Category Archives: Reading challenges

Hidden voices of Chinese women [book reviews]

good women of china-1Maybe I was spoiled by the brilliance of Wild Swans by Jung Chang but any thoughts that The Good Women of China by Xinran would be similarly revealing about the lives of Chinese women today were sadly quashed.

Xinran is a journalist who worked for eight years as a presenter at a Chinese radio station. Touched by many letters she received from women she persuaded her bosses to let her reveal some of their stories. It was a bold move because some of those stories were critical of Chinese society and it’s ruling elite — exactly the kind of story subject to the country’s strictly enforced censorship rules. Though Deng Xiaoping had started a process of opening up the country in 1983, it was still risky to discuss personal issues in the media. But Xinran prevailed. She was, she said:

… trying to open a little window, a tiny hole, so that people could allow their spirits to cry out and breath after the gunpowder-laden atmosphere of the previous forty years.

Over time she began pushing the boundaries, taking a risk that one mistake – even one comment – could endanger her career if not her freedom. Such was the popularity of her program that the radio station had to install four answering machines so women could call in and record their comments.  Words on the Night Breeze became famous through the country for its unflinching portrayal of what it meant to be a woman in modern China. Xinran was hailed as the first female presenter to ‘lift the veil’ of Chinese women and delve into the reality of their lives. Her programme dealt with sexual abuse, attitudes towards disability, forcible removal of children from their mothers and a practice of pushing intelligent women into unhappy marriages with government leaders — marriages they could not leave because of the resulting damage to the husband’s reputation. Her stories concerned women of all different classes and ages and degrees of experience.

The most moving for me was the story of  Xiao Ying, a survivor of an earthquake in Tangshan in 1976 which killed 300,000 people.  In the subsequent chaos she was gang raped by soldiers. When her mother found her in a ditch, she kept pulling down her trousers, closing her eyes and humming. Xiao Ying was sent for psychiatric treatment. She seemed better after two and a half years, but the day before her parents were due to take her home, she hanged herself. She was 16.

Xinran was deeply affected by what she discovered, travelling the breadth of the country to track down some of the women whose stories she had heard. One of them lived in a poor shack next to the radio station, keeping body and soul alive by scavenging though Xinran discovered her son was a wealthy party official. Another woman she found in a remote hotel in shock after meeting again the boyfriend from whom she’d been separated 45 years earlier. Xinran sat with her throughout the night, slowly giving the woman the courage to speak about her life.

Centuries of obedience to the principles of “Three Submissions and the Four Virtues” (submission to fathers, husbands and sons), followed by years of political turmoil had made women terrified of talking openly about their feelings. Xinran won their trust and, through her compassion and ability to listen. Repeatedly they told her that she gave them a space in which to express themselves without fearing blame or other negative reactions.

If the ability to tell their stories, changed these women, hearing them also changed Xinran. Her youthful enthusiasm gave way to pain the more she learned and the more she understood.

At times a kind of numbness would come over me from all the suffering I had encountered, as if a callus were forming within me. Then I would hear another story and my feelings would be stirred up all over again.

By 1997, after a particularly traumatic visit to a community where women were denied sanitary product, whose wombs had collapsed through constant childcare,  the pain became too much and Xinran left China for England. She wanted, she said to breathe new air and to feel what it was like to live in a free society. But she didn’t want to abandon the women who’d been encouraged by her programme – so she wrote her book to teach the west what it meant to be a woman in China.

It’s a worthy cause and there is little doubt that Xinran gave hope to thousands of women whose stories she heard and the millions more who listened to her programme. But it doesn’t make for a very good book. By the very nature of its subject The Good Women of China is an episodic book and each of the 15 personal stories she relates is touching. But it lacks objectivity and analysis. Instead of stepping back from a story and reflecting what this tells us about Chinese society, she’s onto the next example and the next and the next. Without analysis and reflection on whether these conditions have changed, it’s hard to comprehend if these are isolated examples or how representative they are of real life. Reading this book left me with too many unanswered questions.

Footnotes

About the bookThe Good Women of China: Hidden Voices is translated by Esther Tyldesley. It was published in 2002 by Chatto and Windus in the UK.

About the author: Xinran (the name means “with pleasure” ) was born in Beijing in 1958 and lived with her wealthy family until the Cultural Revolution separated them when she was seven. After working in a military university she became a radio journalist. Her talk show, Words on the Night Breeze, started in 1988; within three weeks she was receiving 100 letters a day, mostly from women. She moved to the UK in 1997, where she compiled their stories in The Good Women of China. Xinran is a columnist for national newspapers in the UK.

Why I read this book: I’ve been fortunate enough through my job to visit China and to meet many people from that country. The stories of their culture and how this is under pressure as the country becomes an economic power house and a force in international affairs, has fascinated me. I thought The Good Women of China would help me better understand the people of this country. This book is part of my 20booksofsummer reading list.

 

Goodbye Tsugumi by Banana Yoshimoto #bookreview

goodbye tsugumiGoodbye Tsugumi is the story of one summer in the lives of two girls who are related by blood if not by temperament. 

Tsugumi  Yamamoto is a mercurial character. An invalid from a young age she has grown up in a small seaside inn as a spoiled and occasionally mean spirited girl around whom everyone tiptoes, afraid to spark her ill-humour.  According to her cousin Maria, Tsugumi “was malicious, she was rude, she had a foul mouth, she was selfish, she was horribly spoiled, and to top it all off she was brilliantly sneaky.

Maria  Shirakawa (the narrator) is a more thoughtful girl, a model of patience and affability who has learned to deal with the uncertain relationship of her parents – her father is a businessman living in Tokyo, her mother is his mistress who lives and works in the inn. She is aghast at some of Tsugumi’s pranks and hurt to be the victim of her acid tongue but she is still drawn to the girl.

It wasn’t narcissism.  And it wasn’t exactly an aesthetic.  Deep down inside, Tsugumi had this perfectly polished mirror, and she only believed in the things she saw reflected there.  She never even considered anything else.
That’s what it was.
And yet I liked her even so, and Pooch [a dog] liked her, and probably everyone else around her liked her too.  We all continued to be enchanted by her. 

Part of Tsugumi’s attraction is that she has a vivid imagination which makes her fun to play with. She creates wild and inventive games for her and Maria, including their favourite “The Haunted Mailbox” in which they pretend to receive letters from the dead in an old rusted box behind their school.

