If you enjoy taut, high octane thrillers with good characterisation, Wicked Game by Matt Johnson is the perfect fit. Johnson takes us into the covert world of national security and intelligence services through the figure of Robert Finlay. He’s an ex SAS operative who thought he had left those days behind him, his past cloaked […]
Do you ever find yourself feeling you want to shout STOP at a character in a novel? I do occasionally when I notice the character about to make a decision or take an action that I know will lead to danger, heartbreak or tragedy.
I reached that point 16 pages into The Innocent Wife by Amy Lloyd. This is the moment in the narrative when an English schoolteacher’s fascination with a man on Death Row in America, crashes through the borderline with obsession.
Sam has been following his case for months, eagerly participating in online message boards and forums arguing Dennis Danson is the victim of a miscarriage of justice. She scrutinises every piece of evidence described in Framing The Truth, a TV documentary about the case. Then she writes directly to Dennis and is quickly won over by the charm and kindness of his reply.
Suddenly she’s declaring her love for him and hopping on a plane to visit him. Why? Essentially because she has little else going on in her life. She’s 31 years old, adrift in her job and recently broke up with her boyfriend. “It’s time,” says decides. ” for me to stop wasting my whole life wishing for things and actually do them.”
I know people do write to prison inmates even though they are complete strangers. There are even organisations like WriteAPrisoner to support this kind of penpal arrangement. But I’ve never heard of people flying thousands of miles to meet their partner prisoner in person.
Sam wilfully ignored my instruction to STOP. The stupid woman carried on disregarding the warning signs and said yes when this guy she barely knows pops the question. So there she is, wife of a guy in jail for the murder of one young girl and suspected of killing several others. Hardly the start of a wonderful marriage is it?
But Sam’s so naive that when Dennis does get released, she’s all a flutter, imagining this idyllic life together. Except you and I know it’s going to be anything like idyllic. He’s a non-smoking, health freak, superfit, meticulously tidy and jaw-droppingly handsome. She’s overweight, smokes, loves fast food and leaves a trail of discarded clothes and magazines in her hotel room.
They have little in common. She imagines the bliss of being wrapped in his arms. He doesn’t even want to share the same bed. Of course this is all heading for a disaster. We all know the signs and even Sam begins to get suspicious and afraid for her own suspicions. But Amy Lloyd cleverly keeps us in suspense about whether those suspicions are well founded and it’s not until the final 10 pages or so that we discover the truth.
Sam is a character for whom I had no empathy whatsoever yet I had to keep reading the book to find out whether my prognosis of disaster was misjudged or Amy Lloyd had been pulling the wool over my eyes all along. And that’s really the mark of a good thriller isn’t it? We keep reading even when the scenario is highly improbable and the characters disagreeable.
The novel does get rather draggy at times. I got tired of Sam’s expressions of physical desire for this guy and her frustration when he turns his back on her. I also got tired of the way she hangs about in hotel rooms doing nothing while he’s off to the gym, out running or hitting the keys on his laptop to write his memoirs.
There was an element of the story which didn’t ring true al all. We’re led to believe that Sam is being manipulated by Denis but there was little evidence of coercion. He snaps at her, is demanding about what they eat and where they go but generally shows little interest in her. It was hard to accept that she feels completely dependent on him and just goes along with whatever he wants.
But I did enjoy Amy Lloyd’s portrayal of the media and public frenzy that follows Dennis’ release. Money comes pouring in, as do freebie supplies of clothes and goodies from people who want ride the bandwagon. Media outlets hassle to be the first to get Dennis on their shows. Filming gets underway for a new documentary; there’s talk of a Hollywood premier. And then it all comes crashing down after one disastrous interview. That reversal of fortune felt such an accurate portrayal of the way heroes can so quickly become villains in today’s media and social media cycles.
Though I’m not a great fan of thrillers and I wouldn’t rate The Innocent Wife as one of the best, it did keep me entertained and distracted me from the crisis in which we find ourselves in the real world this year.
