With coronavirus rampaging around the world, about the only thing that’s certain is that many of us are going to have a lot more time on our hands in the next few months.
Social media is full of ideas about how to occupy yourself when museums, restaurants, cinemas are closed and you’re told to stay indoors or avoid contact with other people. You can enjoy a live safari with Cincinnati zoo, watch live streaming of operas from USA or take virtual tours of museums and art galleries around the world.
If you’re an avid reader, the obvious way to fill all this new leisure time, is simply to read even more. It sounds an idyllic way to spend the day doesn’t it? But what if, like me, you find even that loses its appeal after a while?
Lisa at ANZLitLovers has helpfully come up with ten suggestions that will keep you busy if you have to be in quarantine or are practising self isolation.
I’m going to share a few more suggestions with you. The added beauty is that they won’t cost you a penny.
I know many of you are already fans of audio books so feel free to skip this section. But if you’re someone who has never explored this world. now could be a good time to begin the adventure
.Audio books are perfect companions for chores like ironing and cleaning (judging by my friends’s plans, all our houses are going to be spotless in coming weeks). They can also go with you if you’re able to get outside for some socially isolated exercise.
There are big service providers like Audible and Scribd but they all require you to pay a monthly subscription. However, there are free alternatives available.
One option is to check whether your local library service includes the ability to borrow audio books via a digital download to your computer or devices like smartphones/iPads.
Failing that you can try Open Culture. Most of these products are audio versions of the classics but you’ll also find a smattering of more contemporary works. Expect to see plenty by Austen, Brontes, Conan Doyle, Dickens and Arthur C Clarke but you’ll also find Neil Gaiman; Ian McEwan and Column McCann.
It’s also worth checking out Librivox, a not for profit organisation which has hundreds of books available. They’re all read by volunteers so you’ll find the quality does vary considerably. But since they’re all free, if you don’t like a particular narrator’s voice, you won’t be out of pocket if you abandon it and look for a different recording.
Audio recordings of novels do tend to run several hours ( a standard length novel can last about 11 hours in recorded form). If you prefer something shorter, then podcasts may be more to your taste. It’s rare for a podcast to last more than an hour. Some may run for just 15 or 30 minutes.
I’ve been a massive fan of podcasts since I first heard about them in the early 2000s. I listen to them in the gym, my car and on flights.
Right now I have 15 different podcast streams on my iPod, covering a mix of book/reading discussions, true crime, drama and genealogy. The choice of programmes can be overwhelming – just take a look at the Apple Itunes podcast library for all the categories.
You’ll also find podcasts via the websites of some of the big broadcasters, like the BBC A Good Read which is one of my favourites.
Go Back To School
A less well known feature is ITunes University where some of the leading education establishments have made material from their courses available. Don’t expect them to be highly polished productions – with some service providers, they have simply recorded the lecture so the audio quality will sometimes be a bit ropey (you won’t hear the question from the student for example). But what you will get are some highly interesting insights – I’ve listened in to some fascinating episodes on Shakespeare’s plays, children’s literature and the Romantic writers for example.
If you are afraid that your brain will turn to mush during the period of Covid-19 isolation, one solution would be to enrol for an online course. Just think how smug you’ll be come the summer (winter for you southern hemisphere folks).
MOOCs (Massive Online Open Course) have democratised education in recent years, making university level courses available to thousands of people around the world – and all free of charge. If you’ve never heard of MOOC, take a look at these Ted Talk videos to get an idea of what they can accomplish.
The range of subjects is staggering but since I suspect your main interest is in literature I’ve done some digging around and found these courses for you.
Delivered by the University of Aberdeen in Scotland via FutureLearn.com, this is course starts Monday, March 23. Over a four week period you’ll “discover the writer, collector and cultural icon who remains one of Scotland’s most enduring literary legends.”
Starting on April 6, this is a six week course via FutureLearn that looks at the life and works of William Shakespeare. Actors and experts around the world give insight about five of his plays and explain some of the universal themes he explored in his work.
Starting on May 4, this looks an interesting course which explores the literature of English country houses from the time of Thomas More to Oscar Wilde. I have a feeling that some book bloggers have taken previous presentations of this course so maybe can comment on their experience.
If you prefer to follow your own timetable the Open University “Open Learn” platform could be the answer. It offers a series of short modules taken from the syllabi of their distance learning courses. They’re all self -directed so you start whenever you want, and take as much time as you want. One module could be just 2 hours, others last 15 hours. Literature topics include Thomas Hardy’s Far From The Madding Crowd and Dickens’ Great Expectations. There are also three linked courses on the history of reading.
For something more challenging take a look at two courses offered by Havard through their edX platform.
