in the kitchen, an aide in Gran’s many errands of mercy to her neighbours and skilful with her needle.

The one blot in this idyllic world is that Delia can’t make the progress she needs to fulfil her grandmother’s wish for her to become a teacher. The girl delights in reading poetry but cannot get on with French and maths. She also struggles with what she views as the petty rules and regulations in her convent school.

Never No More doesn’t have a plot as such, beyond tracing Delia through the years as she navigates the typical milestones in any young girl’s life. Her first days at school, the onset of puberty, the first dance, the first kiss are all made easier to manage when there is Gran to provide sound advice and the occasional shoulder upon which to cry.

The relationship between the young girl and the mature woman is the outstanding feature of this book. Mrs Lacy is loved and respected by everyone in her community, generous with her time, her knowledge and her food. A committed Catholic, she has no evident vices beyond the occasional tendency towards impatience.

She’s the person you want at your side if you’re a mother in labour or a young bride. When your home burns down and you’re left with not even a stick of furniture, it’s Mrs Lacy who offers you shelter and a home for however long you need it.

To the young Delia. she is much more than a substitute mother:

Did you ever know just how much you meant to me Gran? That to me you stood for understanding and sympathy and wisdom and for all the warm uncritical loving I needed? you were the purple bog and a ripe wheat-field and a crab-tree in May. You were good food, and songs in the firelight and the rosary at night. You were a welcome for my coming in and a prayer for my going out.

The love Delia feels towards this woman is equalled by the love she feels for the countryside around Ballyderrig:

The bog was never so beautiful as in May, when we cut the turf. A white road stretching straight and true as a taut ribbon ran gladly through that gentle spread of lovely colour. For a little distance, the full beauty of the bog was screened by the hedges that bordered the road – hedges of foaming May blossom and twisted mountain ash and swaying bog-willow. Later, the wild convolvulus would join each bush and tree with wildly-flung vines dripping with purple and white bells, and the honeysuckle and sweet briar would do their most fragrant best to kill your memories of the scent of departed hawthorn.

When the novel was published in 1942, people in that part of Ireland were apparently unhappy about the way they had been portrayed. I didn’t feel Maura Laverty was being unfair towards these individuals however. For sure there is a lot of humour involved in her anecdotes about the turf cutters, farmers and tinkers who make up the community. But she never makes them seem ridiculous. Nor does she sentimentalise this way of life; never shying away from the fact that people are poor and women die young in childbirth.

Never No More doesn’t just delight with description and anecdote, it also tantalises the taste buds.

The whole novel is punctuated by episodes in which Gran gets to work in the kitchen. Laverty can’t resist going into detailed description of each dish and exactly how its made. Some are more appealing than others!

“Buttery pancakes speckled with sultanas” I can relate to but I think I’ll pass on the stuffed eels and pigs brains “parboiled and coated in batter and fried”

Unsavoury dishes aside however, Never No More is an enjoyable read, a warm and heart-felt homage to a way of life I suspect exists only in fragments.

Never No More by Maura Laverty: Endnotes

Maura Laverty

Never No More: The Story Of A Lost Village is the debut novel by the Irish born Maura Laverty.

Published in 1942, it proved popular around the world. She followed it with another semi-autobiographical novel featuring Delia Sculle: No More than Human.

Though she wrote several novels, short story collections and two cookery books, she was better known for her work as scriptwriter for an Irish soap opera called Tolka Row that was broadcast on the RTE television station for four years in the 1960s.

Classics club Spin #22

Classics club spin

The Classics Club Spin is making another appearance and I’m using this to give me a nudge towards finishing this project.

I have only 3 books left to read towards the target of 50. Which sounds as if I’ve done a great job with this challenge but in reality I am way behind. The intention was to read 50 classics in 5 years, a timescale that went completely out of the window for me. No member of the Classics Club police force came knocking on my door however so I suppose my crime wasn’t that heinous.

Nevertheless I’d like to finish this soon. Then I can start again but with a new list…

If this is the first time you’ve heard of this, the idea is to create a list of any twenty books remaining from your Classics Club list, numbering them 1-20. On Sunday 22nd December  the Classics Club will announce a number. This is the book I will need to read by 31st January.

When I put my original list together I included more than 50 titles to give me flexibility in case I didn’t like some of my chosen titles. Even so I don’t have 20 titles left unread so I’m having to be  creative. Numbers 16-20 are new additions.