The Innocent Wife by Amy Lloyd: Endnotes
About The Book: The Innocent Wife was published by Arrow, an imprint of Penguin Books in 2018. It won the Daily Mail’s first novel contest
About the Author: Amy Lloyd is from Wales. She studied English and Creative Writing at Cardiff Metropolitan University. The Innocent Wife, her debut novel, became a Sunday Times top ten bestseller. Amy lives in Cardiff with her partner, who is also a published novelist. Her second novel One More Lie was published in 2019.
Reading Rather To Be Pitied brought on a wave of nostalgia for a delightful weekend I once spent amid the hills, dams and isolated farmhouses of mid Wales.
This is book two in a crime fiction series by Jan Newton which is set in the area near the market town of Rhyadar. It’s a tranquil region much loved by walkers and cyclists for its trails around six enormous dams that supply water to Birmingham. As impressive as they are, I was there for the birds – it’s one of the few places in Wales you can spot red kites that were on the verge of extinction not so many years ago.
In Rather To Be Pitied, the tranquility of this farming community is disturbed by the discovery of a woman’s body near a walking trail used by Benedictine monks in centuries past. It proves to be a complicated case for the newest member of the local police force, Detective Sergeant Julie Kite..
Though the woman is identified fairly quickly, there’s no sign of her young son. He’s not the only missing person. The dead woman’s former neighbour has left her home and husband. The landlady at the B&B where the murdered woman spent her last night, hasn’t seen her husband in quite a while either. Are the two disappearances connected? And what does all this have to do with some ex soldiers who are working at a local farm?
There are plenty of twists and turns in the plot to navigate before the answers are revealed.
The police procedural aspect is well handled though maybe edged a bit too close to the obvious. What I enjoyed most was the chance to see this part of Wales through the eyes of a newcomer.
Manchester cop adjusts to rural life
Julie Kite was a copper in Manchester but found herself transplanted to an unfamiliar territory when her husband found a new teaching job in mid Wales. Life in her new home proceeds at a much slower pace than the high octane world of Lancashire policing. When you’re used to a battalion of emergency vehicles arriving on scene within minutes of your call, it’s agonising to wait for Welsh ambulances to negotiate slow country roads.
The challenges of rural life are compounded by the suspicion she encounters from one member of the police team. Then there are her own suspicions about her marriage. Is her husband’s former colleague stalking him with unwanted text messages or is there more to this relationship than he is letting on?
And then there are the complexities of the Welsh language. I enjoyed the running joke Jan Newton introduces based on the tongue-twisting nature of Welsh place names which seem impossible to pronounce:
She negotiated winding roads down into Newtown and on towards Welshpool where there were signs of life around the livestock market. Marchnad Da Byw y Trallwng. Where would you start with that? Which bit was Welshpool? She really ought to get around to learning Welsh …
But DS Kite finds there are some compensation as she tells her boss:
I love the way everybody knows everyone else and the fact that it’s completely silent at night. I love the views and the rivers and the way that people calculate journeys in minutes rather than miles.
I suspect that we’ll find that burgeoning appreciation for rural life will deepen as the series progresses. In a sense it has to in order for us to witness a maturing of the central character.
Voice of Authenticity
This was enjoyable read. Jan Newton describes the landscape and the local communities with the authenticity that comes from having driven those roads and met the inhabitants. It makes such a refreshing change to read a police procedural with a rural setting.
I also admired the dynamics of the police team. We get a jealous PC who resents the keen as mustard newcomer Kite and an energetic but kindly DI whose idea of investigation involves copious scones and cups of tea. The set up is complete with a fantastic forensic pathologist character in the form of a super smart and spiky woman who likes a tipple or two. As a Yorkshire lass, she knows how Kite feels to be an outsider.
Jan Newton planted two hints that the series could progress along a slightly different tack in future – one involving a hinted-at medical condition for Kite’s boss and another about her fascination for forensic pathology. It will be interesting to see if any of my predictions prove accurate.
Rather To Be Pitied: EndNotes
The Book: Rather To Be Pitied by Jan Newton was published by Honno Press in 2019. They also published Jan’s debut novel (the first DS Kite mystery) in 2017.
