Musical charm of books
Can a book change the way you think? That’s the question for the month over at Classics Club. I haven’t yet fully worked out my answer in terms of the impact of reading classics but I can say for sure that my current audio book has affected my choice of music.
I don’t usually blog about audio books but I do listen to them regularly – they are what keeps me sane on the daily commute to work even if it’s not a particularly long trip. And on the days when I have a longer and solitary drive to an airport prior to a business trip somewhere, then they prove a godsend. I can take only so much of news interviewers badgering politicians to try and get behind the pat answers.
Over the years of listening I’ve discovered that some genres work better than others as audio versions.
In the non fiction category, I’ve tried a couple of business type books but with varying success. Malcolm Gladwell‘s Tipping Point worked but Jim Collins’ Good to Great didn’t – I kept losing concentration on that one. Some classics have been good listens (The Warden by Anthony Trollope was one) but many of the literary fiction novels I’ve given up on such as Oryx and Crake. It seems that I can’t cope with the level of concentration needed by the latter without risking an accident.
The one genre that’s worked consistently well is crime fiction and fortunately thanks to Ruth Rendell, Peter Robinson, Ian Rankin et al I’ve been well supplied for the last few years. But through the wonders of the blogosphere I heard of an author I’ve never read or listened to before, Canada’s Louise Penny. There was just one title in audio format available in my local library; The Beautiful Mystery. It’s a murder mystery which is set in a remote monastery whose inhabitants are world-reknowned for their singing prowess. The effect of their voices as they render ancient chants is so profound it is known as “the beautiful mystery.”
The Beautiful Mystery is a cut above the average murder mystery story. But the producers of this audio version should be sent to purgatory for ommiting to give us the same experience enjoyed by Chief Inspector Armand Gamache and his assistant Jean-Guy Beauvoir. As they try to penetrate the veil of secrecy in the cloisters they get to hear what makes the monks’ singing so special. You’d have thought any smart producer would have had the wit to include some snatches of Gregorian chants ourselves to help conjure up the atmosphere. Instead we just get told how magical these cloistered brothers sound.
After three days of frustration waiting and hoping to hear a few bars, I gave up and went in search of my own sound track. So now I am the proud owner of my first ever CD of Gregorian chant. It now nestles on the iPod in amongst Elvis Costello, the Beatles and of course Adele. All I have to figure out now is how to listen to the music and the audio book at the same time.