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The Franchise Affair by Josephine Tey
Sometimes a classic mystery or crime novel is the only type of book that will satisfy my mood. I don’t want the kind that oozes with blood or is ultra complex but equally the novel shouldn’t be ‘cosy’, or pedestrian.
Josephine Tey’s 1948 novel The Franchise Affair fitted my recent requirements perfectly.
It’s what I would class as an ‘intelligent’ mystery/crime novel. There are no bodies to be counted, no trail of blood, no criminals to be tracked down and unmasked in a grand dénouement (á la Poirot) and no unexpected plot reversals (á la Christie). Instead Tey presents her readers with a puzzle and invites them to follow along with the ‘detective’ as he seeks to find the truth among a knot of lies and inconsistencies.
The job of sleuth in this novel falls on the shoulders of Robert Blair, a respected solicitor in a respected family law firm in the country town of Milton. He’s called upon to defend Marion Sharpe and her mother who live in “The Franchise”, an imposing house on the outskirts of town.
They’re accused of kidnapping fifteen-year-old Betty Kane, holding her prisoner for a month and beating her when she refuses to do their cleaning. This is far from Robert’s usual kind of case but he’s been feeling lately that his life is rather unexciting and predictable. He’s rather taken with the Sharpe women and their sensible, forthright manner but he distrusts Betty’s story even though she can describe accurately items and rooms inside The Franchise.
Robert begins a painstaking search for clues that will prove his clients’ innocence and reveal that Betty is more of a cunning minx than the butter-wouldn’t-melt figure she presents to police and jurors.
The Franchise Affair is a cleverly paced novel. The first half is very much about Robert’s inability to find the holes in Betty’s story. Though he learns some surprising facts about her, he’s frustrated there is no real breakthrough. The second half has more tension; a race against time as the Sharpe’s find themselves arrested and the evidence appears to be firmly stacked against them.
Beyond the mechanics of the investigation lies a well crafted portrayal of how the media and a community react to a scandal in their midst. Marion Sharpe and her mother were already viewed with suspicion in the town. They’re ‘outsiders’, for one thing and have acquired a reputation for being rude. The conservative townies think Marion looks like a gypsy with her dark hair, browned skin and colourful scarves. Perhaps, it’s whispered, they are witches…
The people of Milton find it easy to believe that these women who live in a ramshackle ugly house behind large gates, could be kidnappers and abusers. They find it equally easy to believe in Betty’s story, particularly when the girl’s youthful appearance and clothes makes even sober men think of “forget-me-nots and wood-smoke and bluebells and summer distances.”
This is a novel about the way people jump to conclusions. The townsfolk assume Betty is innocent because she looks that way and because she was orphaned during the war . They assume Marion Sharpe and her mother are wrong-doers because they live in a large house (hence must be wealthy) and are a little odd.
Tey clearly doesn’t have much time for people like this. But she is even more disapproving of the way the media feed their prejudices. One newspaper, the Ack-Emma is described as:
… the latest representative of the tabloid newspaper to enter British journalism from the West. It was run on the principle that two thousand pounds for damages is a cheap price to pay for sales worth half a million.
The Ack-Emma’s sensational headlines are instrumental in whipping up public animosity against the Sharpes. They take Betty’s story at face value, publish a picture of the Sharpe’s house (which then becomes a target for vigilantes) and allow abusive missives about the Sharpes to appear in their letters’ page. Tey’s narrator bemoans this new style of reporting. Time was, says the narrator, when newspapers could be relied upon to exercise sound judgement about the contents of their editions. But newspapers like Ack-Emma’ don’t confirm to those old principles.
However the narrator also acknowledges the Ack-Emma’s new style of reporting has clearly found favour with readers since sales had boomed and “in any suburban railway station seven out of ten people bound for work in the morning” were reading its pages.
The Franchise Affair is a darn good story pepped up with sparky social commentary. It also has some first class characters. Robert Blair is a joy as the lifelong bachelor with a peaceful life. He has tea and biscuits brought each day to his desk on a on lacquered tray covered with a clock. He can clock off work after the post has gone at 3.45pm, just in time for a round of golf before dinner. He’s also waited on hand and foot by a devoted aunt). I
His client ‘old’ Mrs Sharp is a fun character. Her acerbic tongue matches her name but she has has an equally sharp eye for spotting a winning race horse.
Pride of place however goes to one of the members of the supporting cast; Robert’s Aunt Linn: “a solid little figure with the short neck and round pink face and iron-grey hair that frizzed out from large hairpins.” She’s a woman perfectly content with her life which revolves around recipes, church bazars and film star gossip gleaned from magazines. Though she’s not too keen on her nephew taking on the Sharpe’s case because the people at The Franchise “aren’t the kind of people I naturally take to” she is one of the few people in Milton who doesn’t let appearances get in the way of a desire for justice.
Though there are aspects of The Franchise Affair that situate it in a particular period (a post-war England which still has the death penalty) it deals with issues that are still relevant today. Questions about media responsibility and accountability and the way communities take ‘justice’ into their own hands, are just as pertinent in 2019 as they were in 1948.
About the author
Josephine Tey was the pseudonym of Elizabeth MacKintosh who was born in Inverness, Scotland in 1896. She also wrote plays under the name Gordon Daviot, a surname that might have been chosen because it was the name of the place near Inverness where she spent family holidays.
Her first published work appeared under the name of Gordon Daviot in The Westminster Gazette in 1925. Her first mystery novel, The Man in the Queue, was published in 1929, marking the first appearance of Inspector Alan Grant from Scotland Yard. Grant makes a few brief appearances in The Franchise Affair.