The Author: Jan Newton grew up in Manchester and Derbyshire and spent almost twenty years in the Chilterns before moving to mid Wales in 2005. She has worked as a bilingual secretary in a German chemical company, as an accountant in a BMW garage and a GP practice and as a Teaching Assistant in the Welsh stream of a primary school, but now she has finally been able to return to her first love, writing.
She graduated from Swansea University with a Masters degree in Creative Writing in 2015 and has won the Allen Raine Short Story Competition, the WI’s Lady Denman Cup competition, the Lancashire and North West Magazine’s prize for humorous short stories and the Oriel Davies Gallery’s prize for nature writing.
Why Did I Read This Book?: I was in the mood for some crime fiction and saw this mentioned on the Honno website. It’s counting towards the “Wales” category in my #20booksofsummer 2020 project.
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Poverty, sickness and hard labour stalk a Welsh village community in Caradog Prichard’s award-winning novel One Moonlit Night. This is the reality of life in a small slate quarrying community as seen through the eyes of a young boy. But though there is also sadness and tragedy, there is also joy; the first sight of the sea; an entire community united in song and a raucous football match.
One Moonlit Night was written as a portrayal of a way of life known intimately by Carodog Prichard. North Wales is where he was born and lived most of his life with his widowed mother, just as his narrator does.
I think that’s why the book has such a strong sense of the child’s love for the village and its inhabitants. Pritchard’s narrator knows every inhabitant and how they are related. He knows too every inch of his village; each street and lane being but a playground for him and his best friends Huw and Moi.
They’re full of curiosity these boys; forever asking questions and wanting to stay out late so they don’t miss anything exciting. They’re also an adventurous trio, exploring the surrounding hills and lakes and always on the look out for fun even if it’s just picking wild berries on the mountainside or passing on the latest gossip.
Shadows Of Reality
Yet their exuberance doesn’t mask the darker reality of their lives. In just the first chapter the narrator encounters an epileptic fit, suicide, illicit sex in the woods, and domestic violence. These don’t cause the boys any deep anxiety however; a sign perhaps that they are such common place occurrences they don’t warrant any commentary.
At one point for example they hear Moi’s mother scream. One boy asks if they should fetch the local policemen only for Moi to reply: “No, there’s no need for that. He won’t do anything to her. They’re always like that.” Their innate curiosity takes over so they inch closer to the door, to find Moi’s mother fighting with his uncle; one armed with a bread knife, the other with a tuck knife. Minutes later they’re all sitting around scoffing bread and butter as if nothing untoward had occurred.
Shadows of Hardship and War
These are kids whose lives are framed by hunger and hardship. The first World War has cast its shadow on the village, creating heroes but also bringing death. The boys go to school but know their childhood will not last much longer. Their families need them to work, to put food on the table and clothes on their backs. So just like their fathers, they’ll head to the nearby slate quarry.
One Moonlit Night doesn’t have a story as such. It’s a series of episodes that spin through different points in time; mixing gossip and anecdote with dreams and recollections. At some points the narrative seems to even leave reality behind, entering the realm of myth with invocations to the Queen of The Black Night and the Queen of Snowdon (the Beautiful One)
Come again my Beautiful One, come again and take me before the sun rises from his resting place, before we are disturbed by the bleating of the lamb; fully possess your chosen one before the withering of the moon’s candle; prepare before me the joy of my afternoon.
Lyrical Yet Ordinary
Caradog Prichard offers a heady mix of the lyrical and the commonplace but also draws heavily on local dialect and expressions. Few characters have standard names; instead they’re denoted by their occupation, or their relation to another character or their residence. So we have Elwyn Top Row, Little Will Policeman’s Dad, Bob Milk Cart, Johnny Beer Barrel’s Dad and – my favourite – Will Starch Collar.