When her father gets his divorce, Maria and her mother move to Tokyo and Maria  embarks on a new path in her life as a university student. But a call from Tsugumi offers her a chance to return to the inn for one last summer before the place is sold. It’s a chance to recapture idyllic summers of the past and to deepen the bond with her difficult cousin. She acknowledges that Tsugumi is “really an unpleasant young womanbut that summer she sees for the first time the inner strength of her friend and has to face the real possibility that she could lose her.

In essence this is a coming of age novel in which Maria comes to appreciate that time does not stand still, that her childhood is in the past and loss is a part of growing up.

Summer was coming.  Yes, summer was about to begin.
A season that would come and go only once, and never return again.  All of us understood that very well, and yet we would probably just pass our days the way we always had.  And this made the ticking of time feel slightly more tense than in the old days, infused it with a hint of distress.  We could all feel this as we sat there that evening, together.  We could feel it so clearly that it made us sad, and yet at the same time we were extremely happy.

This is a beautifully atmospheric novel rather than one which has a strong plot. We get a  strong sense of sadness at the loss of the idyll of one’s youth (the goodbye of the title is not the end of a relationship but the end of childhood innocence) but there is also a feeling of hope as Maria comes to appreciate the potential of her own life in the future. 

Yoshimoto’s description of nature and the beaches and the mountains at the resort have a poetic quality which also drew me in.

The whiteness of the flowers seemed to levitate in the dark. Every time the crowd of petals bobbed under a puff of wind you were left with an afterimage of white that had the texture of a dream. And just beside that dream the river continued to flow, and off in the distance the dark nighttime ocean stretched the glow of the moon into a single gleaming road. The black waters before us swelled up and fell back again, glimmering with tiny flecks of light, the dark motion extending all the way to infinity.

I also enjoyed her gentle, yet thoughtful style. Here is just one example:

Each one of us continues to carry the heart of each self we’ve ever been, at every stage along the way, and a chaos of everything good and rotten. And we have to carry this weight all alone, through each day that we live. We try to be as nice as we can to the people we love, but we alone support the weight of ourselves.

I’ve seen some comments from other reviewers that Goodbye Tsugumi isn’t as strong a novel as her debut work Kitchen. Since I’ve not read that or anything else by Yoshimoto in fact I can’t judge how accurate that assessment is. Goodbye Tsugumi may not be as rich in philosophy or big ideas as some of the other Japanese authors I’ve read but I still enjoyed it.

Footnotes

About this book: Published in Japanese in 1989, translated into English in 2002 by Michael Emmerich.

About the author:  Banana Yoshimoto is the pen name of the Japanese writer Mahoko Yoshimoto whose debut novel  Kitchen was widely applauded on publication in 1988. Yoshimoto began her writing career while working as a waitress at a golf club restaurant. Apparently she adopted the name Banana because of her love of banana flowers, but also because she considers it “cute” and “purposefully androgynous.”. She has written 12 novels many of which deal with themes  of love and friendship, the power of home and family, and the effect of loss on the human spirit. 

Why I read this book: I have a feeling I came across the name of Banana Yoshimoto when I was reading about the Japan in January project run by Tony at tonysreadinglist. It’s been stuck on my shelves for a few years now but I dusted it down ready for Japan lit challenge. It also counts as one of my 20booksofsummer reading list.

The Finkler Question by Howard Jacobson #BookerPrize #bookreviews

finkler question-1I tried my best but around page 150 The Finkler Question and I parted company. It’s become only the second Booker Prize winning title that I have failed to finish — in case you’re wondering, the other was The Famished Road by Ben Okri, a book so bad I couldn’t even make it past page 80 (my review explains what I hated about this book).

The Finkler Question is the story of Julian Treslove, a man who once worked on the kind of BBC Radio 3 programmes that no-one ever listens to (if you discount the insomniac man and his dog in the Outer Hebrides). He’s come down in the world and is now making a living as a celebrity lookalike. Not that he resembles anyone famous especially, he just looks like all kinds of people in general. Treslove is a man much inclined to introspection who attacks an idea with the determination and perseverance of a dog with a bone. Treslove has an identity problem. He wants to be a Jew so that he can experience the sense of belonging possessed by his two closest friends who are Jewish.

One of them, Sam Finkler, has become a celebrity as the author of popular  mainstream books on philosophy.  Treslove resents his friend’s success and hi-jacks his surname Finkler as a shorthand descriptor for the word “Jew” because “It took away the stigma ….The minute you talked about the Finkler Question, say, or the Finklerish Conspiracy, you sucked out the toxins.”  Another, much older friend, is Libor Sevcik, an elderly ex-Hollywood journalist who is in mourning for his beautiful dead wife.

In essence the novel deals with Treslove’s obsession with the meaning of Jewishness, politically, socially, culturally etc. He sees it as a club to which his friends belong but from which he has always felt ostracised. But on his way home from dinner with his two pals he is mugged by a woman whose parting words, Treslove believes, are “You Jew”. He takes it as a sign that his attacker knows more than he does —t hat he is, as he has always desired to be — Jewish.

A lot of the novel up to page 150 is taken up with Treslove looking for further confirmation of his Jewishness and with the reactions of friends and family.  In between we get discussions between Finkler and Sevcik about the state of Israel. Sevcik is pro, pronouncing the word “as a holdy utterance like the cough of God” whereas the anti-Israel Finkler makes it sound as if the word denoted an illness. They’ve debated the subject so many times even they sound rather tired of it – Finkler responds with a resigned “Here we go, Holocaust, Holocaust” whenever the subject comes up, attracting the equally resigned repost from Libor “Here we go, here we go, more of the self-hating Jew stuff.”

According to The Guardian reviewer The Finkler Question is “full of wit, warmth, intelligence, human feeling and understanding.” To me it was just dull, repetitive and self-indulgent. It seemed to move forward at snail’s pace with endless dialogue about what makes a person a Jew.  Howard Jacobson opens up an interesting line of questioning here. Is Jewishness a state of mind inherent from the time of birth? Or is it a state of mind acquired over time. Or a set of behaviours? At one conversation Treslove fails to persuade Libor that his boyhood interest in opera and the violin is significant.

That doesn’t make you Jewish. Wagner listened to opera and wanted to play the violin. Hitler loved opera and wanted to play the violin. … You don’t have to be Jewish to like music.

Interesting yes but Jacobson milks this approach, returning to the same kind of conversation over and over again without ever reaching a decision to act. It’s quite tedious. By the time I’d reached page 150 I’d had enough of Treslove’s persistent introspection. He’s not a character I cared enough about to want to know  whether his deliberations reached any satisfactory conclusion. I just wanted to grab him by the scruff of his neck and shake some sense into him.