Why I read this novel
I read and enjoyed another of Tey’s novels, The Daughter of Time in 2017. It’s an unusual novel, an investigation into the mystery of a historical event (the deaths of the Princes in the Tower). I was taken by her writing style, enough to want to read more of her work and luckily found a copy of The Franchise Affair in a charity bookshop. Incidentally this novel was included in a list of recommended crime novels published by The Sunday Times.
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Cwtch Corner welcomes Cathy Ace #Waleswrites
Cwtch Corner: where authors from Wales get to talk about their work, what inspires their writing and their favourite authors and books.
Cwtch Corner went transatlantic this month. I’d dearly have loved to visit Canada to talk in person with Cathy Ace but the tortuous journey home from New Zealand has made me less than enthusiastic for long haul flights. Maybe I’ll get a chance to meet her when she makes one of her frequent trips home to Wales to visit family or attend a crime fiction festival.
Cathy moved to Canada to teach at the University of British Columbia. It was a long way to go to meet and marry a ‘boy’ from her home town of Swansea! She lives in rural British Columbia where she gardens and writes. She has two series published: the Cait Morgan series features a Welsh-Canadian criminologist who specialises in profiling victims and the WISE Enquiries Agency series based on four women with a nose for mysteries. Her newest novel The Wrong Boy is a psychological suspense novel set on the Gower peninsular.
Q. Hi Cathy, The Wrong Boy was published in January this year. Can you describe it for us in just one sentence?
Thanks for having me along to your lovely Cwtch Corner today. I adore the word cwtch and everything it means – I even used it in the book, where there’s a place called The Rhosddraig Cwtch (a small café/restaurant in the village of Rhosddraig, where the book is set – which is really Rhossili, but I disguised it to protect the innocent). But, I digress (not unusual for me) so, back to your question.
Oh my goodness me, describe this book in one sentence? Any limit to the length of that sentence, or the amount of punctuation I can use within it to allow it to be just one sentence? No? Hmm, well, maybe I’m not up to it…so I’ll let multi-award-winning author Elly Griffiths do it for me:
“A wonderfully dark, atmospheric tale about the way that evil reverberates through generations.”
Q. You’ve written two successful series – do you tend to plan a series as a whole or does each book just flow from the last one?
“In the case of the Cait Morgan Mysteries I was given the opportunity to propose nine books to the publisher when I submitted the very first manuscript. Eight of those books were published with that publisher, so I was delighted to be able to follow the majority of the arc I’d planned for the two main characters – Cait Morgan and Bud Anderson – as well as “visit” the countries where I’d wanted Cait to discover each book’s titular corpse (eg: The Corpse with the Silver Tongue). Each was a country where I’d lived or worked for a period of time, and I very much wanted readers to get the chance to see a little of what I loved about each place. As for the ninth novel? That’s still in the pipeline.
For the WISE Enquiries Agency Mysteries I proposed two books to that publisher (a different one) at first, then another two, though in my mind I’d already planned five or six.
In both series the books follow a natural timeline in the lives of the main, recurring characters – though each novel truly stands alone, without any cliffhangers preventing readers from achieving full closure. That being said, I really think it helps to understand character development if a series of books is read in order – unless the characters experience very little true personal development (as in the case of Marple or Poirot, for example). As a reader I do dip into series, but usually find I want to go back to the beginning to find out where the characters ‘began’.”
Q.You’ve won several awards for your work (most recently an Independent Publishers Book Award for The Wrong Boy). How important are awards to authors? Do they tend to translate into sales?
“To be clear, I should say that I know different authors view different awards in different ways, so I can only speak for myself in this response.
To be shortlisted for an award, or to win one, provides an enormous boost to my confidence; I adore it when I meet, or hear from, readers who tell me how much they enjoy my work – but I still struggle with how to react…without gushing, or blushing, or stammering.
Being nominated or shortlisted for, or winning, an award is a time of pure joy – so the first thing I do is celebrate! There are so few moments when I’m not worrying about the book I’m trying to get folks to consider reading, or the one I’m plotting/outlining/writing, that it’s worth revelling in just one evening of indulgence…so I pop a cork, and sip with satisfaction – then the next day I get back to work.
In terms of sales? The effect can be immediate – there’s usually a bump in sales – but it has to be something you work at to make it a sustained advantage. What I will add is that I’ve found that being shortlisted for an award but not winning it (that’s happened to me three times, for different awards) can have exactly the same effect upon my psyche and my sales – so the effort to get out the news about about being shortlisted is equal to the effort I put into news about winning.”
Q. Though Welsh born, you’ve lived for many years across the other side of the Atlantic. How has that distance from home affected how you write about your native country
“I didn’t migrate to Canada until I was forty so I will always be truly Welsh, though I’m now also “becoming” Canadian (except for the accent!). My husband is also Welsh, and both my mother and sister – as well as my husband’s family – all still live in and around Swansea…so I still feel close to home (I talk to Mum for about an hour on the phone every day!).
That said, I now have the distance between me and the day-to-day realities of life in Wales to allow me to stand back and see my Homeland slightly differently than I did when I lived there.
I didn’t begin to write fiction until I moved to Canada, so I don’t know how I might have written about Wales before I left…but I think it’s important in all scene-setting in fiction to paint just enough of a picture to allow the reader to fill in the gaps – like a Pointillist or Impressionist painting, rather than a photograph. I think the distance helps me do that, because I can better focus on aspects of Wales and Welshness that are critical to the reader’s understanding, instead of trying to pile on the details that might confuse rather than illuminate. At least, that’s what I hope I manage to do.”