Seeing these names on the page reminded me so much of the village where my parents were born. Few people there used surnames either. When they spoke about a neighbour or someone else in the village. It was always Jones the Milk or Dai Post or Evan Two Shoes (the origin of which is lost in the mists of time). It’s a practice possible only in a small community where that can be just one post man or milkman,
Won Over By Energetic Narrator
I didn’t take to this book initially but slowly its humour and energy won me over. I loved the narrator who has a zest for life that’s hard to quench and a love for his gran and his widowed mother that is matched only by his love of bread and butter and lobscouse (a kind of lamb and vegetable stew). He even prays for food, inspired by a line from the Lord’s Prayer he’d recited in church that morning:
Give us this day our daily bread … bread.
And after saying daily bread, I didn’t go any further with the others, I just started thinking. I remembered Mam telling me before we came to Church that we had no bread to make bread and butter with, and so I asked God for some more daily bread cos the parish money wasn’t coming till Friday.
That quote is one of many examples of how Pritchard blends humour and darkness in this novel. One moment you’re amused by a small child who takes a very literal interpretation of a prayer and the next you’re jolted into recognition this is a family very much on the breadline. What begins as a narrative of childhood fun and laughter, slowly but steadily gets darker until the final, heartbreaking ending.
It’s an unforgettable book.
One Moonlit Night by Caradog Prichard: End Notes
One Moonlit Night was written in the Welsh language and published in 1961 under the title Un Nos Ola Leuad. The first English translation was issued in 1995, followed by a BBC radio broadcast in English the following year.
The Oxford Companion to the Literature of Wales called the book “one of the most impressive novels to be published in Wales since the Second World War.” with a narrative stye reminiscent of Under Milk Wood by Dylan Thomas. It was Caradog Prichard’s best known work although he was also a highly regarded poet, three times winning the National Eisteddfod crown.
Time to share with you all what I’m currently reading, what I recently read and what I plan to read next.
What I’m reading now
For the first time ever I purchased a book in advance of publication. I loved Wolf Hall and Bring Up The Bodies so much, I just had to have the final instalment in Hilary Mantel’s trilogy. I wasn’t expecting The Mirror & The Light to be so big. Huge in fact and because it’s in hardback, it’s heavy. Which makes it very difficult to read in bed….
But that’s only part of the reason why my progress through this book is at glacial speed. The main factor is that this is a book which takes a good amount of concentration. Mantel’s narration is slippery. You have to keep on your toes to be certain who is speaking. Plus there are a lot of characters (the list at the front of the book is five pages long).
But I’m not complaining. This is a book of sheer brilliance. It is absolutely meant to be savoured. I suspect I’m still going to be reading it when it’s time to do my April edition of “What I’m Reading”.
What I just finished reading
WalesReadingMonth (otherwise known as Dewithon 2020) has been running throughout March. As you’d expect I’ve been participating in the event hosted by Paula at Book Jotter by reading a few books by Welsh authors that were on my TBR shelves.
I posted my review of one of these – Turf or Stone by Margiad Evans – a few days ago. It wasn’t great. Far more to my taste was One Moonlit Night by Caradog Pritchard. It was written in the Welsh language in 1961 as a portrayal of life in a small slate quarrying town in North Wales. The narrator recalls his childhood in this community, a life in which joy, sadness and tragedy are seldom apart.
Pritchard’s novel is written in a poetic style but also uses the local dialect. Once you’ve tuned into this, and got accustomed to the oddities of character names (Will Starch Collar is my favourite), the book is tremendous. I’ll post a more considered response in the next few days.
Incidentally the photo was taken on what turned out to be my very last trip to a coffee shop for some considerable time. No prizes for guessing why coffee shops are no go areas right now.
I also just finished The Silent Treatment by Abbie Greaves, a debut novel which comes out in April. It has an interesting twist on the theme of relationships because it focuses on a married couple who have not spoken to each other for six months. I’m on the blog tour for this mid April so will share my thoughts in a few weeks.
What I’ll read next
I said at the beginning of the year that I was pulling back from reading challenges that involved making lists of books to read or goals for the number of books to read. But I am joining in short reading events where I can and where I have a suitable book/s on my TBR.
I have one book lined up for each.
For Zola Addiction month I have His Excellency Eugene Rougon/Son Excellence Eugène Rougon which is book number two in Zola’s Rougon-Macquet cycle. I’ve been reading them out of order but am now trying to fill in the gaps.
