Category Archives: Classics Club

Is The Franchise Affair the perfect crime novel? [review]

The Franchise Affair by Josephine Tey

The Franchise Affair

Sometimes a classic mystery or crime novel is the only type of book that will satisfy my mood. I don’t want the kind that oozes with blood or is  ultra complex but equally the novel shouldn’t be  ‘cosy’, or pedestrian.

Josephine Tey’s 1948 novel The Franchise Affair fitted my recent requirements perfectly.

It’s what I would class as an ‘intelligent’ mystery/crime novel.  There are no bodies to be counted, no trail of blood, no criminals to be tracked down and unmasked in a grand dénouement (á la Poirot) and no unexpected plot reversals (á la Christie). Instead Tey presents her readers with a puzzle and invites them to follow along with the ‘detective’ as he seeks to find the truth among a knot of lies and inconsistencies.

The job of sleuth in this novel falls on the shoulders of Robert Blair, a respected solicitor in a respected family law firm in the country town of Milton.  He’s called upon to defend Marion Sharpe and her mother who live in “The Franchise”,  an imposing house on the outskirts of town.

They’re accused of kidnapping fifteen-year-old Betty Kane, holding her prisoner for a month and beating her when she refuses to do their cleaning. This is far from Robert’s  usual kind of case but he’s been feeling lately that his life is rather unexciting and predictable. He’s rather taken with the Sharpe women and their sensible, forthright manner but he distrusts Betty’s story even though she can describe accurately items and rooms inside The Franchise.

Robert begins a painstaking search for clues that will prove his clients’ innocence and reveal that Betty is more of  a cunning minx than the butter-wouldn’t-melt figure she presents to police and jurors.

Media ethics in the spotlight

The Franchise Affair is a cleverly paced novel.  The first half is very much about Robert’s inability to find the holes in Betty’s story. Though he learns some surprising facts about her, he’s frustrated there is no real breakthrough. The second half has more tension; a race against time as the Sharpe’s find themselves arrested and the evidence appears to be firmly stacked against them.

Beyond the mechanics of the investigation lies a well crafted portrayal of how the media and a community react to a scandal in their midst.

Marion Sharpe and her mother were already viewed with suspicion in the town. They’re ‘outsiders’, for one thing and have acquired a reputation for being rude. The conservative townies think Marion looks like a gypsy with her dark hair, browned skin and colourful scarves. Perhaps, it’s whispered, they are witches…

The people of Milton find it easy to believe that these women who live in a ramshackle ugly house behind large gates, could be kidnappers and abusers. They find it equally easy to believe in Betty’s story, particularly when the girl’s youthful appearance and clothes makes even sober men think of “forget-me-nots and wood-smoke and bluebells and summer distances.”

This is a novel about the way people jump to conclusions. The townsfolk assume Betty is innocent because she looks that way and because she was orphaned during the war .  They assume Marion Sharpe and her mother are wrong-doers because they live in a large house (hence must be wealthy) and are a little odd.

Tey clearly doesn’t have much time for people like this. But she is even more disapproving of the way the media feed their prejudices. One newspaper, the Ack-Emma is described as:

… the latest representative of the tabloid newspaper to enter British journalism from the West. It was run on the principle that two thousand pounds for damages is a cheap price to pay for sales worth half a million.

The Ack-Emma’s  sensational headlines are instrumental in whipping up public animosity against the Sharpes. They take Betty’s story at face value, publish a picture of the Sharpe’s house (which then becomes a target for vigilantes) and allow abusive missives about the Sharpes to appear in their letters’ page. Tey’s narrator bemoans this new style of reporting. Time was, says the narrator, when newspapers could be relied upon to exercise sound judgement about the contents of their editions. But newspapers like Ack-Emma’ don’t confirm to those old principles.

However the narrator also acknowledges the Ack-Emma’s new style of reporting has clearly found favour with readers since sales had boomed and “in any suburban railway station seven out of ten people bound for work in the morning” were reading its pages.

Faultless characterisation

The Franchise Affair is a darn good story pepped up with sparky social commentary. It also has some first class characters. Robert Blair is a joy as the lifelong bachelor with a peaceful life. He has tea and biscuits brought each day to his desk on a on  lacquered tray covered with a clock. He can clock off work after the post has gone at 3.45pm, just in time for a round of golf before dinner. He’s also waited on hand and foot by a devoted aunt). I

His client ‘old’ Mrs Sharp is a fun character. Her acerbic tongue matches her name but she has has an equally sharp eye for spotting a winning race horse.