Q. Who do you think is the most interesting sleuth in crime fiction??
“Oh gosh, that’s a difficult question to answer because there are some truly engaging sleuths – of all types – around.
Millhone (Sue Grafton), Warshawski (Sara Paretsky) and Spenser (Robert B. Parker) all have rich personal lives without being out-and-out weird professional investigators; Poirot, Marple (Agatha Christie) and Holmes (Conan Doyle) are unchanging, yet interesting despite that; Rebus (Ian Rankin), Reacher (Lee Child) and Rumpole (John Mortimer) pursue justice in totally different ways, face life-changing situations, yet still come up trumps; Galloway (Elly Griffiths), Bryant and May (Christopher Fowler) and Stanhope (Ann Cleeves) are some of my favourites too, yet all are completely different. And I could go on. And on. See? It’s an impossible question to answer…sorry.“
Q. Your home is on fire… Which book will you choose to save??
Fire? My nightmare! We live half way up a little mountain in a rural area, where the nearest fire station is run by volunteers – so, around here (in the middle of a rain forest) most domestic fires lead to the complete loss of a home because none of us even have mains water – we all have wells. So you get out (hopefully) then have to watch everything burn, praying the fire doesn’t jump to the trees and become a major disaster, as you wait. Dreadful! *shivers*
But…OK, I’ll imagine a fire, just for you. Of course my beloved dog and husband get rescued first (wrong order?), then our photo albums (yes, we still have such things – and I must find the time to scan and save all those photos at some point). Then a book.
I look at it this way – a book is something that can be purchased again, whether as a new book or as a previously-loved copy of something that’s out of print. Books mean most when they’ve been given by someone, or are signed by someone who’s no longer around.
With that in mind, the one book I would save would have to be my copy of A Christmas Carol, by Charles Dickens; it’s a copy that was given to my mother for Christmas in 1944 by her aunt. I cannot imagine how expensive it must have been to purchase, or how wonderful to receive – an illustrated hardcover book, printed and published in 1944 with all the war shortages at their height…what a treat! Mum and Dad gave it to me for Christmas in 1969, and Dad and I would sit and read it together. I am deeply attached to the illustrations (by Emil Weiss) which stoke my nostalgia almost more than the words. My father loved A Christmas Carol – the story, the lessons, the book, and every version of it on film (he most enjoyed the one with Alistair Sim as Scrooge). For me, it’s an irreplaceable book, and therefore worth saving.”
If you’d like to learn more about Cathy or discover how to buy her books, take a look at her website
She’s also on social media:
Facebook: https://www.facebook.com/Cathy-Ace-Author-318388861616661/
Twitter: @AceCathy
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Crime fiction authors unite to fight for Wales
First came Tartan Noir – a gritty form of crime fiction said to be particular to Scotland and Scottish writers but which borrows from American crime writes of the second half the twentieth century. Then Nordic Noir was born, taking us into bleak landscapes, dark moods and moral complexity with authors like Henning Mankell, Steig Larsson and Arnaldur Indriðason. There’s even Irish Noir which covers a broad range of crime writing by Irish authors, from historical crime fiction set in Belfast to modern procedurals engaging with first world problems and psychological thrillers.
Even if you subscribe to the view held by a number of authors and critics that these terms are meaningless and little more than marketing gimmicks, the reality is that they sell books. And in doing so they’ve helped raise the profile of many authors.
But so far there’s no sign of Welsh noir. In fact about Welsh crime writing in general there’s been hardly a peep.
And yet there’s a growing number of crime fiction authors based in Wales or who choose to set their work in the country.
Why haven’t you heard of them?
Partly I suspect because many of these authors have associations with small, independent publishers who don’t have as much sway with the purchasing teams in large bookstore chains. Nor do they have the kinds of budgets necessary for national ( UK-wide) promotion. Even trying to get attention within Wales is tough when the so called national newspaper of Wales The Western Mail, pays scant attention to arts coverage and still less to book reviews.
But there is a group of writers resolved to change how Welsh crime fiction and non fiction is perceived.
Crime Cymru was formed in 2017 to promote Welsh crime fiction with a mission to challenge the perceived belief that that ‘nobody who wants to be read sets their books in Wales’.
Crime Cymru started with just three members: Alis Hawkins, Rosie Claverton and Matt Johnson. But it’s grown to become a consortium of more than 25 authors. Some were born in Wales. Others have chosen to settle here. Some members live in the UK or further afield in North America but chose to set their work in Wales. What unites them is their feeling that Welsh crime fiction has a unique dimension that deserves more attention.
Alis Hawkins, a founding member of Crime Cymru
“We believe that Wales is under sold: by publishers, by booksellers, even by authors and readers,” said Alis. “And we’re determined to change that. Crime Cymru authors are proud to set our fiction in Wales. We don’t feel the need to move our characters to London, or to make up fictitious cities to police.”
In support of their objective of promoting Wales and Welsh crime writing, Crime Cymru members have carried their message direct to readers via appearances at a number of literary festivals and a Coffee and Crime Weekend partnership with the county library service in the capital city of Cardiff. They’ve even taken the battle across the border, to Bloody Scotland – Scotland’s premier crime fiction festival.
Future plans include the establishment of a crime writing competition in line with another of the group’s other objectives – to help nurture new writing talent.