Modern masterpieces of world literature started on March 18 but you might still be able to enrol. It covers a wide range of authors and texts from Goethe and Candide to Jorge Luis Borges and Lu Xun.
Also just got underway is a 12 week programme called The History of World Literature – – sounds perfect for those of you who love literature in translation.
I’m going to follow a mix of these ideas plus those highlighted by Lisa. I’ve already loaded up my Ipod with audiobooks and podcasts. And I’m thinking of enrolling for the English country house course. What are YOUR plans? Any strategies you are thinking of adopting to get you through this crisis?
Remember the days when the only way to listen to a book was via the radio?
The options were limited. BBC Radio 4 had Book at Bedtime and about 15 minutes of a serialisation within Woman’s Hour. When Parliament wasn’t in session we had the treat of another 15 minutes slot in the morning where Today in Parliament normally sat in the schedules.
All fine if you happened to be somewhere near a radio at the allotted time. But if not, it was just hard luck.
How life has changed
Today I no longer have to tie myself to the radio schedules or sit in one place to listen. I can use BBC Sounds as a catch up service, listening in via my computer while I move about the house or garden.
But I don’t even have to restrict myself to radio broadcasts.
I can listen to audio recordings of books whenever I want to and wherever I want to be.
Thousands of books
Available any time of day or night
On every day of the year.
Advances in technology have affected virtually every aspect of our lives. But I’ve only now realised just how much they’ve changed the way I engage with books, and in particular with audio versions of books.
1970s and 80s: All Hail The Cassette Tape
While searching for a screwdriver in our garage yesterday, I came across some of my husband’s very old and sad-looking cassette tapes. I’ve yet to work out what they were doing in the boxes of tools mixed up with the pliers and hammers… but that’s maybe another story.
Cassette tapes? Never heard of them? They’re no longer around (except as a very niche trend. But they were essential pieces of equipment for those of us whose teenage and young adult years spanned the seventies and eighties.
Audio cassettes (also known as compact cassettes) were little plastic cartridges containing two spools of magnetic tape. All you had to do was buy the cassette version of an album recorded by your favourite band; slot the cassette into a player; grab your headphones and away you’d go into musical heaven.
The launch of Sony’s Walkman in 1979 gave even more flexibility – now we could listen while we walked, worked or just lounged around.
You could even create a playlist by recording selected tracks from another cassette or from a radio station.
But the joys of cassettes weren’t confined to music. In the mid 80s I discovered you could also get audio recordings of books on cassette. The local library had a great selection available at minimal cost. By then cassette players came as standard fixtures in cars. Instead of arriving at work agitated after listening to politicians argue on the prime time radio news programmes, I could be chilled having listened to a good book.
It wasn’t quite a case of unbounded pleasure however because, though cassette tapes were light and portable, they did have one major flaw: the tape tended to get mangled inside the plastic casing after multiple plays.
I’d be in my car, listening to a recording, when suddenly it would stop. Inevitably it happened at the most exciting/interesting part of the story.
If I was lucky, I could eject the cassette. But yards of tape would have come off the spools and would be lying crinkled and twisted in a spaghetti mess on my lap .
The remedy was primitive. And not one you could embark upon while stuck at the traffic lights.
You grabbed a pencil, wedged it into one spool and tried to hold it rigid while slowly attempting to wind the tape back onto the other spool. A painfully slow process with only a faint hope of success.
1990s: Shiny New Objects
Which was why, when the next gizmo came along, I embraced it with unparalleled joy. In 1982 the technology whizz kids at Philips and Sony launched a new audio storage device they called the compact disc (CD).
It marked the beginning of the end for the cassette tape. And the introduction to a new way of consuming more books
It took a few years before I latched onto CDs but I rapidly became a fan, ditching all my cassette tapes in favour of these ultra-light shiny objects. I wasn’t the only one – most of us had purpose build CD storage towers in our homes and wallet-style carrying cases in our cars.
In 1993, the tide had turned completely and sales of CDs outstripped those of cassettes for the first time. By then the technology giants had figured out how to make CD players in cars shock proof (no more skipping a track when you drove over a pothole). A few years later the first portable CD player, the CD Walkman, came on the market making it easy to take your music wherever you went.
I still have one of these portable CD players though I seldom use it.
If you just wanted music you’d be in a good spot because the albums were cheap to buy. Just as well because the discs had a terrible tendency to get scratched. It was partly my own fault. I kept forgetting to put them into their protective cases. So they’d be ruined and unplayable.
But I wanted audiobooks. And that had its own challenges.
