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Snapshot February 2017

february-2017

Another episode in my series where I take a snapshot of my reading life on the first day of each month. It’s a way of keeping track of the year though there is little chance I will forget February 1, 2017. It’s the day I came home from hospital to begin a 12 week program of recovery from liver surgery. The next few months are going to be rather challenging. Either I will throttle my husband because he’s such a bad nurse or he will throttle me because I am a totally impossible patient. Joking aside though, despite the excellent care from the medical and nursing teams at the hospital, it is wonderful to be home  and in my own bed.

Reading

dominionOne of the essential tasks for my hospital stay was to select the books I would take with me. Note the plural there. I fully expected to be spending hours unable to do anything other than have my nose in a book so of course needed several options. Since hospital wards are not known for their storage space I constrained myself to two initially – the 600-plus page alternative history thriller Dominion by C. J Sansom and A Time Traveller’s Guide to Medieval England by Ian Mortimer. But I put aside a pile of another 8 books for my husband to bring with him on his daily visits. What was I the-time-travelers-guidethinking of??? Hospitals are no more suited to reading than jet aircraft. Just when you’ve recovered enough to even feel like picking up a book there’s always someone with needle/thermometer/ blood pressure monitor in hand clamouring for attention. After seven nights I hadn’t even got half way through Dominion. Ian Mortimer’s re-creation of the smells and sounds of fourteenth century England was despatched home without being opened.

State of my personal library

One of my goals for 2017 is to enjoy the books I already own and to reign back on acquiring yet more. I started 2017 with 318 unread books ( I thought it was 299 but then discovered my list of ebooks was incorrect) and a plan to hold off from adding to that number for the first six months of the year. I was doing extremely well up until the end of January, finishing six books from my shelves and managing to resist the temptation of a local library sale and daily promotions from booksellers. But then my sister turned up in hospital having bought me three books so now as of Feb I, the personal library stands at 315 – a net improvement of just 3. Of the books I read in January, the stand out was Narcopolis by Jeet Thayli, a Booker prize shortlisted title that was an intense experience.

Wishing for…

My self imposed restriction on book buying hasn’t stopped me from adding new titles to my Goodreads wishlist. Additions in January included a biography: Charlotte Bronte: a Fiery Heart by Claire Harman; Human Acts by Han Kang (though I have yet to read her earlier novel The Vegetarian) and a Japanese crime thriller The Devotion of Suspect X by Keigo Higashino and a book I keep seeing reviewed in a very positive way:  A Gentleman in Moscow by Amor Towles.

 

 

Sovereign by C. J Sansom: review

sovereignSovereign is the third title in a series relating the escapades of Matthew Shardlake, a 16th-century lawyer afflicted by a hunched back but blessed with an astute mind. He needs all his wits about him if he is to keep his head on his shoulders amid the dangerous forces of the court of Henry VIII. Plenty of other people have already lost theirs as a result of plotting against the King. Not a pleasant prospect but preferable to the fate meted out to some conspirators who were tortured then hung, drawn and quartered or dangled in chains from the castle ramparts until they died, ever so slowly. 

It’s the rotting body parts of these failed conspirators that greet Shardlake when he arrives in the city of York. He’s there with his sidekick Barak to make sure one conspirator is kept in good shape until he can be taken to London for an appointment with the king’s skilful torturers. The city is in turmoil as it awaits the arrival of Henry, and his young wife Catherine (wife number five). The King is undertaking a royal progress to bring the rebellious north to heel and impress upon them just who is in charge of the realm. His visit is supposed to quell all possibilities of another insurrection but Shardlake discovered there is another plot afoot among a faction who disputes the King’s claim to the throne.

The story involves considerable manoeuvring as Shardlake tries to keep the prisoner safe,  discover the identity of a murderer and find out who is behind the conspiracy all the while trying to avoid getting himself killed. It’s all good fun and very readable even if sometimes improbable that a man with Shardlake’s affliction has the physical stamina he is called upon to exert.

The real beauty of Sovereign, as with all the others I’ve read in the series, is the level of authenticity C. J Sansom brings to his narrative. This is a warts and all version of Tudor England; a country where northerners view those from the south with deep suspicion and hostility and the great edifices of the Catholic Church are torn down to be recycled as manor houses for those looking to increase their wealth and power base.