“You could argue that until now we’ve been our own worst enemies: falling into a trap of assuming that anything coming from Wales is somehow less noteworthy than the output from England or Scotland,” said Alis. “It’s time we changed this attitude. We’re determined that Crime Cymru will play a real and tangible part, alongside higher education and cultural bodies, in raising the profile of Welsh writing in general and crime fiction in particular. “
Alis herself is suiting her actions to Crime Cymru’s words this May. To celebrate National Crime Reading Month and to publicise both Crime Cymru and the publication of the second in her Teifi Valley Coroner series, Alis – supported by local Crime Cymru members – will be visiting every independent bookshop in Wales – 32 at the last count.
The Crime Cymru authors cover a wide variety of styles and interests. They range from Cathy Ace whose Cait Morgan Mysteries feature a globetrotting sleuth who is a professor of criminal psychology to Philip Gwynne Jones who writes thrillers from his home in Venice. I’ve read a few of the group’s members although I wasn’t aware that Crime Cymru’s existence at the time.
My reviews are via these links:
Dylan H Jones: Doll Face and Anglesey Blue
Thorne Moore: A Time for Silence
Following shortly will be my review of None So Blind, the first book in Alis Hawkins’ series featuring a coroner in nineteenth century Wales.
Learn more about Crime Cymru and its authors via their website http://crime.cymru. You can also follow on Twitter @CRIMECYMRU
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Recent reads in brief
Best selling authors Lisa Jewell and Peter James both had new books out this year. Since I’m running way behind with my reviews and I don’t have a lot to say about either of these books, I’m just going for a short
Then She Was Gone by Lisa Jewell
I’d never read anything by Lisa Jewell until this year. I know she has a large fan club but she never appealed to me. I read this only after significant badgering from a friend who is a devotee….
Then She Was Gone is set ten years after a teenage girl goes missing one day when she was on her way to the local library. Ellie’s disappearance led to a divorce and the break up of her family. Her mum Laurel is living a half life, never feeling she can move on while the mystery of her daughter’s disappearance is unresolved.
Then she meets a charming man who makes her feel there is hope. He has a nine year old girl who has a remarkable resemblance to her missing daughter. It proves to be the first in a sequence of coincidences. Questions come flooding back to Laurel. She has to know the truth no matter how painful this may be.
I’ve seen this book described as gripping and heart-breaking. I didn’t experience either of those emotions myself. I’m afraid I guessed the secret at the heart of the book a long way before its ending though it was interesting to observe how Lisa Jewell manipulated the plot to send her readers down several blind alleys. Then She Was Gone was a perfectly acceptable story and told cleverly through different narrators (the identity of one only becomes apparent a long way into the novel). It just wasn’t that special.
Dead If You Don’t by Peter James
This is the latest in a long running series featuring Detective Superintendent Roy Grace, based in the seaside town of Brighton. I’ve not read all of them so I rely on my dad to fill in the blanks about Roy Grace’s personal life (his wife disappeared on the day of their wedding anniversary).
What always impresses me with these novels is the insight into police procedure that James provides. He does extensive research to ensure his story lines are feasible and the actions of Grace and his team are accurate. Roy Grace himself is based on a real life former Detective Chief Superintendent in Sussex Police, David Gaylor, who works closely with James on his books. But James also does the rounds with police officers, attends conferences and has lunch with ex convicts.
In Dead if You Don’t I was fascinated to learn how emergency calls from the public are handled when they come into the operations centre. But the biggest eye opener was that patrol car teams on night shift duty like to play jokes on other drivers by deliberately driving below the speed limit and and seeing who is afraid to overtake.
As is always the case with Peter James, this book has a multi-stranded plot. There’s a suspect device planted at the local football ground during the home team’s biggest match of the season. Then the teenage son of a local big shot financial advisor is kidnapped; a drugs mule dies at Gatwick airport from an overdose and body parts are discovered at another location in Brighton. Somehow they are all connected to a fight for control between the members of a large and powerful criminal network.
If you like high octane drama filled novels, this will definitely fit the bill.
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Kingdom of the Blind by Louise Penny #bookreview
How long can a series endure before it runs out of steam?
Louise Penny’s crime series set in Quebec has long been one of my favourite crime writers. Her central character, Armand Gamache, chief of police, is a superbly conceived character; he’s surrounded by some equally well-executed personalities among his friends and family and he lives in the delightful (fictional) village of Three Pines. Penny’s
When we reached book ten of this series however I did wonder how much further Penny could go with this set up. She settled all my doubts with book eleven A Great Reckoning (my review is here).
But she’s just published book number 14 and it saddens me to say that my earlier doubts have resurfaced. I so wish that wasn’t the case because the fact that Kingdom of the Blind was written at all is a testament to Penny’s resilience and courage.
Penny’s husband Michael, who was the inspiration for Armand Gamache, died in September 2016. In the introduction to Kingdom of the Blind, Louise Penny says she didn’t feel she could write again after his death. “How could I go on when half of me was missing? I could barely get out of bed,” she said.
But one day she found herself at the dining table where she always did her writing. The first day she wrote just two words — the name of her protagonist. The next day the word count trebled and kept on increasing day by day.
Kingdom of the Blind was begun. Not with sadness. Not because I had to but with joy. … Even as I wrote about some very dark themes, it was with gladness. With relief. That I get to keep doing this.
The darkness she mentions relates to one of the two major plots in the novel.