Footnotes

About the Book: The Finkler Question by Howard Jacobson won the Booker Prize in 2010. Jacobson was the rank outsider for the £50,000 prize – the money was on Emma Donaghue to win with Room or Tom McCarthy’s C . 

About the author: Howard Jacobson was born in 1942 in Manchester, UK. He went to Cambridge university studying English under the tutelage of F.R Leavis. He pursued an academic career in Australia and then the UK. His first novel Coming from Behind, was published when he was in his 40s.

Why I read this book: It’s one of the remaining 10 titles in my Booker prize project. I also made it one of my 20booksofsummer titles 

 

A Tale for the Time Being by Ruth Ozeki [Book Review] #20booksofsummer

Tale for timeIf you’d asked me a few weeks ago whether I’d be likely to enjoy a novel about everything from Zen and the meaning of time to the Japanese tsunami and environmental degradation, I’d probably have said no way. But not only did I enjoy A Tale for the Time Being by Ruth Ozeki it’s turned out to be one of the best books I’ve read so far this year.

This is a novel that addresses big themes that transcend cultures and borders yet it starts at the level of one individual. In a Tokyo cafe where waitresses dress up as French maids, 16 year old Nao (pronounced as “now”) Yasutani  pours out her thoughts into a diary. Her journal is an attempt to deal with the severe loneliness and feelings of alienation she has experienced since her father lost his lucrative hi-tech job in Silicon Valley, California  and the family had to move back to Japan. They live in a one bed room apartment; her mother sits for hours in front of a tank of jellyfish at the aquarium, her father, unable to get a job, has attempted suicide. Nao has been bullied, ostracised and humiliated at school and is herself contemplating suicide. But first she will write the life story of her 104-year-old grandmother Jiko, a nun who lives in a remote Buddhist temple in north-eastern Japan.

More than a decade later, the diary, wrapped in a Hello Kitty lunchbox and freezer bags covered in barnacles, is washed ashore on an island in British Columbia where it’s discovered by Ruth, an author.  As she reads the Nao’s words Ruth becomes sucked into the mystery of the girl’s life.   How has the diary wound up here on the other side of the world? Did it float across the Pacific on one of the huge gyres of waste she learns about from her husband Oliver?  How long had the package been tossed about in the sea? What happened to Nao – did she kill herself or was she a victim of the tsunami in 2011? Can Ruth find and save her? Questions that compel Ruth to frantically hunt the Internet, seek insight from local marine experts and help with translation. Each time she thinks she is making progress, she hits another dead end.

The novel oscillates between first person excerpts from Nao’s diary and third person narration in which Ruth reacts to the diary and the other documents. New layers of story emerge and new connections are made. In the lunchbox, Ruth discovers letters from Jiko’s son, Haruki, a young man forced to give up his studies and become a kamikaze pilot during the last days of the Second World War. In the letters, written in French so his commanding officers cannot understand them, he reveals his fears about the task he has been ordered to undertake. The package also contains Haruki’s watch which miraculously still keeps time.

Time of course is one of the threads that holds the novel together. The slippery nature of time is one of Nao’s preoccupations. She calls herself a “time being.  … someone who lives in time, and that means you, and me, and everyone of us who is, or was, or ever will be.”  She captures her thoughts about her “last days on Earth” in a diary bound within the covers of an old copy of Proust’s  A la Recherché du Temps Perdu. As she recounts her past, she wonders not only who will read her story, but also when she will catch up to her present and what catching up will feel like. At the same time, she seems to believe that “now” is an impossibility because it keeps disappearing:

In the time it takes to say now, now is already over. It’s already thenThen is the opposite of now. So saying now obliterates its meaning, turning it into exactly what it isn’t. It’s like the word is committing suicide or something.

She invites her imagined reader to count the moments of the now with her. Across the years and across the ocean Ruth tries to keep in time with Nao, forcing herself to slow down the pace at which she reads the journal. Reading it at the same pace at which Nao wrote it, will she reasons, enable her to “more closely replicate Nao’s experience.”  It’s left to Ruth’s husband Oliver to provide a logical explanation for the conflation of past and present she experiences, using the experiment known as Schrödinger’s cat as evidence that an object (or Nao herself) may be simultaneously both alive and dead.

Philosophical explorations of quantum mechanics, discussions about crow species and the anatomy of barnacles populate A Tale for the Time Being. It’s a dizzying array of ideas which sometimes threaten to overwhelm the reader (especially if you also pay attention to the 163 footnotes and six appendices). What holds it all together is Nao’s voice. She’s a direct and engaging narrator, holding little back in her account of her fears for her father and the despair when a disturbing film about her goes viral through social media.  What saves  her is her relationship with her grandmother. During a summer holiday at the temple Nao learns how to control her anger, empty her mind and express gratitude for the simplest things in life. It’s hard not to feel sympathy for this girl in her pain and her desire for love. 

If you want a novel that deals with both the big and the small issues,  A Tale for the Time Being ticks all the boxes. It’s quite mesmerising in scope but at the heart of it is a young girl reaching out across time and space for help.

Footnotes

About the Book: A Tale for the Time Being is Ozeki’s third novel. It was longlisted for the 2015 International IMPAC Dublin Award and shortlisted for the 2013 Booker Prize.

About the Author: A native of Connecticut, Ruth Ozeki immersed herself in English and Asian Studies college and through extensive travel in Asia. After working in cinematic set design and television production, she became an independent filmmaker. Ozeki’s two earlier novels, My Year of Meats and All Over Creation, were both recognized as Notable Books by The New York Times. An ordained Zen Buddhist priest, Ozeki divides her time between New York and British Columbia. There are numerous parallels between the author and the character of Ruth in A Tale for the Time Being – aside from sharing a name, they are each married to a man called Oliver, have a mother who suffers from Alzheimer’s, a moody cat and have a house on an island in Desolation Sound. 

Why I read this book: I heard about this book when it was shortlisted for the Booker Prize and was considered to be a strong contender (though some reviewers said they felt the section set in British Columbia was weaker than the Tokyo sections). I never got around to reading it but then found a copy in a library sale. It’s one of the books on my 20booksofsummer reading list.

Caution: Reading Roadblocks ahead

cautionI decided at the start of this year that I wouldn’t make any reading plans. I’m just hopeless at sticking to them so what’s the point? And so far I’ve been able to keep pretty much on track, just reading whatever has taken my fancy from my current bookshelves (only a few non-bookshelf exceptions like Station Eleven).

But a few cracks have developed in that game plan lately.