Sansom gives us fascinating insight into the exhaustive preparations needed to support the King on his travel through the land. It took an army of courtiers, soldiers, cooks, labourers and clerics to get the entourage from A to B and fed, watered and bedded each night. But those problems are as nothing compared to the challenge of dealing with basic bodily needs as one official confides to Shardlake.

‘Everywhere we stop vast pits have to be dug. With three thousand people, five thousand great horses you may imagine?’

‘Cannot the local people use the dung for manure?’

‘There was far more than they need. And the stink, you can imagine… Even with the pits, all the roads from London to Hull is littered with rubbish. It has been a nightmare.’

Far from a regal procession this is the progress of a force that spreads disease in its wake, personified in the figure of the King himself.  The year is 1541 and Henry is no longer the upright athletic figure of his youth.  Sansom makes us see the huge bulk of a man with “red jowly face, fringe of reddish grey bead, a pursed little mouth under a commanding beak of a nose and small, deep,set eyes.” We hear his voice which humiliates and humbles his subjects. We smell the stench of decaying flesh that oozes from his suppurating ulcerated legs and cringe at the image of him bedding his very young, fragile new bride.

The episode in which the crookbacked lawyer comes face to face with the King, is a tremendous set piece in which Sansom’s talent for period detail becomes clear. His Shardlake novels are rigorously researched but it seems none more so than with Sovereign. Sansom was so frustrated by the differences in historians’  accounts of the Royal Progress of 1541 that he wrote his own academic paper on the subject. The product of this is an episode which reflects the theatricalities of which Henry was enamoured as well as the mercurial side of his character.

This is a novel in which its easy to lose yourself in the world of sixteenth century politics and life. Just be glad that you can easily escape the reality of the smells, the basic bathroom facilities and the dangers to your head simply by closing the book.

End Notes

Sovereign is published in the UK by Pan.

My reviews of other novels in the series are via these links:

Dissolution (book number 1)

Dark Fire (book number 2)

Lamentation (book number 4)

 

 

Snapshot February 2016

imageAnother storm was predicted to hit the UK today and tomorrow which is not good news  at any time but esp ecially disconcerting when you have to get to the airport. Hope the Met Office gets the forecast wrong… Talking of the Met Office it seems ever since they embarked on their “name the storm” project last autumn, we seem to have had  them more frequently.  We started with Abigail, now we’re up to Henry. At this rate we’ll have exhausted the alphabet before year end.

Reading

I just managed to finish Look at Me by Jennifer Egan on my last night at home for a few weeks. I started reading this in November but put it on the back burner so I could attend to a few other commitments but I was determined not to let it run into a third month. I wasn’t sure I would take to it but it grew on me the more I saw how richly layered it was in its treatment of the theme of identity. So here I am on the first of the month with a new book to open. And I can’t decide which it will be. I have with me Sovereign by C.J Sansom which is the third in his series about the lawyer turned detective Matthew Shardlake who has to navigate the political turmoil of the Tudor era. I also have Winifred  Holtby’s most famous work, South Riding, which is  a portrait of a Yorkshire community dealing with the effect of the Depression. Both have the advantage of being long enough to sustain me through an eight hour flight. I suspect the decision will be a sour of the moment thing just before my bag goes through check in.  Of course if the ultimate choice doesn’t work out I have plenty of Net Galley titles on my e reader including the latest Helen Dunmore novel Exposure. I wasn’t impressed with the on,y other title I read by her, The Great Coat, but since that wasnt  the genre she normally inhabits I thoughts she deserved another try.

Listening

On my car journey up to the airport I listened to the final chapters of The Vanishing Point by Val McDermid. It’s not one that features any of her detective creations but is a stand alone thriller about the abud toon of a child from an airport while in the care of his adopted mother Stephanie Harker. She is a ghost writer who compiles the autographies of celebrities. Her relationship with the boys real mother Scarlett Higgins, a foul-mouthed reality TV star known to the nation as the Scarlett Harlot, began on a professional level but soon lurched towards the personal. To discover who addicted the boy, Harker has to delve into the past. This is the first time I’ve experienced fed Val McDermid which is odd given how prolific and highly respected she is.  I suspect this is not one of her best, though it was good enough to get me through the drive even if I did find the actress playing Harker had that very irritating habit of the upward inflection at the end of every sentence.