A new ultra powerful, ultra dangerous, opioid drug is about to hit the streets of Montreal. The finger of blame is pointed at Gamache who allowed a large cache of the drug to escape seizure during a major drugs raid. As a result he’s been suspended from his role as Chief Superintendent of the Sûreté du Québec, pending an internal investigation. Then one of his proteges at the police academy, the rebellious cadet Amelia Choquet, is discovered with drugs in her possession.
Against this background Gamache receives a letter summoning him to a dilapidated house in a small rural village. There he discovers he is one of three people named as executors in the will of a woman who called herself The Baroness. Gamache has never met her, has no idea why she should have entrusted her last wishes to him, a retired psychologist (his friend Myrna Landers from Three Pines) and a young accident-prone builder from Montreal. It’s not long before a body is found and Gamache’s suspicions are aroused.
Penny hasn’t lost her gift for evoking the spirit of the Quebec countryside and its fierce winters. Early in the novel a winter storm descends upon Gamache and the village of Three Pines; a metaphor for the turmoil that threatens to engulf the police chief. But these villagers take the weather in their stride; it’s just an excuse to indulge in their favourite foods (a word of warning – reading this book will get you salivating for tarte tatin and cafe au lait) or to head to the village bistro for a gossip. All the usual people are in evidence in Kingdom of the Blind: Gamache’s wife Reine-Marie, his son-in-law and assistant Jean-Guy Beaulieu, the artist Clara Morrow, bistro owners Gabri Dubeau and the poet Ruth Zardo.
Gamache is more introspective in this novel than in all the previous titles. He’s always been conscious of his failings, following a code of conduct based on the philosophy of Marcus Aurelius. He advises his junior officers to take on board four statements: I don’t know. I need help. I was wrong. I’m sorry.
In Kingdom of the Blind he seems more vulnerable, more weighed down by ghosts from the past.
… he remembered … all the raids, the assaults, the arrests. The investigations over the yers. The victims. All the sightless, staring eyes. Of men, women, children whose murder he’d investigated. Over the years. Whose murderers he’d hunted down. All the agents he’d sent, often led, into the gun smoke.
There’s a sense in Gamache’s mood — which is reflected in some scenes at the end of the book — that he is facing significant changes in his life and his career. Without giving the game away for people who have yet to read this book, the nature of those changes make me wonder how it’s going to be feasible for Penny to continue this series. The inheritance plot of Kingdom of the Blind wasn’t one of her best, another indication for me that the series is reaching a natural conclusion. Even so it is still superior to many of the crime novels currently in circulation.
I could be wrong. Louise Penny surprised me once before. She could do it again.
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Bookends #10 November 2018
This week’s Bookends post features an author whose books about a fictitious community in Quebec, Canada have become a favourite. I’m also giving you a challenge to name which author you would choose if you could read only one author for the rest of your life.
Book: Kingdom of the Blind by Louise Penny
I’ve posted multiple times in the last few years about Louise Penny and how much I enjoy her series featuring Armand Gamache, Head of Homicide at the Sûreté du Québec. There is another Gamache novel due out from Little Brown on November 27.
Kingdom of the Blind takes us back to the community of Three Pines, a village so small it barely features on a map. Gamache is called to an abandoned farmhouse outside the village where he discovers that an elderly woman, a stranger, has named him as an executor of her will. The bequests are so wildly unlikely that he suspects the woman must have been delusional – until a body is found, and the terms of the bizarre document suddenly seem far more menacing
But it isn’t the only menace Gamache is facing. In the last novel Glass Houses he was suspended from his role as Chief Superintendent of the Sûreté du Québec, pending an investigation. That investigation has dragged on, and Armand is taking increasingly desperate measures to rectify previous actions.
One thing you can be sure of with Louise Penny is that this novel will have a strong plot. What interests me far more than that however is the way she has developed the character of her protagonist. He’s a very thoughtful man with a good understanding of human nature (how many other detectives do you find quoting Marcus Aurelius?). He makes mistakes but also has the humility to accept when he is wrong.
Blog Post: Which author could you read for the rest of your life
I wish I could get to the book club meetings that Anne at Cafe Society talks about on her blog because they have such interesting and thought-provoking discussions. In one recent meeting she says “someone asked whom we would choose if we could only read the works of one author for the rest of our lives.” Some choices were inevitable: Dickens and Trollope.
In her recent post, Anne reflected on the criteria for her own selection.
I’ve been thinking about this on and off since I saw her post. It’s not an easy question at all. I have many authors I consider favourites but if they were the only author I could read, would they be enough to sustain me? I’m coming around to putting Emile Zola as my choice – his novels are strong on plot but they are even stronger on ideas. There are 20 of them in his Rougon-Macquart series covering multiple aspects of life in 19th century France – from alcoholism, prostitution, industrial disputes and poverty to the birth of the department store. Plenty of variety to keep me engaged.
Now my challenge to you all – what would your choice be? And of course, why?
Article: Facing down a book Goliath
A couple of days ago I heard of a rumpus involving Abe Books which is an online book re-seller owned by Amazon. Apparently Abe decided it would no longer list booksellers from the Czech Republic, South Korea, Hungary and Russia. The company didn’t really explain its decision beyond the fact it was changing to a new payment service provider.
What they never anticipated was the reaction. Hundreds of secondhand booksellers around the world united in a flash strike against Amazon. More than 400 booksellers in 26 countries not affected by the decision retaliated by marking any of their stock listed on Abe as being “temporarily unavailable”.