First, along came Cathy’s 20booksofsummer challenge which I joined last year and thought would be good to repeat. I seem to prefer short term ‘challenges’ where you can participate at different levels. This one is just three month’s duration and though it involves making a reading list, there’s no compulsion to stick to the list.  I’m now on book five from my list and not yet feeling constrained.

Then Adam at Roof Beam Reader pops up with his Austen in August event where the idea is to read Jane Austen’s works (finished or unfinished), or biographies, critique’s etc. Since this is Austen’s bicentenary year, what could be more appropriate? Besides which I have a few non-fiction books that I’ve been meaning to read for several years including What Matters in Jane Austen?: Twenty Crucial Puzzles Solved by John Mullen and The Real Jane Austen by Paula Bryne. And so I’m signed up for this.

The next person to test my resolve was Meredith who blogs as Dolce Bellezza.  with her Japanese literature challenge which runs from June to January 2018. Easy this one I thought – there’s no need to make any kind of a list and most of the activity will run after 20booksofsummer is over. And so I’m signed up for this.

Still manageable I was thinking until I saw a blogger mentioned a few that I’d forgotten about like July such as Spanish Lit Month in July,  German Lit Month in November and Women in Translation Month in August. And then there is the All August/All Virago project happening in just a few months.

You can see a pattern emerging now I think?

For someone who had no plans, I seem to have acquired one which will take me into 2018. Hmm. However that’s happened, the reading journey ahead is going to get congested because I still have 10 titles remaining to complete my Booker Prize project . I’m determined to do that by end of this year.

To navigate around the bottleneck I’m going to reign back even further on my Classics Club reading . I’m way behind with that anyway – 16 books to read before the end of August if I’m to meet the ‘deadline’ of 50 books in five years which is never going to happen. I’ll also be a little more judicious about any further reading projects/challenges I join for the rest of 2017. I’ll do the ones I’ve already signed up for (20booksofsummer, Austen in August, Japan literature) but I’m going to forgo  Spanish Literature Month and decide between Women in Translation and All August/All Virago.

Wish me luck as I steer through the congestion.

 

Jamaica Inn by Daphne du Maurier [bookreview] #20 booksofsummer

Jamaica Inn Sometimes it pays to give an author a second —  or even a third — chance. Such has proved to be the case with Daphne du Maurier, an author I first encountered via My Cousin Rachel. Unfortunately it proved a deeply unsatisfying experience. I was expecting far more suspense and menace but though the book promised so much in this direction, ultimately for me it failed to deliver.

But I had another of her novels sitting unread on my bookshelves; Jamaica Inn. Surely the woman considered a master of the art of telling suspensful stories with sinister overtones couldn’t disappoint a second time? I’m happy to report that she didn’t. Jamaica Inn is a romp of a novel that proved a perfect companion during a heatwave that robbed my brain of any ability to deal with taxing reading material.

Written in 1935 but set in the early 19th century, Jamaica Inn is a fast-paced drama full of murder, paranoia, violence and sexual threats.  It’s set in a delapidated Cornish coaching inn, on a lonely road between Bodmin and Launceston, a place surrounded by treacherous marshes and high tors. This is an unforgiving landscape, certainly not the pleasant farmland community of ‘shining waters … green hills and sloping valleys’ that was home to our heroine Mary Yellan for 23 years of her life. But on the death of her mother, she cannot continue to manage their farm single-handedly. Without the farm she has no option but to take refuge with her aunt Patience and her husband Joss Merlyn who run a pub called Jamaica Inn.

Bodmin Moor 2

Bodmin Moor, Cornwall

Her arrival at the isolated inn is the first stage in her journey from paradise to hell, from ignorance to tortured knowledge and from innocence to sexual awareness. Du Maurier provides a suitably Gothic tone to herald Mary’s arrival at the inn. She travels in a coach that creaks, sways and groans its way across the bleak moors in mist and driving rain. Mary reflects that the people of this part of the country must be “born of strange stock who slept with this earth as  pillow, beneath this black sky. They would have something of the Devil left in them still.”

When she arrives at the inn it’s to discover a place that seems steeped in suffering. It’s “like a live thing’ yet has a “cold, dead atmosphere”. A clock ticks “like a dying man who cannot catch his breath” and on Mary’s first night she is spooked by the battered wooden inn sign that creaks “like an animal in pain. ” Outside Mary hears the wind whistling across the moors as if it’s “a chorus from the dead” which isn’t that far from the truth since there are indeed the corpses of murder victims buried among the bogs.  It doesn’t take long for Mary to learn that the inn’s reputation as a place of secrets is fully justified.

Jamaica Inn, Cornwall

Jamaica Inn, Cornwall

As she is drawn inexorably in to the smuggling, theft and murder committed by Joss Merlyn and his associates, Mary learns also what it is to be fearful for her own safety. She’s a brave girl, repeatedly facing up to her thuggish uncle and refusing to be cowed by his brutality but she treads a treacherous path; torn between the desire to expose wrong doing yet wanting to protect her aunt.

Uncle Joss is one of the great villains of fiction. He’s the key figure in a network that lures ships off course and sends them crashing into the rocks so they can steal the cargo. He’s a powerful figure whose considerable physical presence is matched by a cunning nature. When he opens the door to Mary on her arrival she sees:

… a great husk of a man, nearly seven feet high with a creased black brow and skin the colour of a gypsy. … He looked as if he had the strength of a horse with immense powerful shoulders, long arms that reached almost to his knees, and large fists like hams. His frame was so big that in a sense his head was  sunk between his shoulders giving that half-stooping impression of a giant gorilla, with his black eyebrows and his mat of hair.

He and Mary play a cat and mouse game from her very first night when he threatens to “break you until you eat out of my hand” if she gossips about anything she hears or sees at the pub. She faces down his threats instantly: “If you hurt my Aunt Patience in any way,  I tell you this —  I’ll find the magistrate and bring him here and have the law on you and then try and break me if you like.” But though Joss has a grudging respect for her courage, she’s still a threat to his empire and one he will not refrain from harming if it suits his purpose.

Amidst the dramatic scenes du Maurier has woven a few interesting themes. One is around love and sexual desire. Mary becomes attracted to Joss’ brother Jem Merlyn though she knows he’s a dangerous man, a horse-thief who bears a physical resemblance to her uncle.  Mary is smitten by his bright eyes and long dark lashes but can she trust him?  How much does he know about the smuggling? Her encounters with Jem set up a conflict where Mary recognises “he stood for everything she feared and hated and despised; but she knew she could love him.”  This is not a girl with a rose-tinted view of the relationships between men and women, but one who knows that if she gives in to her temptation there would be no turning back.