Watching

The hotel tv channels didn’t offer  too much in the way of entertainment tonight – practically every channel had a tribute to Terry Wogan and all more or less said the same thing. The best option was a dramatisation of the relationship between Mary Queen of Scots and Elizabeth 1 told through through the correspondance they maintained for about two decades. It did a pretty fair job of showing the  rivalry between these two and how cunning Elizabeth was towards her cousin.

Restocking the book shelves (again)

Penelope Lively My book shelves are already stuffed but who can resist some bargains? Especially one that I consider the bargain of a lifetime: a hardback edition of How it All Began by Penelope Lively signed by the author and on sale at the extraordinary price of 30 pence. Of course I had to buy it; who could possibly turn their nose at the opportunity?

This purchase was from a library sale but I’ve also been picking up a few books from various second hand book shops in Tewkesbury and Cardiff.

photo 2I’ve read only one work by Joseph Conrad (Heart of Darkness) and although I was often confused by the plot I loved his lyrical style of writing. I’m hoping Lord Jim is in a similar style. It is included in the Modern Library list of top 100 novels of the twentieth century as is The Secret Agent, both books are on my Classics Club list .

Elizabeth Gaskell is another author on my Classics Club list though not the book shown in this picture. Ruth is one of her social novels, dealing with the theme of Victorian attitudes to ‘fallen women’ and illegitimacy. If its half as good as my favourite Gaskell North and South, I’m in for a treat.

Andre Brink is a South African writer I’ve been intending to read for some years. An Instant in the Wind is his third novel and was shortlisted for the 1976 Booker Prize. Using the guise of an historical novel set in the eighteenth century, Brink shines a light on problems and contradictions of a South Africa based on apartheid. This is going to be a good companion read to Cry My Beloved Country by Alan Paton which I read earlier in the year and deals with similar issues.

And then we come to the chunkiest of my finds; Dominion by C. J Sansom. This is a departure from his Shardlake historical mystery series since it’s a political thriller set in the early 1950s where Britain has become a satellite state of Nazi Germany.

Wrapping up my little haul is The Inheritance of Loss by Kiran Desai which won the Booker Prize in 2006. Her victory was greeted with raised eyebrows because Desai had been considered an outsider among the shortlisted authors that year. In India there was an even stronger reaction  with protests in Kalimpong, a town in the Himalayas whose residents were annoyed at the way their ancestors were depicted in the novel. The Kalimpong residents thought Desai’s who’s narrative dealt with a 1980s rebellion of the town’s ethnic Nepalese, presented them as little better than thieves and menial fools. Balancing that view however I’ve also seen several reviewers comment that Desai is also mocking Indians who assume English mannerisms and American capitalists. Should be an interesting novel.

Any of you similarly found some bargains this week?

Lamentation: Crime at the heart of the Tudor court

Review: Lamentation by C.J Sansom

When you see the name of King Henry VIII, what’s the image that comes to your mind? One in which the monarch has the physique and appearance of a model (as portrayed by Jonathan Rhys in the TV series The Tudors)?

THE TUDORS

Or one of an athletic king with steely eyes as played by Damien Lewis in the BBC television adaptation of Hilary Mantel’s Wolf Hall?

images

Or the way that Henry himself wanted to be portrayed; A man of authority who, even when he’s not kitted out in full royal regalia exudes power. One of the most famous of contemporary portraits shows him directly facing the viewer, legs firmly planted apart and arms akimbo to emphasise his powerful physique. The message is clear: don’t even think of messing around with me. Henry 8 g

In C.J Sansom’s historical series featuring a ‘detective’ lawyer, Shardlake, the man of law has learned over the years to fear his encounters with the King and the powerful men who surround him. Lamentation,  the latest episode in the series sees Shardlake once again become embroiled in the kind of political intrigue that could easily cost him his head. This time it’s the King’s wife Katherine who needs his help when a book of spiritual reflections she has written is stolen from her bedroom. In the religious turmoil of the 1540s, this book could incite even further discord in the land if it is published.  Katherine’s own safety as risk. For the King;s own wife to write such a text without his knowledge could be considered as treason. Shardlake has a soft spot for the queen so accepts her plea to find the book before the King discovers what’s happened.