Such was the strength of opposition that Abe has now backed down. I suspect that the senior management at Amazon stepped in when they saw what was happening.
Read about the issue here and here .
What struck me about this scenario was that it was all completely unnecessary. The objectors didn’t question the right of Abe to make a commercial decision about how to operate its business. But they did object to the way this was implemented. Little warning given to the booksellers who would, as a consequence, see their business severely impacted. Little consideration given to the fact this would mean a loss of jobs.
If Abe had been less high-handed and insensitive they would not have faced a protest that has damaged their reputation.
It’s a lesson that all big companies need to understand. Treat your customers and business partners with respect and they will remain loyal. Disregard them at your peril.
And so that’s a wrap for this episode of Bookends. Have you found anything new exciting and to read this week that might entice me?
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Doll Face by Dylan H Jones #WritingWales
If ever I needed reminding that I have led a (mercifully) sheltered life, I just have to pick up a crime novel. Some of the scenarios dreamed up by the authors working in this genre are not only out of my realm of experience, they don’t even figure in my knowledge bank.
Until I read Doll Face, the second title in Dylan H Jones’ Tudor Manx series, I was blissfully unaware for example that there is a certain section of the population that likes to step into rubberised full body suits whenever they feel like adopting a new persona.
Living Dolls … A subculture of men who like to dress like dolls. They wear body suits, masks, anything that makes them more feminine.
I have to believe that Jones has done his homework and not only do such people walk this planet there are businesses that supply their needs. What a way to make a living!
The habit provides the title of Doll Face, and is responsible for some thoroughly creepy moments.
I read the first novel in this series — Anglesey Blue — last year and enjoyed it as you can see from my review . I wasn’t the only one. It was long listed for the Guardian’s ‘Not the Booker Prize’ 2017 and occupied the #1 Best Seller spot in Welsh Crime for a time. Not bad for a debut novel.
I wondered at the time how this series would progress. It’s hard enough to write one successful novel but coming up with an equally good second in a series is tough. In an interview I did with Dylan Jones he said his plan was to set each book in a different season with his central character, Detective Inspector Tudor Manx, wrestling with his decision to return to his native island of Anglesey in Wales.
Though Doll Face takes place in Spring, a season associated with hope and growth, it feels a darker novel to me than the winterly Anglesey Blue. It’s set three months after the first novel with Manx’s detective skills called upon when a body of a young woman is found horribly mutilated. Then gruesome video footage comes to light showing details of how she was murdered.
Suspicion falls on her nasty ex husband and on her employer, the millionaire tech-entrepreneur Kimble McLain. McLain is such a big cheese and philanthropist that the high-ups in the police force want Manx to go cautiously. But of course this is a guy who doesn’t understand the word ‘no’. Besides, when another similarly mutilated body is discovered, it quickly becomes clear that there could be a serial killer on the island. The investigation takes Manx into the world of religious fanaticism and child abuse.
Some of the threads from the earlier novel make a return in Doll Face. There’s the disappearance of his sister many years earlier which continues to haunt Manx. There was a cliff-hanger at the end of Anglesey Blue which I thought would have been picked up in this second novel but we didn’t get much further forward on that plot line. But there was a significant development about the hitherto hinted-at reasons why Manx left his previous job with the London Metropolitan serious crime division under a dark cloud of suspicion.
The inspector’s strained relationship with the forensic scientist Ashton Bevan is also shaping up nicely while we got to know more about the two key members of the team: policewoman Delyth Morris and Falklands’ War veteran Detective Sergeant Maldwyn Nader, who is suffering from PTSD. I’m warming to them both as well as to the cigar smoking, sports car driving inspector. Maybe by book four one of the women on the island will have persuaded Manx that it’s time his fashion sense came into the twenty-first century.
An entertaining read with plenty of twists and dangling threads to keep you reading. It can be read as a stand-alone novel though it you want to get under the skin of Anglesey, it would be worth reading Anglesey Blue also.
Footnotes
About the Book: Doll Face by Dylan H Jones is published in March 2018 by Bloodhound Books.
About the Author: Dylan H Jones is a native of Anglesey so he knows a thing or two about the island, its landscape, language and people. He has worked in television and the creative industry, as a producer at the Welsh TV Channel, S4C before becoming creative director at Channel 4, London. In 1999, Dylan moved to California where he worked a copywriter in LA, writing movie trailers and TV ads.
More information is available on his website and in a Q&A with Dylan Jones on this blog site in which he talks about the choice of Anglesey as a setting and his plans for the series.
Why I read this book: It’s a great opportunity to showcase the writing from my native country of Wales. Thanks to Dylan Jones and to Bloodhound Books for providing me with an advance copy of Doll Face in return for a fair review.
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Miss Christie Regrets: Reviving the Golden Age of crime
The revival of interest in crime classics from the Golden Age of (the 1920s and 30s) continues unabated it seems. The British Library decision to publish hitherto neglected titles from that era was a smart move, coming just as book pundits began to detect a desire by readers to move away from dark modern thrillers. Whether the interest in the Classic Crime series (now 20 titles and growing) was really a reaction to the complexity of modern life and a yearning for the ‘simpler’ life of the past, is debatable. It may be that the interest in the Golden Age will be short lived but for now, it’s definitely on the rise.
Miss Christie Regrets by Guy Fraser-Sampson harks back to that era but also brings it up to date with a whodunnit trail involving espionage and a threat to national security. It doesn’t slavishly follow the conventions of the Golden Era detective story (no locked room mystery here for example or English country house setting) but it acknowledges its heritage with multiple references to the leading practitioners of the genre like Marjorie Allingham and of course Agatha Christie.