Pride of place however goes to one of the members of the supporting cast; Robert’s Aunt Linn: “a solid little figure with the short neck and round pink face and iron-grey hair that frizzed out from large hairpins.” She’s a woman perfectly content with her life which revolves around recipes, church bazars  and film star gossip gleaned from magazines. Though she’s not too keen on her nephew taking on the Sharpe’s case because the people at The Franchise “aren’t the kind of people I naturally take to” she is one of the few people in Milton who doesn’t let appearances get in the way of a desire for justice.

Though there are aspects of The Franchise Affair that situate it in a particular period (a post-war England which still has the death penalty)  it deals with issues that are still relevant today. Questions about media responsibility and accountability and the way communities take ‘justice’ into their own hands, are just as pertinent in 2019 as they were in 1948.


About the author

Josephine_Tey_portraitJosephine Tey was the pseudonym of Elizabeth MacKintosh  who was born in Inverness, Scotland in 1896. She also wrote plays under the name Gordon Daviot, a surname that might have been chosen because it was the name of the place near Inverness where she spent family holidays.

Her first published work appeared under the name of Gordon Daviot in The Westminster Gazette in 1925.  Her first mystery novel, The Man in the Queue, was published in 1929, marking the first appearance of Inspector Alan Grant from Scotland Yard. Grant makes a few brief appearances in The Franchise Affair.

Why I read this novel

I read and enjoyed another of Tey’s novels, The Daughter of Time in 2017. It’s an unusual novel, an investigation into the mystery of a historical event (the deaths of the Princes in the Tower). I was taken by her writing style, enough to want to read more of her work and luckily found a copy of The Franchise Affair in a charity bookshop. Incidentally this novel was included in a list of  recommended crime novels published by The Sunday Times.

Classics club Spin#20

roulette-wheelTime for another round of the Classics Club Spin.

If this is the first time you’ve heard of this, the idea is to create a list of any twenty books remaining from your Classics Club list, numbering them 1-20. On Monday 22nd April the Classics Club will announce a number. This is the book I will need to read by 31st May.

Since I don’t have 20 titles left unread from my original list I’m having to be creative. Numbers 16-20 are new additions.

  1. The Black Sheep  — Honore Balzac 1842
  2. Basil Wilkie Collins 1852
  3. Framley Parsonage  Anthony Trollope 1861
  4. New Grub Street George Gissing 1891
  5. O pioneers —  Willa Cather  1913
  6. Gone to Earth  — Mary Webb 1917
  7. Age of Innocence  — Edith Wharton 1920
  8. The Last September —  Elizabeth Bowen 1929
  9. All Passion Spent  Vita Sackville West 1932
  10. Frost in May Antonia White 1933
  11. Old Soldiers Never Die Frank Richards 1933
  12. Turf or Stone  — Margiad Evans 1934
  13. The Grapes of Wrath   John Steinbeck 1939
  14. Never No More Maura Laverty 1942
  15. The Quiet American  — Graham Greene 1955
  16. Alone in Berlin Hans Fallada 1947
  17. To the Lighthouse Virginia Woolf 1927
  18. No Name Wilkie Collins 1862
  19. Evelina Frances Burney 1778
  20. The Lifted Veil — George Eliot 1859

I’m rather hoping for Turf or Stone by the Welsh author Margiad Evans , a dark novel about an abusive marriage. I’ve never read anything by her previously but she features in the Library of Wales collection of Welsh ‘classics.’

 

 

The Vicar of Wakefield by Oliver Goldsmith #bookreview

vicar of wakefieldThe Vicar of Wakefield by Oliver Goldsmith was one of the most popular and widely read 18th-century novels among Victorians.

I wonder what appealed most to them in this tale of  the misfortunes that beset a country priest and his family, the humour or its emphasis on the strength of the family as a social institution?

It’s a rather ‘gentle’ comedy about one of life’s innocents, Dr. Charles Primrose, whose blissful family existence is brutally interrupted when the merchant investor to whom he has entrusted his family’s fortune, absconds with all the money.  As a consequence his eldest son’s wedding with the daughter of a wealthy family is called off as a consequence. The rest of the family have to move to a more humble parish. Further mishaps follow: fire destroys their new home; a daughter is abducted by a scoundrel squire and a son is thrown into jail accused of involvement in a duel.