Du Maurier broadens this romantic dilemma into a broader theme about the female situation. Mary is frustrated that as a woman she has fewer weapons in her armoury against her uncle. As a man she could challenge him uncle in open combat, but as a woman she is nothing more than “a petticoat and a shawl.” Later, during a day out with Jem, she becomes as frustrated by differing gendered attitudes towards sexual liaisons:

She wished that women were not the frail things of straw she believed them to be; then she could stay this night with Jem Merlyn and forget herself as he could forget, and both of them part with a laugh and a shrug of the shoulder. But she was a woman, and it was impossible. A few kisses had made a fool of her already.

Mary knows that the real risk of a relationship with Jem isn’t a damaged reputation, it is that she would become the kind of abused woman she finds in her Aunt Patience. In her aunt she sees someone whose previous lively personality and intelligence have disappeared because of constant fear of her husband. Living in “perpetual high anxiety” under his reign has turned into into “a whimpering dog that has been trained by constant cruelty to implicit obedience.”

Mary puts her faith in her own strength of will to combat a fate where she would, like Patience, trail like a ghost in the shadow of her master. But she is operating in a world  where it seems violence against women is normal and all Jem can promise her is a hard life.  The novel’s ending leaves us wondering whether there will in fact be a ‘happy-ending’ for Mary.

Footnotes

About the bookJamaica Inn, inspired by du Maurier’s stay at the real inn in 1930, was published in 1936, the fourth novel she had written. Three years later it was adapted for film by Alfred Hitchcock,  the first of three of her works he was to transfer to the large screen (the others were her novel Rebecca and short story The Birds). The coaching inn still exists though today is a far more successful commercial venture than it was in the novel. From the pictures on the website it looks rather cosy. I’ve never been there by my husband tells me it’s a ‘bit touristy’…..

About the author: Daphne du Maurier was born in London into an artistic and literary family. Her connections helped her establish her literary career, giving her the ability to publish some early works in Bystander magazine. Her first novel, The Loving Spirit, was published in 1931. Her most famous novel Rebecca, published in 1938 became one of most successful works.  In 1969 she was created a Dame Commander of the Order of the British Empire but never told any of her family about the honour and never used the title. She died in 1989.

Why I read this book: Jamaica Inn is one of those novels that it’s guaranteed people will have heard of even if they have never read it or seen one of the various film/tv adaptations. I found it in a library sale and thought it was about time I gave it a go. It’s on my reading list for 20booksofsummer2017

The Vegetarian by Han Kang [book review]

The-Vegetarian-Han-Kang-2I stopped eating meat about 30 years ago as an experiment in healthy eating. Like Yeong-hye, the central character in The Vegetarian, I came in for many challenges from certain members of my family who couldn’t understand why I wanted to forsake what, for them, was a standard element of any meal. Fortunately I had a more cohesive answer than the one Yeong-hye gives her husband: “I had a dream.” she tells him when he discovers her sat on the floor of their kitchen in Seoul, surrounded by packets of meat she has thrown out of the freezer.

We learn, though her husband doesn’t, that her dream is grotesque, bloody and aggressive. And so is the reaction to her decision. Her husband frets about how this will look to his boss who invites them for dinner (the resulting occasion is a painful event). father, so incensed that she will not eat the delicacies prepared for a family lunch, tries to force a piece of sweet-and-sour pork into her mouth. In protest Yeong-hye stabs herself.

And yet who would have imagined this of a woman whose nature until then had been so docile and insignificant; the very reason her husband chose her for his bride was that she was “completely unremarkable in every way”. And yet here she is refusing to wear a bra, defying Korean cultural expectations by putting her own needs above those of family and husband,  and to eat only plants even though she is clearly starving herself. Only her brother in law, an unsuccessful video artist, finds her attractive. Unfortunately he’s not interested in her as such, only in Yeong-hye as a body, a canvas upon which he can paint giant flowers and plants. She becomes the object of his sexually-charged obsession that transforms her body into a “huge, abstracted plant.”

The Vegetarian is told in three acts which have distinctive differences in language from measured prose to almost hallucinatory description and to fragmented internal monologues where we get to learn what is going on in Yeong-hye’s mind.

Can only trust my breasts now. I like my breasts; nothing can be killed by them. Hand, foot, tongue, gaze, all weapons from which nothing is safe. But not my breasts. With my round breasts, I’m okay. Still okay. So why do they keep on shrinking? Not even round anymore. Why? Why am I changing like this? Why are my edges all sharpening–what am I going to gouge

The first act, narrated by her husband interposed by Yeong-hye’s dreams, deals with her decision and her family’s reaction;  the second is narrated by her brother-in-law and the third by her sister In-hye; the only member of the family who seems genuinely to care for Yeon-hye. She maintains contact when all others abandon the woman, unable to deal with her increasingly bizarre actions. But In-hye’s patience is tested severely when she visits her sister to learn she believes she is a tree, taking sustenance only from the soil, violently refusing attempts to force feed her when placed in a mental institution.

“Look, sister, I’m doing a handstand; leaves are growing out of my body, roots are sprouting out of my hands…they delve down into the earth. Endlessly, endlessly…yes, I spread my legs because I wanted flowers to bloom from my crotch; I spread them wide…”

This is a portrait of disintegration. Yeong-hye’s rebellion causes her mental faculties to collapse and lead to the destruction of two families. It’s also a quite unflinching portrait about the clash between personal desire and conformity to expectations of behaviour in a society that denies such desires. Repeatedly we’re shown the clash between desire and denial in a way that asks disturbing questions about the nature of personal choice and ownership of one’s body in Korean society.

For a short novel, this is a startling piece of work. It’s disturbing in its portrayal of mental collapse, provocative in its portrayal of rebellion against conformity and unstinting with its descriptions of bleeding, vomiting, and manic behaviour. This is not a novel you can say you ‘enjoy’ or ‘like’ but it’s certainly one that you will not forget.

Footnotes

About the book: The Vegetarian by Han Kang, translated by Deborah Smith was published in 2015. It was considered ‘very extreme and bizarre’ in Korea on first publication but has since been translated into more than 20 languages. The Vegetarian won the International Man Booker Prize in 2016. Han Kang has gone on record that the inspiration for the book, initially published as three novellas, was a line by a modernist poet Yi Sang: ‘I believe that humans should be plants.’ which obsessed her while she was at university. Further insights on the book are in an interview for the White Review. 