This is the second title in a series set in the Hampstead area of London and the police station serving that suburb. It features some of the same characters of the earlier novel Death in Profile; in particular Detective Superintendent Simon Collinson, the psychologist Peter Collins and Detective Sergeants Bob Metcalfe and Karen Willis. It begins with the discovery of a body at an art gallery/museum, with our old friend the blunt instrument soon identified as the murder weapon. There are a few obvious suspects including the caretakers of the building though the security system was so lax anyone could have walked in from the street and done the evil deed. The police team are already struggling to make much progress when a second murder victim is discovered in the basement of an iconic apartment block which boasted illustrious tenants including Miss Agatha Christie herself. Collinson is convinced the two cases are connected even though they happened some 60 years apart. He’s also convinced Miss Christie somehow holds the key to the mystery. He’s not able to make much progress however until Special Branch begin to reveal some of their secrets. I won’t give the game away much further other than to say the trail uncovers connections that the intelligence service have sat on for decades.
It’s a plot that’s not fiendishly difficult but has enough complexity to keep me guessing until the final stages. Miss Christie Regrets has a satisfying quota of dead bodies though they happen off stage as it were and are not described in any gory detail and plenty of red herrings. Ultimately it’s a straight forward police procedural murder mystery in which the detectives reach a solution not through sudden ‘light bulb’ moments but by meticulous attention to detail and protocol. Good old fashioned detective work I suppose one could call this.
The Isokon building: Creative commons licence: CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=384681
My enjoyment would have been even greater if there had been less of the police procedural element and more depth to the setting. I enjoyed learning about the history of the Isokon building which was intended as an experiment in communal living and designed in the style of the Bauhaus movement. But given that the series is named Hampstead Murders I would have expected more of a sense we were in this particular part of London. There are some occasional references to pubs or buildings like Burgh House where the first murder victim is found:
Burgh House sits rather smugly in New End Square, as if well aware of the fact that it is both one of the largest and also one of the finest houses in Hampstead.
These glimpses were tantalising. I’d hope that as this series progresses and the characters are given more depth that more emphasis is also given to portraying the unique character of Hampstead. I would have welcomed more of that element and less of the daily recaps of the investigation. Police work does involve a higher degree of routine work than TV dramas suggest but I don’t necessarily need to see that mapped out in such detail as in this novel. It made the book feel longer than it needed to be.
Overall however this was a highly readable novel and one I can see having a strong appeal to people who enjoy being challenged by the mystery of death but don’t need all the gruesome details.
Footnotes
The Book: Miss Christie Regrets is published January 2016 by Urbane Publications UK
The Author: Guy Fraser-Sampson has a list of writing credits to his name including works on finance, investment and economic history. He is best known as the author of three novels in the Mapp and Lucia series created by E.F.Benson.
Why I read this book: I received a review copy from the author in exchange for an honest review (which I hope this is).
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Three Faces of Crime
I don’t read a lot of crime fiction but now and again I get a hankering for something in that line. I am clearly not destined to be a detective however because I invariably pick the wrong person as the perpetrator and miss the significant clues along the way to their exposure. It doesn’t really matter as long as the writing is of a good standard and the plot doesn’t stretch credulity too much. What appeals to me about these books is they give me a chance to turn the dial down on the brain for a while. I’m not yearning for cosiness or the kind of book where it goes in one eye and out the other without touching the sides but I definitely want to be entertained.
All three of the crime novels I’ve read this year have had something about them that lifted them above the ordinary though their styles couldn’t be more different.
My love affair with Chief Inspector Gamache continues unabated. A Fatal Grace is book number two in the series by Louise Penny but the fourth I’ve read (I’ve not been reading in order).
She takes us back to the Three Pines village, a Canadian community so small it can barely be found on the map. It’s a close knit community but there’s one person that the village has never taken to their heart: CC de Poitiers. This is a woman who alienated everyone from her husband and her sad, cowed daughter to her lover so there are not many tears shed when she is electrocuted during the annual curling event. But Armand Gamache is a man full of compassion and an understanding of human nature, skills which ably equip him to understand the undercurrents as he searches for the truth. A well written novel which kept me guessing (almost) to the end and entertained with its wonderful scenes set in the village’s cosy bistro. I admire the way Penny has developed these characters, giving them little quirks and tics but never descending to the level of caricature. She has also cleverly set up a storyline that is expanded in later novels about a threat from unknown forces to our beloved Chief Inspector. If you’ve not been introduced to Gamache, I recommend you remedy that soon.
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The cover of the first edition of ”The Mysterious Affair at Styles”. Shared via Creative Commons License from Wikipedia
It’s taken me long enough to get around to reading The Mysterious Affair at Styles, the first novel to be published by Agatha Christie. It’s the novel that introduces Hercule Poirot to the world as a man with eccentric habits and a razor sharp mind.
The story of The Mysterious Affair at Styles is rather simple by contemporary standards – just one death and that happens off stage so sparing us any ghoulish details. But it’s the way the novel evokes a particular time and place that I found more interesting. It’s written in 1916 when the world of the Edwardian landed family seems to be in its last stages. The multi-generational family living at the country house of Styles try to keep up their old way of life but the reality of World War 1 with its talk of war work, rumours of spies and shortages of essentials impinge on their comforts. Poirot himself has been displaced by the war raging in his native Belgium, finding refuge with a few of his countryman in a house owned by Emily Inglethorp, the matriarch of Styles manor house. It puts him in pole position when his benefactor is found dead inside her locked bedroom. Not a book that lovers of highbrow literary fiction will enjoy very much it was interesting to see where the legend of Poirot began.