  1. The Black Sheep  — Honore Balzac 1842
  2. Basil Wilkie Collins 1852
  3. Framley Parsonage  Anthony Trollope 1861
  4. New Grub Street George Gissing 1891
  5. O pioneers —  Willa Cather  1913
  6. Gone to Earth  — Mary Webb 1917
  7. Age of Innocence  — Edith Wharton 1920
  8. The Last September —  Elizabeth Bowen 1929
  9. Frost in May Antonia White 1933
  10. Old Soldiers Never Die Frank Richards 1933
  11. Turf or Stone  — Margiad Evans 1934
  12. The Grapes of Wrath   John Steinbeck 1939
  13. Never No More Maura Laverty 1942
  14. The Quiet American  — Graham Greene 1955
  15. Alone in Berlin Hans Fallada 1947
  16. To the Lighthouse Virginia Woolf 1927
  17. No Name Wilkie Collins 1862
  18. The Lifted Veil — George Eliot 1859
  19. The Fall – Albert Camus 1953
  20. Anna of The Five Towns – Arnold Bennett 1902

I’m rather hoping for The Grapes of Wrath by John Steinbeck, Framley Parsonage by Anthony Trollope or Turf or Stone by the Welsh author Margiad Evans , a dark novel about an abusive marriage. I’ve never read anything by her previously but she features in the Library of Wales collection of Welsh ‘classics.’

Keep your fingers crossed for me ..

#Classics club spin lands on Evelina

The latest Classics Club spin has landed on number 19.

EvelinaThat number on my spin list is allocated to one of the oldest books on my original Classics Club list: Evelina by Frances Burney. Strictly speaking the book is called Evelina, or the History of a Young Lady’s Entrance into the World. 

It was first published as a three volume novel in 1778 but Burney’s authorship became known.

Told in epistolary style, it traces the experiences of an unacknowledged but legitimate daughter of a dissipated English aristocrat who lives a secluded life in the countryside until she is seventeen.  She gets her guardian’s consent to visit London for a holiday, an adventure which opens her eyes to the perils and pitfalls of  18th-century society. The novel  is a satire on Georgian society.

I included it on my Classics Club because it’s been described as a significant precursor to the work of Jane Austen and Maria Edgeworth and deals with some of the same issues.  It’s the first – and the best known – of Burney’s published novels.

I’ve found an interesting article by Chloe Wigston Smith on the British Library website which casts light on Burney herself and the origin of the novel. Interesting to discover that she was very anxious to keep her identity a secret because she was worried about the public reaction. She didn’t even tell her father until six months after the novel was issued and she’d received positive reviews.

I was rather hoping to have landed a more recent novel from my spin list since my last venture into eighteenth century literature (via The Vicar of Wakefield by Oliver Goldsmith) wasn’t a great success. I hope this one proves more enjoyable.

Classics club Spin#20

roulette-wheelTime for another round of the Classics Club Spin.

If this is the first time you’ve heard of this, the idea is to create a list of any twenty books remaining from your Classics Club list, numbering them 1-20. On Monday 22nd April the Classics Club will announce a number. This is the book I will need to read by 31st May.

Since I don’t have 20 titles left unread from my original list I’m having to be creative. Numbers 16-20 are new additions.

  1. The Black Sheep  — Honore Balzac 1842
  2. Basil Wilkie Collins 1852
  3. Framley Parsonage  Anthony Trollope 1861
  4. New Grub Street George Gissing 1891
  5. O pioneers —  Willa Cather  1913
  6. Gone to Earth  — Mary Webb 1917
  7. Age of Innocence  — Edith Wharton 1920
  8. The Last September —  Elizabeth Bowen 1929
  9. All Passion Spent  Vita Sackville West 1932
  10. Frost in May Antonia White 1933
  11. Old Soldiers Never Die Frank Richards 1933
  12. Turf or Stone  — Margiad Evans 1934
  13. The Grapes of Wrath   John Steinbeck 1939
  14. Never No More Maura Laverty 1942
  15. The Quiet American  — Graham Greene 1955
  16. Alone in Berlin Hans Fallada 1947
  17. To the Lighthouse Virginia Woolf 1927
  18. No Name Wilkie Collins 1862
  19. Evelina Frances Burney 1778
  20. The Lifted Veil — George Eliot 1859

I’m rather hoping for Turf or Stone by the Welsh author Margiad Evans , a dark novel about an abusive marriage. I’ve never read anything by her previously but she features in the Library of Wales collection of Welsh ‘classics.’

 

 

The Vicar of Wakefield by Oliver Goldsmith #bookreview

vicar of wakefieldThe Vicar of Wakefield by Oliver Goldsmith was one of the most popular and widely read 18th-century novels among Victorians.

I wonder what appealed most to them in this tale of  the misfortunes that beset a country priest and his family, the humour or its emphasis on the strength of the family as a social institution?

It’s a rather ‘gentle’ comedy about one of life’s innocents, Dr. Charles Primrose, whose blissful family existence is brutally interrupted when the merchant investor to whom he has entrusted his family’s fortune, absconds with all the money.  As a consequence his eldest son’s wedding with the daughter of a wealthy family is called off as a consequence. The rest of the family have to move to a more humble parish. Further mishaps follow: fire destroys their new home; a daughter is abducted by a scoundrel squire and a son is thrown into jail accused of involvement in a duel.

What’s so funny about this you might well wonder? It’s certainly not laugh out loud material, rather the kind that just makes you smile as you find Dr Primrose stumble into yet another situation that he doesn’t fully understand.