What ensues is a romp around London, from its leafy Inns of Court and the splendour of its royal palaces to the seedy streets of the poorer quarters as Shardlake tries to discover who is behind the theft and why. It brings him into personal danger with sword fights  and a spell in the dreaded dungeons of The Tower.  It’s all very entertaining if somewhat improbable on many occasions —although Shardlake suffers from his physical deformity and often refers to his aching back, the man still seems to have an extraordinary level of stamina, always dashing about on horse or foot for hours.

That’s really a minor point in a novel that otherwise exudes authenticity.  Sansom’s evocation of the period always feels authoritative and sure (he even provides extensive notes at the back of the book to substantiate his interpretation.) In Lamentation he plunges us into a time when the King’s health is a matter for concern though he and his courtiers go to great lengths to keep up a pretence in his public engagements that all is well. Shardlake however stumbles upon some scenes within the inner sanctum of the palace that show the extent to which this once powerful man has declined. In a quiet courtyard he sees the King propped up by two helpers shuffle along the path:

The man I saw now was the very wreck of a human being. His huge legs, made larger still by swathes of bandages, were splayed out like a gigantic child’s as he took each slow and painful step. Every movement sent his immense body wobbling  and juddering beneath his caftan. His face was great mess of fat, the little  mouth and tiny eyes almost hidden in its folds, the once beaky nose full and fleshy.

Later he sees Henry winched up to his stateroom, his immense body and folds of fat strapped into a wheelchair.

As shocked as Shardlake is, he knows well that to merely comment on the King’s health let alone reveal the truth, would be treasonable.

This is an age where lips must be kept shut if you fear for your life. One unguarded comment could lead to a charge of heresy. The tone is set within the first few pages of the novel where Shardlake is despatched, reluctantly to witness the burning alive of a heretic.

There was a smell of smoke around Smithfield now as well as the stink of the crowd and of something else, familiar from the kitchen: the smell of roasting meat. Against my will I looked again at the stakes. The flames had reached higher: the victims lower bodies were blackened, white bone showing through here and there. their upper parts red with blood as the flames licked at them.

Shardlake must navigate this atmosphere of fear and contend with the King’s circle of unscrupulous advisers to achieve his mission. By the end he yearns for a quieter life in which he becomes a lawyer in a provincial town far from the corruption of the capital and the machinations of the court. But Shardlake is ever a sucker for the ladies and how can he resist when he is offered a new role, as adviser to the Princess Elizabeth. And thus, very neatly, Sansom sets us up for another chapter in Shardlake’s life and – thankfully – a few more novels to look forward to reading.

 

 

Review: Crowner John series

How do you judge the size of the knife used to kill the man whose body you’ve just found face down in a haystack? Today’s investigators have an easy task of it with oodles of NCIS-style gizmos at their disposal. But for their twelfth-century predecessors, detection was rather more of a hands-on affair − you simply stuck your thumb in the wound to see how deep you could go. It’s a bit messy clearly and you have to also put up with the rather to the sickening sucking sound made when you pull your thumb out again.

This insight— and many others — into life in England under King Richard (aka The Lionheart) is the main appeal of the Crowner John series of books by Bernard Knight.  Knight is a qualified barrister and was one of the foremost pathologists in the UK during the 1970s and 80s, the man involved in many of the high profile cases of those decades from and was involved in many high profile cases such as Fred and Rose West, and the child killer, Mary Bell.which means the detection elements of his novels are firmly grounded in reality.

La puerta

One of the locations in the Crowner John series.
Commons Licence. Image orginated by Juan J. Martínez

In Crowner John (the title of Crowner is the origin of the modern day term Coroner), Knight has created a compelling character of Sir John de Wolfe. Wolfe is a former crusader who is now the Keeper of the Pleas of the King’s Crown, based in the city of Exeter with a remit to investigate suspicious deaths and hold inquests. He presents a foreboding figure as he strides through Exeter dressed in his habitual black or grey and with a persistent scowl on his face.