For the 1920 reading club I have Edith Wharton’s Age of Innocence. This will be the final book on my Classics Club project (woo hoo….)
I turned to Twitter to help me decide which to read first. But it didn’t help. Because it was a draw… So I shall have to rely on my instinct instead.
In the meantime there is the (not so small) matter of the Mantel to finish, and The Binding which is the next book club choice. And a library loan of Actress by Anne Enright (not that it needs to be finished soon because libraries have gone the way of coffee shops). And more than 200 other books on my shelves.
I shall be busy.
Those are my plans. Now what’s on YOUR reading horizon for the next few weeks? Let me know what you’re currently reading or planning to read next.
This post is for WWW Wednesday hosted by Sam at Taking on a World of Words.
Turf or Stone is an “amazing, fantastical, invigorating reading experience” according to Kate Gramich in her foreword to the Library of Wales edition of Margiad Evans’s novel.
That was a long way from my experience. I find it hard to accept that such a dark, troubling and uncomfortable novel about the extremes of human emotion could be invigorating. Passion, violence and cruelty are ever present, with only a few moments of unexpected tenderness to lighten the darkness.
We’re only a few pages into the book when this becomes evident. Mary Bicknor, a servant cum companion to an eccentric lady, is to be married. She has hitherto enjoyed a comfortable existence but falls from grace when she discovers she is pregnant by Easter Probert, a groom at a local farm. The vicar hurriedly pushes the pair into marriage. But this is a relationship clearly doomed never to work.
Disastrous Start to Marriage
The bride cries all the way through the marriage service. There are no witnesses or guests. Mary is presentably dressed but Easter turns up in old and dirty clothes. He’s forgotten a ring so at the last moment has to take a thick twisted one from his hand that is far too big for the woman. On their way home, he snatches the ring back and pushes her over into the mud
Easter continues to be a cruel husband. He’s a serial womaniser who takes pleasure in hurting and humiliating his wife. Mary is driven to despair. She contemplates suicide but finds comfort instead in an affair with her husband’s employer, a married man with three children. She applies for a legal separation order so she and her young son can start a new life away from both men. The novel ends with Easter on the receiving end of a form of poetic justice.
A Monstrous Womaniser
n Easter, Margiad Evans has devised a protagonist who has few redeeming qualities. He is sullen, insolent and brutish. Appropriately Easter is described repeatedly in nightmarish, animalistic terms. When his employer’s daughter Phoebe hears him knocking the door one night, she’s confronted with the grotesque vision of a man peering through the window looking “livid, the upper teeth were showing and a large spider’s web, really on the inside, seemed at that distance to be hanging from his mouth.
Enough to give you the creeps. Yet he has no trouble persuading women into his bed. He seems to have a strange and perplexing hold on them; they recognise the danger he presents and are repelled by him but they still don’t walk away.
However much he bears a resemblance to some brooding Gothic figure, Easter is not a caricature. Evans invests him with moral complexity, particularly in his relationship to women. We’re told he “loved women who were sad and gentle, and suffered him,” That word “suffer” is central to understanding his constant swings swings between sexual desire and hatred, between a desire to be loved and violence when he isn’t.
He’s hoping that Mary will be kind towards him but when she doesn’t “suffer” him, he takes revenge in brutish behaviour. One of the most terrible scenes in the novel takes place when his wife is five months pregnant. He comes home with “a surprise”: a dead rat he puts into her bed.
And he pushed it deeper and deeper into her flesh, till, hanging round his neck, she dragged herself up, and with the poisonous little carcass crushed between them, seized him by the ear and tugged.They struggled furiously in the darkness.He did not strike her; he half carried, half dragged her across the room and poured a jug of water over her head.
The details are horrific. Told that the “rats eyes are running, there are flies’ eggs in the fur, the tail’s half off,” Mary crawls away “like a thrashed animal in snarling despair” to cower with her face against the wall. The scene ends with Easter swamped by ‘voluptuous tenderness’ sleeping with her in his arms.