About the author: Han Kang comes from a literary family in Korea, her father is a novelist and her brother a writer. She studied Korean literature at Yonsei University, South Korea.  She is the winner of several awards including the Yi Sang Literary Prize (2005), Today’s Young Artist Award, and the Korean Literature Novel Award. Since 2013 she has been teaching creative writing at the Seoul Institute of the Arts. 2016 saw the publication in translation of Human Acts which begins with the massacre of students in South Korea in 1980.  If you don’t know her work, you can get a taste with the short story Fruit of My Woman on the Granta website 

Why I read this book: I bought The Vegetarian as a way of  making up for my large deficiency of knowledge of writers from Asia. It’s the first book I’ve read from my 20booksof summerproject for 2017.

Summer reading 2017 #20booksofsummer

Twenty Books of Summer hosted by Cathy at 746books is about to begin so I can’t procrastinate much longer about the books I’m putting on my list to read.  This is about the third version I’ve created.  I’ve gone for a mix of classics from my Classics Club project, some Booker prize winners (only nine more to read in this project), some translated fiction and a few by authors from Wales.  All of these are on my ‘owned but not read’ shelves.

I know I’ll never manage to read 20 books between June 1 and September 3 (that’s 7 books a month) so I’m going for the 15 books of summer option. But since past experience tells me the minute a book goes on a list its appeal for me diminishes, I’ve listed 20 books anyway in the hope that this, plus the mixture of genres/styles I’ve chosen will give me plenty of choices to suit all moods.

Here’s my  20 Books for summer 2017 list – click on the titles to read the description on Goodreads:

1. A Room of One’s Own by Virginia Woolf

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One that featured on my post about books that have been on my ‘to read’ list for many years. Following several comments from bloggers about how good this is, I’m persuaded it’s time to just get on and read this.

2. We Have Always Lived In the Castle by Shirley Jackson

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I’d not heard of Shirley Jackson until I started listening to some book podcasts and kept hearing about this but since it’s considered  Jackson’s masterpiece it feels like the right place to begin exploring her work.

3. Good Behaviour by Molly Keane

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I bought this in a library sale (unfortunately my edition has a less attractive cover than this one but I couldn’t find that image).  It’s the first novel Keane published after a writing break triggered by the death of her husband and was the first time she used her real name (rather than her pseudonym of Maggie O’Farrell. I’ve read only one book by her – Devoted Ladies which I enjoyed but didn’t love. I’m hoping Good Behaviour comes up trumps because so many other readers seem to love her work.

4. Jamaica Inn by Daphne du Maurier (Read June 2017)

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Inspired by the real life Jamaica Inn on Bodmin Moor at which du Maurier stayed in 1930, this is a tale about a  group of murderous wreckers who run ships aground, kill the sailors and steal the cargo. I was disappointed by the last du Maurier I read (My Cousin Rachel) so am hoping this proves more enjoyable.

5. The Finkler Question  by Howard Jacobson (part read)

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This won the Booker Prize in 2010, becoming the first comic novel to win the prize since Kingsley Amis’s The Old Devils in 1986. Opinions are greatly divided on this book amongst the blogging community.

6. The Conservationist by Nadine Gordimer

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Another Booker winner that remains on my list to read. I started reading it last year but found it rather dull at the time.  I see that the Guardian reviewer described it as “a portrait of a dangerous man lent dangerous power by apartheid is great writing, but not brilliant reading.”  Based on what I’ve read so far I’m not convinced that it really does constitute ‘great writing’ but I know I’ll at least be able to finish it (unlike the appalling The Famished Road by Ben Okri which remains the only Booker prize  that I absolutely could not finish.)

7. Sacred Hunger by Barry Unsworth

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Joint winner of the Booker prize along with Michael Ondaatje’s The English Patient in 1992, this is likely to be a grim read because of its subject.  It is set on an eighteenth century slave ship called The Liverpool Merchant which is bound for Africa to pick up its human cargo. Much of the book apparently deals with the issue of greed.

8. True History of the Kelly Gang by Peter Carey

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Peter Carey is one of the few people to win the Booker prize more than once. His other award winner — Oscar and Lucinda — is one of the most enjoyable books I’ve read so far this year. The True History of the Kelly Gang, a fictionalised biography of the Australian outlaw Ned Kelly,  won the prize in 2001, and also the Commonwealth Writers Prize in the same year. Since it’s written in a distinctive vernacular style, with little punctuation or grammar, it could be tough going.

9. The Vegetarian by Han Kang (read June 2017)

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Han Kang’s novel features a rather ordinary South Korean housewife who decides to throw away all the meat from the freezer and announces that henceforth she is going to be a vegetarian. Her action is completely counter to South Korean culture so the book examines the reaction of her family, husband and friends.  This will be only the second Korean author I’ve read and if it’s as good as my first experience – with Please Look after Mom by Shin Kyung-sook – I know I’m in for a treat.

10. A Tale for the Time Being by Ruth Ozeki (Read June 2017)

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Ruth Ozeki’s novel got my attention when it was shortlisted for the 2010 Booker prize but I never got around to reading this story which has two narrators. One is a sixteen-year-old Japanese American girl in Tokyo who keeps a diary, the other is a Japanese American writer living on an island off British Columbia who finds the diary washed up on shore some time after the 2011 tsunami that devastated Japan. 

11. Twilight in Djakarta by Mochtar Lubis

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I put this on my list of books to read this Spring but it fell by the wayside so I’ve resurrected it for summer. The novel was published about 50 years ago, having been smuggled out of Indonesia where the author was held under house arrest. It depicts social and political events in the capital during the run up to a national election.

12. The Kill/La Curée by Emile Zola

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My plan to read all the books in the Rougon-Marquet cycle stalled last year but I’m looking to The Kill to give it a kickstart. The Kill is book number 2 in the series is set against the background of the massive redevelopment of Paris and the birth of the modern city.

13. Good Women of China: Hidden Voices by Xinran

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Xinran is a former radio journalist from China who, over a period of 10 years in the 1990s, collected stories of women who endured child child abuse, rape, gang rape, abduction and the forced parting of parents and children. The 15 stories in this collection lift the lid on Chinese society at a time when prohibitions against discussion of feelings and sexuality were relaxing.

14. Three Days and a Life by Pierre Lemaitre

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I wanted something in my list that fell into the genre of thriller, for those days when I just crave a fast paced narrative. Three Days and a Life which will be published in July, fitted that description perfectly. It begins in a small provincial town of Beauval, France with the accidental killing of a young boy. More than a decade later the killer returns to the town and discovers there was a witness to his crime,  a person who has the power to destroy his life. [note I corrected this synopsis based on the comment by Words and Peace that I had the gender of the victim incorrect).