He’s a kind, good natured and well-meaning kind of man at heart. One whose spirit is dampened, but never extinguished by all the calamaties he experiences. When his money has gone he entreats his family to focus on happiness rather than trappings of gentility and to find “that every situation in life might bring its own particular pleasures.” Nothing gives him more delight than to be surrounded by his family near the fireside and he extols the virtues of married life at every opportunity.

The family is one of the key themes of the novel though Goldsmith also touches on class and gender and of course, faith. Ultimately this is a tale about a man whose devotion to his faith , though tested, doesn’t falter and who is rewarded for such devotion.

Was it an enjoyable book to read?

Not really.

I was on the point of giving up a few times. I didn’t particularly care for any of the characters or what became of them and I found the moral homilies and sermons irritating.  It was rather a dull book I thought and not one I would recommend.

I read it only because it was on my Classics Club list and it coincided with the ReadingIreland month hosted by Cathy at 746books.com


About the book

The Vicar of Wakefield was published in 1766 though is believed to have been written a few years earlier. According to James Boswell, Goldsmith’s biographer, the author was in some financial difficulties at the time and unable to pay the rent on his accommodation. He asked Samuel Johnson for help, mentioning he had written a book. Johnson sold a share to the bookseller Francis Newbery,  enabling Goldsmith to pay off his debts. Newberry then sat on the book for about two years.

About the author

Oliver Goldsmith was an Irish novelist, playwright and poet, whose best known work is  The Vicar of Wakefield . If however you went through the UK education system during the 60s and 70s, you may remember being forced to study another of his works:  She Stoops to Conquer . That was supposed to be a comedy too but the only reaction I can remember from my classmates is one of groans.

 

2019: What lies ahead

binoculars

Photo by Chase Clark on Unsplash

Now I’ve managed to close the lid on 2018 (see my wrap up post here), its time to turn my attention to 2019.

I’ve been wrestling with the question of whether to join some of the many challenges that are available. But on balance I decided that last year’s experiment with “Reading Naked” (by which I mean picking my next book randomly) was liberating so I plan to continue using that approach this year.

That doesn’t mean my year will be entirely without structure. But I’ll focus on projects rather than challenges. Challenges usually involve meeting a specific goal – reading a targeted number of books for example, or specified categories of books by a set date. I prefer the more open-ended nature of a project that I create for myself, where I get to decide on the scope and parameters.  I want the flexibility to go wherever my mood takes me.

Here’s how the year ahead could pan out.

I’m going for simplicity;  largely avoiding specific goals in favour of general directions. Most of these are continuations of existing projects and activities but – just to ring the changes – I’m going to start two new activities.

General directions 

  • Finish the Booker Prize project. This is the only specific goal I’m adopting this year. It should be a piece of cake since I have just two books and then I’m done. Although I have copies of the 2016 and 2018 books I’m not going to count them. If I manage to read them this year, they’ll be considered as bonus.
  • Re-connect with the Classics Club project.  I’m now 12 books away from the target of 50.  But I keep finding new titles to add so this could be a movable feast.
  • Travel the world: I stalled last year in my plan to read authors from a broader range of countries.  In a year when the UK is supposed to say goodbye to the EU, it feels appropriate to make sure my reading tastes have an international dimension.
  • Move through years of my life: I have a feeling that by reading more from my Classics Club list, I will be able to make progress on the Years of My Life project without having to make a special effort.

New Initiatives 

Booker Talk Team Expands

Booker Talk is approaching its 7th anniversary. I’m marking this milestone by expanding the team.  Two new faces will be making an appearance on this site shortly, contributing reviews and articles on reading, authors and books.

cerian fishlockCerian Fishlock is currently studying for an MA in Publishing. She’s an Agatha Christie fan who’s desperate to find a modern author that can match the Queen of Crime . She loves novels with a psychological edge and “if that can be combined with defeating the patriarchy, even better.”

 

 

 

edward colleyEdward Colley is a retired newspaper editor and graphic designer with an eclectic taste in books. He counts Thomas Hardy among his favourite authors.  In between reading fiction he enjoys biographies and travel writing .

 

 

 

 

Connecting with Welsh authors/publishers

For the past year I’ve been trying to support and promote literature from my home country of Wales, through reviews and the odd feature article on this site. Now I’m going a step further by creating a new series where we get to know some of the authors based in Wales.

cwtch definition I’m calling this new series Cwtch Corner. The idea is to get into a conversation with an author about their favourite authors and books, how and where they get their inspiration and what readers can expect from their own novel/s. This is a spot where authors could pitch their work to potential readers.

Never seen that word Cwtch before?  It’s a word used in the Welsh language to describe a physical place –  a small cubbyhole for example or a small room in a pub. But it also denotes a form of affection, love and caring. Think of it like a cuddle or a hug. So authors taking part in Cwtch Corner are hopefully going to find the experience a bit like being wrapped in a warm embrace.

I’m reaching out to authors to participate at the moment but if you know someone you think might be interested just ask them to contact me via Twitter using @bookertalk. Please note however that I am not intending to feature self-published authors.

 

 

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