Turf or Stone suggests the reason for his Easter’s appalling cruelty lies in his neglected childhood. Which created in him a deep seated desire for human warmth. I’m no psychologist but can’t see how violence will get him what he most desires. Even if I understood his motivation, it didn’t make me warm to him in any way, particularly when you see the predatory way he creeps around his employer’s fifteen year old daughter.
This is a novel thick with misery and strife. Too much of it really for me to enjoy. If it had come with more light and shade, and if we’d been given more access to Mary’s side of the relationship, I think I would been more interested. I’d been looking forward to reading this having heard for years about Margiad Evans but in the end it was a disappointment.
Turf or Stone by Margiad Evans: Endnotes
Margiad Evans was the pseudonym of Peggy Eileen Whistler who though born in England developed a lifelong affinity with the Marches, the area on the English/Welsh border.
She became aquainted with this part of the world when she was a child and visited her aunt and uncle’s farm near Ross on Wye. Her family moved to a house just outside Ross when she was aged 12. After her marriage she went to live on a nearby farm.
Margiad Evans wrote extensively throughout her life: novels, short stories, autobiography and poems. She kept a journal, often written on scraps of paper or in exercise books. After her death her husband Michael Williams donated many of her letters, journals and diaries to the National Library of Wales.
Turf or Stone was her third novel, published in 1936.
This week’s Top Ten Tuesday topic is Books With Single-Word Titles.
I’m giving my list an international flavour because this week marks the start of two reading months celebrating the literature of Celtic nations. Wales Reading Month 2020 (otherwise known as Dewithon2020) and Irish Reading Month are highlights of the year. We’re also in the midst of the Japanese Literature Challenge.
So I’m going to build my list entirely from books by Welsh and Irish authors. that I’ve either read or have on my “to read” shelves.
Pigeon by Alys Conran: A debut novel from an author who is a talent to watch. Alys swept the boards at the Literature Wales Book of the Year Awards 2017 with this tale of a prank by two children from broken homes. It goes disastrously wrong, with consequences for the rest of their lives.
Cove by Cynan Jones: A stunningly atmospheric novella about a man who is incapacitated while kayaking in the midst of a storm. All he hopes is to make it back to land, to the woman and unborn child who need him.
Resistance by Owen Sheers: a highly regarded novel which imagines what might have unfolded if wartime German troops had occupied a remote Welsh community.
Blacklands by Belinda Bauer: I had to include Belinda because she lives very close to my home! This is her award-winning debut work that is part one of a crime trilogy set on and around Exmoor national park in South West England.
Brooklyn by Colm Toibin: a quietly understated but no less effective novel set partly in a provincial Irish town in the early 1950s. The central character has to make a choice between remaining in the town with its limited opportunities or seeking a new life in New York.
Troubles by J G Farrell. This is the first title in Farrell’s Empire Trilogy. The plot concerns the dilapidation of a once grand Irish hotel (symbolic of the declining British Empire), in the midst of the political upheaval during the Irish War of Independence. Though it’s a commentary on the state of Ireland, the novel is very funny at time because the set is is rather bizarre with the frayed-around=the edges guests forced to share their accommodation with a large number of feral cats.
Milkman by Anna Burns: one of the most well-deserved winners of the Booker Prize in recent years. It takes patience to tune into the digressive, stream of consciousness narration where no character is given a name. But this novel set in Belfast, Northern Ireland during the 1970s Troubles is incredibly powerful.
Slammerkin by Emma Donaghue. This is one I bought several years ago (but have not yet read) after I read her hugely successful novel Room. Slammerkin is also a story of survival, this time set in the 1760s. It focuses on Mary Saunders, a teenage girl forced to make her own way in the world after being put out on to the streets by her callous mother.
Girl by Edna O’Brien: At the age of 88, Edna O’Brien, is showing no sign of losing her capacity to write thought-provoking novels that tackle contemporary issues. Girl is a story set in an unnamed country but is recognisably Nigeria and imagines the lives of the girls abducted by Boko Haram. This is high on my “to read’ list.
Do any of these appeal to you? What would you have put on your own version of this Top 10?