What’s so funny about this you might well wonder? It’s certainly not laugh out loud material, rather the kind that just makes you smile as you find Dr Primrose stumble into yet another situation that he doesn’t fully understand.

He’s a kind, good natured and well-meaning kind of man at heart. One whose spirit is dampened, but never extinguished by all the calamaties he experiences. When his money has gone he entreats his family to focus on happiness rather than trappings of gentility and to find “that every situation in life might bring its own particular pleasures.” Nothing gives him more delight than to be surrounded by his family near the fireside and he extols the virtues of married life at every opportunity.

The family is one of the key themes of the novel though Goldsmith also touches on class and gender and of course, faith. Ultimately this is a tale about a man whose devotion to his faith , though tested, doesn’t falter and who is rewarded for such devotion.

Was it an enjoyable book to read?

Not really.

I was on the point of giving up a few times. I didn’t particularly care for any of the characters or what became of them and I found the moral homilies and sermons irritating.  It was rather a dull book I thought and not one I would recommend.

I read it only because it was on my Classics Club list and it coincided with the ReadingIreland month hosted by Cathy at 746books.com


About the book

The Vicar of Wakefield was published in 1766 though is believed to have been written a few years earlier. According to James Boswell, Goldsmith’s biographer, the author was in some financial difficulties at the time and unable to pay the rent on his accommodation. He asked Samuel Johnson for help, mentioning he had written a book. Johnson sold a share to the bookseller Francis Newbery,  enabling Goldsmith to pay off his debts. Newberry then sat on the book for about two years.

About the author

Oliver Goldsmith was an Irish novelist, playwright and poet, whose best known work is  The Vicar of Wakefield . If however you went through the UK education system during the 60s and 70s, you may remember being forced to study another of his works:  She Stoops to Conquer . That was supposed to be a comedy too but the only reaction I can remember from my classmates is one of groans.

 

Classic Club Spin: A vicar’s tale awaits me

roulette

Photo by Krissia Cruz on Unsplash

The wheel has spun in the 19th round of the Classic Club Spin.  It landed on number 1 which means I will be reading The Vicar of Wakefield by Oliver Goldsmith. Published in 1766, this is the oldest book remaining from my Classics Club list. 

This is in fact the second time this book has been selected in a Classics Club spin. It was the book I was meant to read in April 2015 but I never got around to it for reasons I can no longer remember.

It’s about a vicar (no surprises there) and his family of six children who live an idyllic life in a country parish until he loses all his money. They are forced to move to a new and more humble parish. What ensues is a series of set backs and calamities including fire, abduction and imprisonment before order is once more restored.

Narrated by Dr Charles Primrose (the vicar) in 32 chapters, the novel begins:

I was ever of the opinion, that the honest man who married and brought up a large family, did more service than he who continued single, and only talked of population. 

It’s on my list because it was one of the most popular and widely read of 18th-century novels in Britain.  Encyclopaedia Britannica says the novel’s idealization of rural life, sentimental moralizing, and melodramatic incidents are countered by a sharp but good-natured irony. I was relieved to discover that the tone was ironic because I feared it would be just  ‘comic’, a style which I don’t particularly enjoy.

Have any of you read this? If so, what was your impression? Am I in for an enjoyable read or a bit of a so-so experience?

Classic Club: Spin #19

classicsclub3

It’s time for another Classic Club Spin.  I wasn’t going to participate this time around because I already have a few books lined up to read in the next few weeks. But then I noticed today that we have an extra long period in which to read the selected book.

So here we go with a list of 20 books remaining from my Classics Club list.  I don’t actually have 20 titles remaining from my original list – I am down to the last 13 in fact – so have had to add in a few extras just to make up the numbers.

Here is my list. I’ve tried to go for a mixture across centuries and geographies. The bulk are  from the twentieth century but I’ve included a smattering from eighteenth and nineteenth centuries also. Geographically, it’s a mix of British, French, American and Australian. Just to be patriotic I included  two titles by authors from Wales.