The storage capacity of each disc meant a whole book required at least six discs – sometimes double that for one of the chunkier classics. It made them way too expensive to buy, especially at the rate I would get through them. The library fortunately began investing in the new format but a whole audio book was quite a large package. Fine if you just wanted to listen in the car but not much use for taking on flights or long train rides. They took up far too much space.
Technology for a New Century
In 2001 Steve Jobs, chief executive of Apple, invited us to say “hello” to the brave new world of full portability and solid state technology.
The days of flimsy tape and scratchy discs were over, he said. It was time for the era of the IPod. A small device with astonishing capacity and potential.
It wasn’t his promise of 1,000 songs in my pocket that appealed to me most. What really sold me on the iPod was that I could use it to listen to audio books. It didn’t just store these recordings, the associated ITunes application gave me access to an enormous library via a few clicks. Not just a library of books, but with the birth of podcasts in 2004, a library of thousands of programmes and discussions about books.
I bought my first iPod in 2002 during a work trip to Michigan. I couldn’t drive back to my hotel fast enough so I could open the box and begin playing with my new toy.
Except that I couldn’t.
This much heralded white gizzmo only slightly bigger than a cigarette packet refused to function. Not even when I discovered that I first had to charge the battery. The old cassette and CD players never had that problem – all they needed was a power supply or a few AA batteries.
Eight hours or so later and still not so much as a peep. So back to the store for a replacement. Same thing happened again. By now I was seriously questioning whether the iPod was all it was cracked up to be.
It was. It still is.
Every once in a while a new product comes along that changes everything.Steve Jobs, 2001
Steve Jobs wasn’t exaggerating when he made that claim about the Ipod. It certainly transformed part of my life.
Listening to an audio book made the long flights I had to take for work much easier to bear. They helped when international time zone differences would see me awake in the early hours of the morning in a strange hotel room, unable to get back to sleep. In more recent years when I was undergoing chemotherapy treatment I used my little machine to access some relaxation and breathing exercises I could get via the ITunes application.
Are We Ever Satisfied?
Technology never stays still does it? Each generation of the iPod since 2001 has been smaller. And lighter. And more powerful. I’m on my fourth device now and can’t imagine being without one. Although my phone has some of the same functions I still prefer to listen to audio via the iPod.
As enamoured as I am with this brand of MP3 player, it does have its frustrations.
- The battery charge doesn’t last anywhere as long as it did on the early versions.
- ITunes library is now over-complicated. It seems impossible to completely delete Podcast episodes.
- Too many apps I don’t want but can’t delete (like my non existent stock portfolio).
- In-ear headphones that keep falling out. Are my ears different sizes to everyone else’s? I’ve bought many, many pairs over the years both low price and high end. And none of them have worked. I’ve resorted to using the hook over versions but the wiring is fragile so they break easily.
I’ve learned to live with most of these frustrations. But there’s one that drives me crazy.
I absolutely hate ear phone cables. There I’ve said it.
They always always always end up in a knot. I wind them carefully as soon as I finish using them. Tuck them into my bag in a neat roll. But you can bet the next time I go to use them they’ll be in a mess. Again.
Added to this is that they get in my way in the gym, dangling right where my arm wants to move – invariably I catch my thumb on the cable and the machine goes careering onto the floor. It’s favourite landing place is underneath the treadmill; a retrieval process which involves much swearing and grunting. By the time the two of us are re-united, the play function has helpfully skipped a chapter or two.
My Wishlist For the Future
Technology never stands still. Earlier today came news that Apple will launch a new video streaming service and a new version of the Apple iPhone. Samsung will launch its new folding phone within a few days (a snip at $1800). None of these advancements interest me.
What I really want, what I really really want is a more streamlined way to listen to my audio books. One that
- doesn’t involve dangling cables
- connects to the player via Bluetooth but doesn’t require me to wear heavy headphones ( the rap artist look doesn’t appeal)
- fits snugly in my ears
- allows voice control to select tracks, change volume etc – that way I can keep both hands on the steering wheel or go walking in cold weather without having to remove gloves.
See, my needs are quite simple. These advancements are not as sexy as those the techno folks are undoubtedly working on right now. I just hope they don’t come up with something that robs me of my ability to listen to books easily, cheaply and with great sound quality.
Audio books – you either love them or think they’re a pale imitation of the real experience you get when you read a book in print. I’m in the former camp. I don’t view them as an alternative to reading but as a valued companion.
They’ve been a godsend on many a long flight when the eyes are too tired to read and there’s nothing of interest on the in flight entertainment system. They help time go faster on the treadmill. In the days when I had to commute to work, they were a calmer way to start the day than listening to the frequent political rants on radio news programmes. They even make ironing palatable.
