Lamentation by C.J Sansom – A Queen’s Life in Danger
When you see the name of King Henry VIII, what’s the image that comes to your mind?
A monarch who has the physique and appearance of a model (as portrayed by Jonathan Rhys in the TV series The Tudors)?
An athletic king with steely eyes as played by Damien Lewis in the BBC television adaptation of Hilary Mantel’s Wolf Hall?
Henry’s own version of his persona is of a man of authority who, even when he’s not kitted out in full royal regalia exudes power. That’s exactly how Hans Hobein portrayed him but it’s a far cry from the Henry who features in Lamentation by C J Sansom.
Lamentation is book number six in C.J Sansom’s historical series featuring a ‘detective’ lawyer, called Shardlake. He’s a man who has learned over the years to fear his encounters with the King and the powerful men who surround him. He’d much prefer not to have anything to do with the court but keeps getting dragged back into affairs of the state.
Lamentation sees Shardlake become embroiled in the kind of political intrigue that could easily cost him his head. This time it’s the King’s wife Katherine who needs his help when a book of spiritual reflections she has written is stolen from her bedroom.
In the religious turmoil of the 1540s, this book could incite even further discord in the land if it is published. Katherine’s own safety as risk. For the King’s own wife to write such a text without his knowledge could be considered as treason. Shardlake has a soft spot for the queen so accepts her plea to find the book before the King discovers what’s happened.
What ensues is a romp around London, from its leafy Inns of Court and the splendour of its royal palaces to the seedy streets of the poorer quarters as Shardlake tries to discover who is behind the theft and why. It brings him into personal danger with sword fights and a spell in the dreaded dungeons of The Tower.
It’s all very entertaining if somewhat improbable on many occasions —although Shardlake suffers from his physical deformity and often refers to his aching back, the man still seems to have an extraordinary level of stamina, always dashing about on horse or foot for hours.
That’s really a minor point in a novel that otherwise exudes authenticity. Sansom’s evocation of the period always feels authoritative and sure (he even provides extensive notes at the back of the book to substantiate his interpretation.)
In Lamentation he plunges us into a time when the King’s health is a matter for concern though he and his courtiers go to great lengths to keep up a pretence in his public engagements that all is well. Shardlake however stumbles upon some scenes within the inner sanctum of the palace that show the extent to which this once powerful man has declined. In a quiet courtyard he sees the King propped up by two helpers shuffle along the path:
The man I saw now was the very wreck of a human being. His huge legs, made larger still by swathes of bandages, were splayed out like a gigantic child’s as he took each slow and painful step. Every movement sent his immense body wobbling and juddering beneath his caftan. His face was great mess of fat, the little mouth and tiny eyes almost hidden in its folds, the once beaky nose full and fleshy.
Later he sees Henry winched up to his stateroom, his immense body and folds of fat strapped into a wheelchair.
As shocked as Shardlake is, he knows well that to merely comment on the King’s health let alone reveal the truth, would be treasonable.
This is an age where lips must be kept shut if you fear for your life. One unguarded comment could lead to a charge of heresy. The tone is set within the first few pages of the novel where Shardlake is despatched, reluctantly to witness the burning alive of a heretic.
There was a smell of smoke around Smithfield now as well as the stink of the crowd and of something else, familiar from the kitchen: the smell of roasting meat. Against my will I looked again at the stakes. The flames had reached higher: the victims lower bodies were blackened, white bone showing through here and there. their upper parts red with blood as the flames licked at them.
Shardlake must navigate this atmosphere of fear and contend with the King’s circle of unscrupulous advisers to achieve his mission. By the end he yearns for a quieter life in which he becomes a lawyer in a provincial town far from the corruption of the capital and the machinations of the court. But Shardlake is ever a sucker for the ladies and how can he resist when he is offered a new role, as adviser to the Princess Elizabeth. And thus, very neatly, Sansom sets us up for another chapter in Shardlake’s life and – thankfully – one more novel to look forward to reading.
My reviews of other novels within the series can be found via the links below.
Book 1: Dissolution
Book 2: Dark Fire
Book 3: Sovereign
15 thoughts on “Lamentation by C.J Sansom – A Queen’s Life in Danger”
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I wasn’t sure about Damian Lewis at first, but I’ve come to love his portrayal of Henry as the weeks have gone by. Mark Rylance is brilliant, of course – I’ve been very impressed with him from the first episode. I love Shardlake but am only halfway through Dark Fire at the moment and as I’m trying to read the series in order it will be a while before I get to Lamentation!
I love this series and think Sansom is a fantastic writer. Mainly I like it for the character of Shardlake and his perspective on Tudor life. My favourite is the first one that deals with the dissolution of the monasteries. My image of Henry is the portrait you show. Those little piggy eyes. It makes you realise how dangerous it was to be that close to the monarch. I loved the scene in Wolf Hall where the king rages at Cromwell and Cromwell holds up his crossed fists in front of his face to protect himself. He knows he can’t touch the king but feels he has to protect himself so he produces this passive defensive gesture. It’s all he can do.
Dissolution was my first experience with Shardlake and is still my favourite too Vicky. Last nights episode of Wolf Hall was behind superb. That closing scene just brilliant, how both characters conveyed so much without any words being uttered.
I read one Shardlake book and enjoyed it. I’ve had Lamentation on my waiting pile fir some time ( probably years!) and I don’t know why I’ve not read it before now. I’m engrossed in Wolf Hall and like you I think Mark Rylance is wonderful – I’d been slightly apprehensive that the TV series wouldn’t live up to my high expectations after the books – I could not have been more wrong!
Lamentation only got published last year Col so it must be a different Shardlake you have lingering on the shelf.
I have read the first three (I think) of the Shardlake books and enjoyed them, but keep forgetting to get back to the rest of the series. I love Damien Lewis’s portrayal of Henry Vlll he’s mesmerising.
I enjoyed the first two and have number three on the shelf just waiting for the right moment. All the male actors in the series are wonderful – Rylance of course knocks spots off everyone else. Simply mesmerising.
I would love to see the BBC adaptation of Wolf Hall. I still need to get to Bring Up the Bodies. These historical novels with a detective lawyer also sound good. Ah more to add to the list!
I wonder how long you’ll have to wait for it to come your way Barbara. I can’t imagine the Beeb will want to miss out on such a big commercial opportunity.
I totally see the Henry in that painting when I think of him 🙂
I always thought that portrait was by Holbein but it turns out that I was wrong and the painter isn’t actually known.
I would have presumed it was Holbein too, what with it being so famous. What a shame the artist hasn’t been remembered.