  1. The Vicar of Wakefield  — Oliver Goldsmith 1766
  2. The Black Sheep  — Honore Balzac 1842
  3. Basil Wilkie Collins 1852
  4. Framley Parsonage  Anthony Trollope 1861
  5. The Kill/La Curée – Emile Zola 1871-2
  6. Daniel Deronda  — George Eliot 1876
  7. New Grub Street George Gissing 1891
  8. My Brilliant Career — Miles Franklin  1901
  9. O pioneers —  Willa Cather  1913
  10. Gone to Earth  — Mary Webb 1917
  11. Return of the Soldier  — Rebecca West 1917
  12. Age of Innocence  — Edith Wharton 1920
  13. The Last September —  Elizabeth Bowen 1929
  14. All Passion Spent  Vita Sackville West 1932
  15. Frost in May Antonia White 1933
  16. Old Soldiers Never Die Frank Richards 1933
  17. Turf or Stone  — Margiad Evans 1934
  18. The Grapes of Wrath   John Steinbeck 1939
  19. Never No More Maura Laverty 1942
  20. The Quiet American  — Graham Greene 1955

 

Tomorrow we learn which of these titles I will be reading between now and the end of January 2019. I have a hankering for the Trollope, it seems just the right kind of book to be reading in front of a cosy fire. But otherwise I have no particular favourites.

South Riding by Winifred Holtby #bookreview

South RidingIf I had relied entirely upon the back cover synopsis, I doubt I would have read Winifred Holby’s final novel.

The blurb gave me the impression the focus was on Sarah Burton, the idealistic new head of a girls’ school in a fictional Yorkshire seaside town and her clashes with conservative locals. It sounded rather tame.

Fortunately there are plenty of bloggers around whose opinions I have learned to trust more than a publisher’s synopsis.

South Riding is a novel that evokes the lives of people in a Yorkshire community that is trying to recover from the tumult of the First World War. Former soldiers, local politicians, religious leaders and the working men who struggle to make a living: all are conscious that their world is changing. They just have different ideas about what should change and how.

One of the chief advocates for change is the outsider Sarah Burton. She’s a spirited woman whose idealism is matched with an eminently practical nature.  Faced with a tumble down building and a school that doesn’t have the greatest of academic reputations, she decides her first battle ground will be the toilet arrangements.

I don’t really mind a hall the size of a cupboard, a pitch dark cellar-gymnasium and laboratories housed in a broken-down conservatory; but these beetle-hunted cloakrooms I will not have. They’re enough to constipate any child for months. I will have those altered.

Sanitary provisions are but a step towards her greater goal of a world from which disease, poverty and ignorance have been eradicated. In her opinion that will take government  intervention.

Opposing her is the book’s representative of the gentility; local squire Robert Carne. He’s conservative by nature, opposed in principle to the idea that local government should expand its sphere of influence. Carne is very much a man of the past not the future. He sticks to traditional methods of farming but despite his best efforts he cannot make his estate pay its way and his manor home is crumbling about his ears.

His conservatism also puts him at odds with  other members of the local county council, Alderman Snaith and Councillor Joe Astell, who connive to push ahead with their own plan for change. But their desire to replace a slum area with a new town, complete with new job opportunities, is not motivated entirely by altruistic principles.

The clash between the forces of tradition and progress is played out in the chamber of the county council. This is where decisions are made affecting the lives of everyone in South Riding:  whether roads will be built, slums cleared, a new maternity hospital established. But anyone expecting to hear lively debates about critical issues, quickly gets their ideas squashed. When young journalist Lovell Brown witnesses his first meeting of the county council, he discovers it is far from an exciting spectacle.

Without emotion, without haste, without even, so far as Lovell could discern, any noticeable interest, the South Riding County Council ploughed through its agenda. The General mumbled; the clerk shuffled papers, the chairman of committees answered desultory questions.

It’s a testament to Holtby’s skills that she makes us care about what happens in this mundane world of local politics.

Politics aside, South Riding is a very human novel. Holtby isn’t afraid to show life as it really was in the 1930s and that there are no easy answers.  Sarah declares she wants her pupils “to know they can do anything,” but the case of one girl, Lydia Holly, shows the gulf between her desire and what is possible. Lydia is a bright and intelligent girl who lives in “the Shacks” – a set of disused railway carriages. She dreams of a scholarship and learning but her ambitions have to be set aside  when she is required to become a substitute mother for her many younger brothers and sisters.

All of human life is depicted in South Riding. Almost every character in this novel (there are some 160 of them) has a problem. Cancer for one, poverty for another, a loveless marriage for a third. We feel for all of them but Winifred Holtby shows that a happy ending is possible for only a few. Rather than the plot it’s the way Holtby brings these characters to life and shows them as distinctly human with their shortcomings as well as seams of goodness, that makes South Riding such an enjoyable read.

 

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