The downside is that they’re expensive to buy (Margaret Attwood’s Hag Seed would set you back £18 for example). Perhaps for that reason they’re not easily available second hand. You can reduce the price by taking out a subscription with Audible but it’s not worth it if you’re only an occasional user. Thankfully, there are ways to get some audiobooks free or at very low cost.
1. Your public library
You may be fortunate to live in a country that hasn’t decimated its public library system. Most of those services in the UK let you borrow audiobooks in CD format for a nominal sum – in my area it’s £1.50 a time. Many of them now have a tie in with a service provider like BorrowBox or OneClickDigital so you can download the audiofile free of charge to your computer, phone or MP3 player. The range of titles is reasonable if not wonderful; don’t expect to find that many ‘literary’ options but there will certainly be a good selection of classics and crime novels.
Librivox, which has been running since August 2005, is a non-commercial, non-profit project. Its mission is to “make all books in the public domain available, for free, in audio format on the internet.” Their collection is extensive but there are a few downsides. One is that they source most of the texts from Project Gutenberg meaning all of them are books whose copyrights have expired. The selection is rather hit and miss as a result – plenty of Charles Dickens, Henry James and Arthur Conan Doyle but no Agatha Christie or Grahame Greene. The biggest issue I’ve encountered however is on the variable quality. While some recordings are read by actors or professionals, many are solo readings by amateurs in makeshift home studios. But since it’s all free, if the recording isn’t to your taste you haven’t wasted any money.
3. Loyal Books
Loyal Books claims that users will “always find the best collection of completely free public domain audiobooks…” on their site. This includes material in a variety of languages like German, French and Chinese. They’ve been digitised and recorded by volunteers or – in the majority of cases – by Gutenburg. In essence they are offering the same kind of texts as Librivox but say their superior search function makes the experience more user friendly. They also offer e-texts of best sellers but I found the selection very poor.
4. Mind Webs
This is much more than an audio recording site. It started in 1996, collecting published works of all formats and making them available digitally. This is a project on a massive scale – 4 million audio recordings (including 160,000 live concerts), 1 million images for example. The audio recordings cover the usual suspects in the realm of the classics with plenty of options for fringe interests – anyone fancy a recording of Thucydides’ Histories? (the history of the first 20 years of the war between Athens and Sparta). They My favourite section of this site however is their Old Time Radio collection featuring, among others, Sherlock Holmes and Orson Wells.
5. Open Culture
Open Culture has sifted through the free audiobooks offered elsewhere online, and compiled them into one list of 900 browsable titles. You’ll find they’re mostly classics of fiction, poetry and non-fiction, by authors like Geoffrey Chaucer, Mark Twain, Jane Austen and Fyodor Dostoevsky but you’ll also come across more modern authors like Arthur C Clarke, Junot Diaz , Kurt Vonnegut, Ray Bradbury and Maya Angelou and Charles Bukowski. As a bonus you can watch a video of Neil Gaiman reading Coraline.
This site takes a different approach to most of the other service providers. They offer newer releases rather than classics and are mainly self-published works. The cost for each download is varied since Scribl uses a crowd-pricing strategy where the price is based on each title’s download popularity within its genre. You’ll find some texts are free, many are less than a dollar but the price of some of the highest rated books can go up to $8. If you like to experiment with new authors, this could be a good option – catch the moment right and you’ll have a bargain.
Lit2Go is another site which takes a different path. It offers a free online collection of folk tales, stories, passages and poems in Mp3 (audiobook) format. However it is more geared to educators than general readers since many of the passages can be downloaded also as a PDF and used for supplemental reading in the classroom. Readability levels are given for the books using the Flesch-Kincaid grade levels
|Audiobooks – love them or indifferent. Where do you stand?
Are you a lover of audiobooks? If so how do you source them since I might have missed some sites.
If you’re not a fan, is this because you’ve tried them and didn’t enjoy the experience or believe there’s only one way to appreciate a book, and that’s to read it?
Some readers love them. Others don’t think they count as ‘real reading’. But it seems the British public are falling in love with the idea of listening to words rather than reading them. According to the Publishers Association, sales of audio books in the UK have doubled in the last five years. It’s a remarkable turnaround from 2010 when publishers were fearing the days of the audio recording were numbered. From sales of £4M then, last year saw the figure jump to £10M.
The boom has been attributed to two factors: one is the ease with which users can now get hold of a recording. Gone are the days when you had to find a shop selling cassettes and later CDs, and then carry a dedicated player around with you whose battery life was sure to fail just at the exciting point in the book. .Now, just like music, they are easily downloaded onto phones and tablets, and carried everywhere from trains to planes, from the park to the beach. Well just about anywhere really.