15. Goodbye Tsugumi by Banana Yoshimoto (Read July 2017)

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I’ve enjoyed my explorations of Japanese fiction so far but have never read Banana Yoshimoto. I know little about this book other than it’s about relationships between two cousins in a small Japanese seaside town.

16. An Elegy for Easterly by Petina Gappah

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This is on my list to assuage my feelings of guilt that it was on last year’s 20 books of summer list but I only got half way through the collection of short stories.

17. What I Know I Cannot Say/ All That Lies Beneath by Dai Smith

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One of the books by Welsh authors that I bought at the end of 2016, this is actually a combination of a novella and a linked section of short stories that reveal life in the South Wales Valleys during the twentieth century.

18. Ghostbird  by Carol Lovekin

Ghostbird

From another author living in Wales, Carol Lovekin’s novel was the Waterstones Wales and Welsh Independent Bookshops Book of the Month in April 2016.

19. Anglesey Blue by Dylan Jones (read June 2017)

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The first in a crime fiction series featuring a Welsh Detective Inspector based on the island of Anglesy in north wales. The colour in the title has nothing to do with the colour of the sea around the island but a powerful new drug which is being ruthlessly introduced to the island community. There is trouble in this paradise with drugs, disaffected youth and brutal murders.

20. The Hogs Back Mystery  by Freeman Wills Crofts

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There are times when my brain cries out for a good yarn about crime. The Hog’s Back Mystery is on my list in case that need arises over the summer. A crime story from the past this has been given new life via the British Library Classic Crine series. It’s the fourteenth title written by Freeman Wills Crofts and begins with the disappearance of a semi-retired doctor from the North Downs in Surrey. He apparently simply walked out of the house in his slippers.

 

So that’s my 20 books of summer list. Whether I’ve made the ‘right’ choices is debatable – I have a feeling that I’ll come across a book on my shelves over the course of the next few months and wish I’d put it on my list.

If you want to join the fun, Cathy will put up a post on June 1 to mark the official start of the challenge and will tweet regularly using the hashtag  #20booksofsummer.

The Glorious Heresies by Lisa McInerney

glorious-heresies2The Glorious Heresies is a bold, brash debut novel that won Lisa McInerney numerous accolades including the Bailey’s Prize and the Desmond Elliot prize in 2016.

McInerney’s edgy style will not be to everyone’s liking and her portrayal of Cork’s seedy underworld is unlikely to do much for the city’s tourist trade. Forget any images of pastoral landscape and Guiness-fuelled booze ups to the sound of a few jolly fiddlers. The world of The Glorious Heresies is a crowded vista of brothels and grim housing estates of schoolboy drug dealers and malicious thugs.

Tony Cusack’s terrace was only one of dozens flung out in a lattice of reluctant socialism. There was always some brat lighting bonfires on the green, or a lout with a belly out to next Friday being drunkenly ejected from home (with a measure of screaming fishwife fucked in for good luck), or squad cars or teenage squeals or gibbering dogs.

The novel begins with an accidental murder in a block of flats used as a temporary residence for Maureen Phelan, the mother of one of the city’s leading gangland bosses. When she hits an intruder over the head with a Holy Stone, Maureen sets in motion a chain of events that entangle her son and three other members of the city’s underclass.

To describe the plot further would be to do an injustice to McInderney’s novel because the power of The Glorious Heresies really stems from the brilliantly delineated misfits that make up her cast.  The guy drafted in to dispose of the body is Tony, a drunken wastrel and father of six, whose alcoholism and obsession with his unhinged next-door neighbour threatens to ruin him and his family.  Georgie, the murdered man’s girlfriend, is a wildchild who has run away from her village home because “if she didn’t get up and march out, she’d grow roots down through the thin carpet, down through the foundations, down into the soil, the dirt, the rock and trap herself there until her brain turned to jelly.”  Her new life in Cork is one of drugs and prostitution.

Feeding her habit is Tony’s fifeteen year old son, Ryan. He’s desperate not to turn out like his father who is rather too free with his fists when he’s in his cups. He’s an intelligent boy though disruptive in school, one who hides his talent for playing the piano and puts on a show of bravado. But deep down he mourns the mother who died four years earlier and whose presence is still felt in the family home:

It was a three-bedroom terrace so cavernous without his mother he could barely stand it. It echoed shit he didnt want to think about in chasms that shouldnt have been there.

As the novel opens, Ryan is on the fringe of manhood, about to leave behind his “pile of mangled, skinny limbs” and emerge with “squared shulders and jaws, and strong arms.” His metamorphosis is achieved with the aid of Karine D’Arcy, “”whip-smart and as beautiful as morning”, the most desirable girl in his school. She was now in his bedroom, helping him lose his virginity.  Their relationship is the only stability Ryan can count on as his life goes into spin: a predatory next door neighbour seduces him; his father is implicated in the disposal of the corpse and Ryan’s drug dealing gets him sent down for nine months in a young offenders’ institution.

Though Ryan is the central character, it’s the gangster’s mother Maureen, a woman “crazier than a dustbin fox”, I warmed to the most. After 40 years of exile in London she’s returned to Cork to discover the illegitimate son she had to give up for adoption, has become a much-feared thug, drug baron and sex-industry entrepreneur.  She’s determined to atone for the death, despite her son’s protestations that she’s already caused enough trouble. But when she goes to church to confess her crime, her encounter with a priest stirs up memories of the way the Catholic Church treated unmarried mothers like herself.  She ends up accusing the priest of hypocrisy:

The most natural thing in the world is giving birth; you built your whole religion around it. And yet you poured pitch on girls like me and sold us into slavery and took our humanity from us.”scarred by the treatment yet still vividly scarred by having spent her years in fear of the Holy Trinity: “the priests, the nuns and the neighbours”.

The switching narrative viewpoints take us deep into the minds and hearts of these people and make us cry and despair alongside them, and, at times, laugh.  For though their prospects are bleak and the city is in a post economic-boom tailspin, the sheer muddle of their lives produces some dark humour.

It’s an exuberant debut, unflinching in exposing the dark underbelly of  a city  “spread out in soft mounds and hollows, like a duvet dropped into a well” and biting in its denouncement of the Catholic church as well as a missionary cult that seems to think the answer to the city’s drug problem is to hand out pamphlet. This is a novel that asks serious questions about salvation, guilt and the effects of the past on the present.