He has plenty to scowl about: his wife is fat and ugly and her brother the Sheriff (who is also supposed to keep law and order locally) is not only lazy and greedy, he’s probably corrupt. Little wonder therefore that John seeks solace in the arms of a local inn keeper and in the close companionship of his clerk and his retainer.

I’ve read or listened to four of the 15 novels in the series – most recently  The Figure of Hate published in 2005 in which Crowner John investigates the murder of a local manor lord and his son.   The plot is ok but it’s the window Knight shines on the daily life and practices  of the twelfth century that provide the most fascinating for me. This is  world in which very few people beyond the clergy could read or write (even Sir John struggles through Latin lessons); where beds were extremely rare and beer was a much safer drink than water. In The Figure of Hate, we get some interesting background on the origin of the jousting tournament, the weaponry and and a good sense of just how fit the jousting men must have been to fight in heavy protective armour astride a fast moving horse.

Dont expect any great literary flair in the writing style. That’s not Knight’s forte. In fact he can be overly repetitive with some detail (we get told at least four times in The Figure of Hate that John and his mistress innkeeper  whisper their sweet nothings in the Welsh language). The Crowner John series isn’t anywhere as good as C J Sansom’s Shardlake series but they are an entertaining read nevertheless.

Dark Fire – review

imageThe second of C J Sansom’s  Matthew Shardlake series sees the hunchback lawyer summoned once again to the aid of Chief Minister Thomas Cromwell.  It’s 1540. London is sweating uncomfortably in an intense heatwave, the King is in pursuit of yet another bride more to his taste than Anne of Cleves and Cromwells hold on power looks increasingly precarious as his enemies circle and plot. He can keep them at bay and retain Henry’s favour if he can get his hands on a mysterious new weapon called Dark Fire or Greek Fire that could be a deciding factor if the French decide to wage war on Henry. Problem is, Dark Fire seems in short supply and the men who developed the formula have been murdered.  Cromwell has only 12 days to find the formula and stage a demonstration for his royal master. There is only one man he can trust take on this quest, Shardlake.

It’s three years since Shardlake was last pressed into service of the state, an experience that left him questioning his faith and his belief in religious reform. He’s much happier doing battle with the law on behalf of  his clients than getting embroiled in political affairs. He has a particularly tough case on his hands already, defending Elizabeth Wentworth, young girl accused of murdering her cousin by throwing him down a well. Time is running out – if Shardlake can’t prove her innocence in the next 12 days, she will go to the gallows. But what Cromwell wants, Cromwell gets.

The two plot lines combine into an intricate maze which sees Shardlake and his new assistant Jack Barak criss cross London, visiting stinking prison dungeons, the perfumed salons of the society elite and the whorehouses of Shoreditch in a series of chases and adventures that become increasingly dangerous. Shardlake complains of the pain he endures from his infirmity, but it doesn’t stop him clambering up walls, carrying women from burning buildings and throwing off would-be assailants. The pace is rapid, the list of potential villains lengthy and the solution satisfyingly unclear until the final pages.

 

Sansom’s writing can be clunky at times but what makes amends for this is the introduction of Barak as Shardlake’s assistant. Like all good side kicks he exists to do the grunt work, like clambering down wells at dead of night or trawling the brothels and taverns for would be assassins and to act as a straight man when the brilliant detective needs to test a theory. Barak’s uncouth behaviour and propensity to be rude to anyone in authority, make him a great foil for Shardlake’s more considered, temperate nature. Shardlake’s own character is more finely tuned in Dark Fire. His desire to seek justice for the common man shown in Dissolution is still in evidence but now combines with his passion to expose the type of corruption that preys on the defenceless poor.  We also get to see another side to Shardlake as he forms an affection a woman whose wealth and family status put her well above that of a lowly lawyer. Does she return his affection or is she really trying to hoodwink him as Barak maintains? Sansom keeps his readers guessing on this point as on so much else in a novel that is an even more enjoyable read than Dissolution.

Review: Dissolution by C J Sansom

dissolutionDissolution plunges us into the turmoil of a sixteenth-century England whose citizens fear for their lives unless they adhere to the country’s newly proscribed form of faith. Chief Minister Thomas Cromwell is hell bent on ensuring Catholicism is eradicated; dissolving the monasteries, evicting its cloistered inhabitants and selling the land and assets to loyal supporters of his master King Henry VIII. Those who resist and speak out against the new order find themselves imprisoned in the Tower of London and tortured or executed.