The second factor the publishers claimed to be responsible for the upswing is that famous names from stage and screen are now regularly turning their skills to narration. In recent years we’ve had Nicole Kidman reading To the Lighthouse, Kate Winslet narrating Therese Raquin and Colin Firth relating Graham Greene’s The End of the Affair. Then, just last month Reese Witherspoon was named as the voice for the audio version of Harper Lee’s new novel Go Set a Watchman.
I’ve been an audio book fan for decades. It started when a change of job meant I had a 45 minute commute to work and desperately wanted something as relief from political and world news. Fortunately during the times when Parliament wasn’t in session, the BBC would offer a book of the week. Otherwise my options were limited because it was expensive buying the cassette recordings myself and if I tried borrowing them from other people, the tape had a tendency to get snarled up in the machine. The advent of the CD was a great relief especially when public libraries began offering them for loan at a very low price. Even more joy came when I bought my first iPod and learned how to record from the CD so I could listen when pounding the treadmill in the gym.
I’ve learned a few things over the years.
One is that the choice of narrator is critical. I don’t care if they are famous – what matters most is whether by their voice they can hook me into the story and make me believe in the character they are inhabiting. Martin Jarvis is one of the best I’ve come across but I also love Juliet Stevenson’s voice. Some recordings I have abandoned simply because the narrator’s voice has grated on me so much I simply couldn’t bear to continue.
Secondly, It’s hard to define the perfect recipe but some books work better than others in certain circumstances. If I’m driving and listening then I need a book with a good story but one that is not too complicated because I need to also pay attention to the road. If it has too many characters or involves a lot of introspective thinking by the main character, then it will demand more attention that I can safely give.
Crime fiction works well which is a surprise because that’s not a genre I read widely in printed format. I’ve exhausted the library collections of Ruth Rendell/Barbara Vine, Ian Rankin, Agatha Christie and the Crowner John series featuring a coroner in fourteenth century England written by a former Home Office pathologist Bernard Knight. I’m now working my way through Peter James.
Some classics also work well. I enjoyed Dombey and Son and The Old Curiosity Shop in audio version (i alternated reading the book with listening which seemed to work really well) but couldn’t get into Barnaby Rudge and failed, again with a Tale of Two Cities.
I’m going to run out of options soon so if you have some recommendations do let me know. The Daily Telegraph published a list of their top 20 audio books yesterday – I’ve not read any of these. Have you listened to any of them?
Day 1 of a new month – and a new year. It’s time to take a snapshot of what I’m reading, listening to and watching.
I have about 90 pages left of Washington Square by Henry James. This is my spin book for the classics club and also counts as book number one from my list for the 2015 TBR challenge. Initially I wasn’t very engaged by this story of a sweet but plain and dull daughter and her brilliant but emotionally-distant doctor father. It’s now become significantly more interesting as the pair clash over a suitor that Catherine loves but her father considers a ‘selfish idler’ only interested in the girl because she is a wealthy heiress.
I’ll finish this today and can then turn more of my attention to the book chosen as my first read of 2015 In the Light of What We Know by Zia Haider Rahmen. I started reading this yesterday and if it continues in the same way I think this is going to be an enjoyable book.
I gave up on my last audio book Elizabeth of York by Alison Weir. I didn’t like the style – there were far too many times Weir used expressions like “Elizabeth must have known ….” or “Elizabeth would have felt….” I don’t expect to find this kind of conceit in a historical biography. I’ve switched to The Year of Living Dangerously : How Fifty Great Books Saved my Life by Andy Miller. This is a non-fictional account of how a Londoner began thinking re-kindled his love of reading, starting with books that he’d always meant to read but never got around to, and those other people couldn’t believe he hadn’t already read. A few chapters in he reveals he studied literature at university and works at publishing company evaluating submitted scripts from would be authors so it’s decidedly odd to find that he’s never read Middlemarch or Anna Karenina. Still I’m enjoying his irreverent tone, as he comments on some of the novels he read while on the 6.44am train to work in London and while in the queue at the post office. There’s a good interview with him at The Dabbler if you’re interested.
The DVDs that we were given as Christmas presents have proved a mixed bag. The Quartet had oodles of famous faces but not even Dame Maggie Smith and Sir Tom Courtney could rescue a very thin plot. The Dallas Buyers Club was good as was Flight with Denzil Washington. But 12 Years a Slave which we watched on New Year’s Eve was tedious. Far too many shots where the lead actor looks into the distance and we were meant to understand what was going on in his head. We now have a boxed set of The Wire to look forward to watching.