Vanessa Savage started out writing women’s fiction but her debut novel The Woman in the Dark is an intense psychological thriller about a couple who buy a gothic seaside house whose previous occupants were brutally murdered.
Q. Vanessa, why did you change to writing psychological thrillers?
I believe the line between the two genres can be quite finely drawn. A domestic noir is as much about relationships as a women’s fiction novel with a romantic thread – just darker! I like writing about relationships in character-driven stories and I felt my first idea for a novel fell more into the women’s fiction genre and joined the New Writer’s Scheme at the Romantic Novelists’ Association (RNA). But the longer I wrote, the clearer it became to me that, as a writer, what I wanted was to explore the darker side of relationships – where love tips over into obsession, what happens when the happy-ever-after goes wrong. I wanted my characters to kill rather than kiss each other!“
Q. What inspired you to write The Woman in the Dark?
“I knew I wanted to write a ‘behind closed doors’ psychological thriller about a family in crisis and their breakdown, but there was a missing element – the house. I became fascinated by the idea of house as character and the Murder House came from a series of what if questions after reading about a real-life murder house.
That house was destroyed, but it got me wondering… what if it wasn’t destroyed? What if it was actually your childhood home, a happy place before the terrible crimes? Could you move back into it and make it what it once was, or would it be forever haunted by its own history?
The idea that a house could hold memories, that it could be corrupted by horrible things happening within its walls really appealed to me as a writer. The creepy things that happen in the house – are they real, or the paranoid imaginings of my characters because they know the history of the house? As I developed the house as another character, the story came alive – it was the catalyst I needed.”
Q. For any author getting that first novel published can be a frustrating experience. How did you achieve it?
“Like many ‘debut’ writers, The Woman in the Dark is not the first book I’ve written, just the first to be published! I have a couple of unpublished books lurking in a bottom drawer, and prior to that, I wrote a lot of short fiction – short stories published in magazines and flash fiction which is published online and in anthologies.
I took the traditional route to publication – I researched literary agents who I thought would like my work, both using the Writers’ and Artists’ Yearbook and online (agents love twitter so it’s a great place to find out what they’re looking for!). I was fortunate to sign with Juliet Mushens at Caskie Mushens, who is a fantastic agent. We went back and forth editing the book, and it went on submission to publishers in June 2017.
It went to auction in the UK, selling world English rights to Sphere in the UK and Grand Central in the US, went to auction in Germany and rights were also sold in Spain, France, Poland, Russia and the Czech Republic. It published in hardback and e-book in January 2019 in the UK and will be out in paperback in July.”
Q. In your acknowledgements you say you received help from a police officer. What form did that take ?
“I worked with Stuart Gibbon at GIB Consultancy, a former senior police detective who now runs a consultancy specialising in advising writers on police procedure. I wanted to ensure those elements were accurate in the book and having heard Stuart talk at a writer’s conference, knew he’d be able to help! For The Woman in the Dark, he was able to help by simply answering questions by email. For my second novel, which I’m currently editing, I send him a whole draft to read and he gave advice on all the criminal and police procedural elements. He has also written The Crime Writer’s Casebook, an invaluable resource for anyone writing crime novels.”
Q. What do you think are the elements of a first class thriller? Anyone in particular whose work you rate highly?
“It’s all about the tension and suspense in a psychological thriller – because it’s more internal rather than external action, we’re living with the character’s fears and paranoia, immersed in their every thought and invested in their journey. Every twist and turn raises the tension and (hopefully) the reader is desperate to turn the page to find out what happens next! I love this genre – an early favourite was Claire Mackintosh’s I Let You Go, which has the most amazing twist and a terrifying antagonist.“
Q. Readers can’t seem to get enough of psychological thrillers – why do you think they have such a strong appeal?
“With a straight action thriller, the reader enjoys an escapist adrenaline rush, with a police procedural, we watch the action once-removed, usually from the viewpoint of the investigating officer as we try to figure out whodunnit. They tend to be plot-driven rather than character-driven. With a psychological thriller, we’re living in the minds of the characters, experiencing their fears and paranoia. We live with them through the rising tension and suspense and experience the heart-pounding shock of every twist and turn. They can be scary, but it’s a safe way to be scared – unlike the characters whose minds we inhabit, we can close the book and walk away.”
Vanessa Savage trained as a graphic designer and illustrator. She lives in South Wales (I discovered only recently that she lives just along the coast from me). She has twice been awarded with a Writers’ Bursary by Literature Wales.
She won the Myriad Editions First Crimes competition and her work has been highly commended in the Yeovil International Fiction Prize, short-listed for the Harry Bowling Prize, and the Caledonia Fiction Prize.
Vanessa has also had short stories published in various magazines and anthologies, and her work was broadcasted on the radio as a highly commended winner of the Commonwealth Short Story Competition.
Vanessa is on Twitter: @VvSavage
Check out my review of The Woman in the Dark here