The murder of a Royal Commissioner while on a mission to root out corruption at a monastery in Kent , threatens to disrupt all of Cromwell’s plans. He needs the perpetrator found quickly and secretly — and he knows just the man to do the job. His choice — Matthew Shardlake, lawyer and long-time supporter of the Reformation. Shardlake and his young relative Mark Poer are despatched to the south coast to investigate the murder.

As in all good murder mystery stories, the investigators quickly learn almost everyone has a secret and a motive.  Hidden passages; false trails; multiple corpses; near death experiences; fights and escapes: all the standard components of the genre are in this book. What lifts Dissolution well above the usual fare is the  quality of Sansom’s writing with its strong sense of place and atmosphere and an intriguing, multi-dimensional protagonist.

Sansom perfectly evokes the desolation and isolation of the monastery’s setting on the edge of the Weald with its treacherous currents that only smugglers and a few inhabitants dare cross. The heavy snow which falls as Shardlake arrives at the monastery acts as a metaphoric cloak through which he must penetrate to find the killer.

But Shardlake uncovers more than the answer to the crime. What he discovers creates deep unease within himself about Cromwell’s motives and challenges his beliefs about the new future for his country once Reform is fully enacted.  By the time the book ends, his faith in humanity is damaged and his idealism has given way  to an acute awareness of the corruption all around him.

…. there is nowhere safe in the world now, nothing certain. …. The Bible says God made man in his image but I think we make and remake him in whatever happens to suit our shifting needs. I wonder if he knows or cares. All is dissolving.

Dissolution is the first in a series of books featuring Shardlake. I will definitely return for more of this intriguing character.

Want to know more?

C J Sansom practiced as a lawyer but gave up his practice to write full time. His first novel, Dissolution was published in 2003. There are four other titles in the Shardlake series plus A Winter in Madrid, a mystery set in post-Civil War Spain and most recently (2012) Dominion, a World War 2 thriller

His website can be found here 

The Guardian newspaper has an interesting article in which Sansom talks about his Shardlake series.

Sunday Salon: A wonderful bookish Christmas

sundaysalonThe only part of Little Women that struck a chord with me was Joe’s lament that ”Christmas wouldn’t be Christmas without any presents”.  Substitute the word ‘books’ for ‘presents’ and you’d have my sentiments expressed exactly. Giving and receiving books is a fundamental part of Christmas for me, starting with the shiny new Bunty or Jackie annual I looked forward to all year when I was a very young teenager.

This year I asked Santa kindly for a few novels that are either on my Classics Club challenge or my Booker prize winners challenge. Santa must have decided I already had plenty of Classics to get on with reading so he ignored the appeal for Trollope’s Palliser novels (I can always hint again when my birthday comes around)  but I did end up with a few surprises in the shape of the Barnes and Mullan collections of essays.

These are some of the books in the package:
austenbottlefactorypossessionpi

achebebarnes

Since I also love giving books as well as receiving, almost everyone in my immediate family was a recipient. This is what I gave away:

Richard Burton’s diaries

The Slap – Christos Tsiolkas

Pure by Andrew Miller (I loved this when I read it earlier this year)

A Year of Wonders by Geraldine Brooks

Moonstone by Wilkie Collins

Prague Cemetery – Umberto Eco

Restless – William Boyd

David Copperfield – Dickens

The Land of Painted Caves – Jean Auel

Sarah’s Key – Tatiana de Rosnay

The 100 year old man who fell out of a window – Jonas Jonasson

Hangover  Square – Patrick Hamilton

Other News

Finally got to finish Midnight’s Children by Salman Rushdie (only taken me 2 months or more). And managed to get the review done Also read one from my Classics Club list – Muriel Spark’s Girls of Slender Means – still means I’ve only read 3 classics this year so will need to get my skates on to complete the 50 in 5 years challenge. The Spark review is here. I’m ending the year by reading C. J Sansom’s Dissolution for my book club meeting in early Jan. First time I’ve read anything by him and so far its a pleasure.

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