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Both Penny and Christie give us professional detectives who possess an extraordinary ability to understand the forces that drive people to murder, maim and prey on the weak and defenceless. It’s often not the crime itself that intrigues them, but the character that lies behind it.
The protagonist in my third novel isn’t a detective nor does he have any interest in the criminal mind. He doesn’t easily understand emotions in fact because Asperger’s Syndrome severely limits his emotional response to situations and makes it difficult for him to interpret other people’s behaviour. Patrick Fort is however fascinated by death, a fascination triggered when as a young boy he witnessed his father’s sudden demise in a road accident. His obsessive desire to know why someone dies takes him to a university anatomy course in Cardiff where he he looks for answers by dissecting cadavers donated in the interests of furthering medical understanding. After weeks of working on Corpse 19, the body of a middle-aged man, he is convinced the diagnosis given on the death certificate is incorrect. Few believe his claim that Corpse 19 did not die naturally but was murdered in a hospital high-dependency ward for coma patients.
The introduction of a ‘detective’ with Asperger’s Syndrome has of course obvious parallels with Mark Haddon’s hugely successful The Curious Incident of The Dog in the Night Time. Rubbernecker uses a similarly emotionally disconnected voice but was rather more successful for me than Haddon’s protagonist. There are times when Patrick Fort’s lack of social skills result in some unintentionally funny scenes but we also empathise with his mother whose patience at her son’s behaviour has been tested to despair.
There is a lot to appreciate in this novel though Bauer’s ambition seems to have led her to intersperse the narrative of Patrick’s quest with several other strands which don’t work as well. The most prominent is the narrative of a middle-aged car accident victim man who is trying to recover his voice and the use of his body after lying in a coma for many years. Then there is a story line of a nurse working in the same coma unit who sets out to snare the wealthy husband of a patient. The connection between these strands does eventually come together though it makes for some confusing reading initially. I’ll give credit to Bauer however for attempting to break new ground in the realm of psychological crime fiction. The shame is that we won’t get another chance to meet Patrick in any further novels.
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Is audio the future?
Some readers love them. Others don’t think they count as ‘real reading’. But it seems the British public are falling in love with the idea of listening to words rather than reading them. According to the Publishers Association, sales of audio books in the UK have doubled in the last five years. It’s a remarkable turnaround from 2010 when publishers were fearing the days of the audio recording were numbered. From sales of £4M then, last year saw the figure jump to £10M.
Remember the days of these?
The boom has been attributed to two factors: one is the ease with which users can now get hold of a recording. Gone are the days when you had to find a shop selling cassettes and later CDs, and then carry a dedicated player around with you whose battery life was sure to fail just at the exciting point in the book. .Now, just like music, they are easily downloaded onto phones and tablets, and carried everywhere from trains to planes, from the park to the beach. Well just about anywhere really.
The second factor the publishers claimed to be responsible for the upswing is that famous names from stage and screen are now regularly turning their skills to narration. In recent years we’ve had Nicole Kidman reading To the Lighthouse, Kate Winslet narrating Therese Raquin and Colin Firth relating Graham Greene’s The End of the Affair. Then, just last month Reese Witherspoon was named as the voice for the audio version of Harper Lee’s new novel Go Set a Watchman.
I’ve been an audio book fan for decades. It started when a change of job meant I had a 45 minute commute to work and desperately wanted something as relief from political and world news. Fortunately during the times when Parliament wasn’t in session, the BBC would offer a book of the week. Otherwise my options were limited because it was expensive buying the cassette recordings myself and if I tried borrowing them from other people, the tape had a tendency to get snarled up in the machine. The advent of the CD was a great relief especially when public libraries began offering them for loan at a very low price. Even more joy came when I bought my first iPod and learned how to record from the CD so I could listen when pounding the treadmill in the gym.
I’ve learned a few things over the years.
One is that the choice of narrator is critical. I don’t care if they are famous – what matters most is whether by their voice they can hook me into the story and make me believe in the character they are inhabiting. Martin Jarvis is one of the best I’ve come across but I also love Juliet Stevenson’s voice. Some recordings I have abandoned simply because the narrator’s voice has grated on me so much I simply couldn’t bear to continue.
Secondly, It’s hard to define the perfect recipe but some books work better than others in certain circumstances. If I’m driving and listening then I need a book with a good story but one that is not too complicated because I need to also pay attention to the road. If it has too many characters or involves a lot of introspective thinking by the main character, then it will demand more attention that I can safely give.
Crime fiction works well which is a surprise because that’s not a genre I read widely in printed format. I’ve exhausted the library collections of Ruth Rendell/Barbara Vine, Ian Rankin, Agatha Christie and the Crowner John series featuring a coroner in fourteenth century England written by a former Home Office pathologist Bernard Knight. I’m now working my way through Peter James.
Some classics also work well. I enjoyed Dombey and Son and The Old Curiosity Shop in audio version (i alternated reading the book with listening which seemed to work really well) but couldn’t get into Barnaby Rudge and failed, again with a Tale of Two Cities.
I’m going to run out of options soon so if you have some recommendations do let me know. The Daily Telegraph published a list of their top 20 audio books yesterday – I’ve not read any of these. Have you listened to any of them?
CerianMai96
Edward Colley
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