Footnotes 

The Book: The Glorious Heresies was published by John Murray in 2015.  It won The Baileys Women’s Prize for Fiction in 2016 and the Desmond Elliot Prize for 2016. It was longlisted for the Dylan Thomas Prie 2016. I read the e-version.

The Author: Lisa McInerney is from Galway and is the author of an award-winning blog ‘Arse End of Ireland’ (no longer active or available). The Irish Times has called her ‘arguably the most talented writer at work in Ireland today’. Her latest novel The Blood Miracles is published in April 2017 – it features Ryan Cusak (from The Glorious Heresies).

Why I read this book: Although I often ignore books that attract huge levels of attentionl this one appealed to me. I read it for ReadingIreland2017 hosted by 746books and  The Fluff is Raging.

 

 

Ancient Light by John Banville

In Ancient Light, John Banville returns to themes explored in his earlier Booker prize winning novel The Sea: the remembered past and its ability to shape our destinies.

Alexander Cleave, a stage actor,  looks back to one year during his schoolboy days when he had an affair with his best friend’s mother, a woman 20 years his senior.  After their first encounter in the laundry room of her house, the pair graduate to sexual trysts on the back seat of her car and then to a mouldy mattress in a run down cottage. So infatuated is Alexander with Mrs Gray that he spies on her when she takes family trips to the cinema or the seaside, jealous of any time she spends away from him.  He wants to possess her fully.  Years later when the mature Alexander reflects on these times he recalls them as moments of  bliss punctuated by tantrums and petulant behaviour as he sought to bend her to his will.

I should confess that sulking was my chief weapon against her, nasty little tyke that I was and I employed it with the skill and niceness of judgement that only a boy as heartless as I would have been capable of. She would resist me for as long as she was able, as I fumed in silence with my arms calmed across my chest and my chin jammed on my collar-bone and my lower lip stuck out for a good inch, but always it was she who gave in, in the end. 

Trying to make sense of his younger self, the mature Alexander doesn’t seek to excuse his petulant behaviour. He accepts also that his memory of certain facts is hazy – he constantly jumbles up the times and the seasons when certain events took place for example.  He’s not even certain that his recollection of the first time he saw Mrs Gray is accurate. He remembers seeing a woman freewheel towards him down the hill from the church. As she nears him, the wind catches her skirt and exposes her bare skin all the way to the waist, a sight that of course causes a frisson of excitement for the teenage boy. Alexander recalls how he felt at the time and remembers in detail what the cyclist wore but he cannot conjure up her facial features. 

Is he lying to himself or simply being selective about what he will remember? Memory is, after all, he explains, an artificial construct.

Images from the far past crowd into my head and half the time I cannot tell whether they are memories or inventions,” he declares as the novel begins. “The items of flotsam that I choose to salvage from the general wreckage – and what is a life but a gradual shipwreck – may take on an aspect of inevitability when I put them on display in their glass showcases, but they are random; representative, perhaps, perhaps compellingly so, but random nevertheless.

That relationship is not the only aspect of his life causing Alexander to ruminate about the past. He is grieving for the death of his daughter Catherine (Cass) some years earlier. Though we learn she had suffered a form of mental illness, her suicide off the Italian coast still perplexes him. Why was she in Italy? Who was the father of her unborn child? Who is the person called Svidrigailov that was with his daughter when she died? An opportunity to answer those questions arrives when Alexander is given a film role in a biopic about Axel Vander, a famous, now dead, academic who led a double life. Alexander begins to suspect there is a connection between Axel Vander and Cass. He gets his chance to uncover the truth when Dawn Deveonport, the female lead in the film, suffers a mental breakdown. Alexander, who has become a bit of a father figure for her,  spirits her away from the media frenzy and the anguish of the film’s producers. Guess where they go? – yep, to Italy to a spot a short distance across the water from where his daughter’s body was found.

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John Banville in conversation at Hay Literary Festival 2013

If you’re thinking this sounds a bit of a convoluted plot relying heavily on coincidences, then you’re not far off the mark. But I forgave Banville for this because Ancient Light is written so beautifully, almost poetically  with its use of rhythm, imagery and allusion.  He delights in descriptions about the landscape and the weather: rain “sizzles through the leaves”; the sky  “was the colour of wetted jute” while a late-autumn afternoon is marked by “scrapings of cloud like bits of crinkled gold leaf.”

Banville sketches characters deftly even when he gives them little more than walk on parts. Dawn Devonport  begins as a Marilyn Monroe type figure, a much feted starlet who captivates by making each person feel they’ve been singled out for her special attention. Alexander however sees beneath the veneer to a vulnerable young girl unable to cope with the recent death of her father, a girl in fact much like his own beloved daughter. More notable is Billie Stryker, ostensibly the film’s researcher, whose “sad and sweetly” demeanour lulls Alexander into revelations about his life. “There must be more to her than meets the eye” he concludes after their first meeting.

In fact the same thing could be said for many of the characters in a novel which is in essence about the way people lie to others and themselves about who they are. Nothing is as it seems at first glance. One of the recurring ideas of the novel is the effect of light on perception – Alexander for example recollects one day how he saw Mrs Gray reflected in two mirrors simultaneously, the resulting image turned into fragments of the whole. In another scene he lies on his bed and through a tiny crack in the curtains sees an upside -down projection of the secret. What enables him to ‘see’ himself, to understand his actions and make sense of the fragments and distortions, is an ancient light that comes from distant galleries, taking billions of miles to reach earth.  But the same light also provides a form of consolation by the end of the novel, seeming to “shake  within itself even as it strengthened, … as if some radiant being were advancing.”

Footnotes

The Book: Ancient Light by John Banville was published in 2012 by Viking. It’s a sequel to Eclipse and Shroud which all feature Alexander Cleave. I haven’t read either of the two earlier novels but didnt feel I was at a disadvantage as a result – Ancient Light to me was easily able to stand on its own merit.

The Author: John Banville comes from Wexford in Ireland. In addition to more than 10 novels written under the name of John Banville, he also writes a crime fiction series in the persona of Benjamin Black. At the Hay Festival in 2013 he explained that he adopts completely different writing practices for each persona. As John Banville he writes long hand with fountain pen and agonises over each word (the process is a long and protracted one he revealed). As Benjamin Black he uses a typewriter.

Why I read this book: I loved reading The Sea (see my review here) and enjoyed the talk Banville gave at the Hay Festival. Signed copies of Ancient Light were available at the festival and I couldn’t resist buying. Reading Ireland 2017 hosted by Cathy at 746books and Niall at The Fluff is Raging was the prompt I needed to get it out of the bookcase.

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