This week’s Bookends features an article about Faber and Faber as they mark their 90th anniversary, a blog post about reading those books that regularly appear in those “100 books you must read” kind of lists and a book set in the Australian outback
Book: The Lost Man by Jane Harper
A friend has been raving about this new novel from Jane Harper. I waited impatiently while she finished it and was looking forward to getting my paws on it yesterday. But it was not to be ….her husband has got in first and snaffled her copy. If he turns out to be a slow reader I know I’ll be too impatient to wait and will end up buying my own copy.
This is the third novel by Harper. Her first two – The Dry and Forces of Nature – were best sellers and this new one looks to be heading in the same direction. It begins deep in the Australian outback at the location of a lone grave, a memorial to a stockman who died 100 years previously. Curled up beside it is a more recent body. How he died is not a mystery. The more difficult questions are why and how.
Although this sounds like a fairly typical crime thriller, everything I’ve read about Harper’s work indicates this is too simplistic a description. it’s a tale about family relationships saga that has crime and thriller elements woven in and tackles head on issues of sexual and domestic abuse. It also apparently brilliantly evokes the harsh beauty of the Queensland landscape.
The Sydney Morning Herald calls her “one of the most interesting Australian crime writers to emerge in the past decade.” Not surprisingly she’s been longlisted for the 2019 Australian Book Industry Awards. If you’re tempted, this review by Theresa at Theresa Smith Writes could tip the balance for you.
Blog Post: The Stupid Classics Book Club
A few weekends ago The Sunday Times in the UK published a list of their top 100 contemporary classics. Cue groans from around kitchen tables throughout the country when readers tally up how many of these “should read/must read” books they abandoned in frustration or had no inclination to even open.
The solution devised by Elisa Gabbert, her husband and two friends was to create the Stupid Classics Book Club. The idea was “to read all the corny stuff from the canon that we really should have read in school but never did “. In a piece she wrote for Paris Review she freely admits it started as a joke but in the process she, and her fellow club members, found some of their pre-conceived notions were turned upside down. Other books they anticipated they wouldn’t enjoy did indeed prove tiresome. But it was still a useful exercise to read them says Gabbert:
I find these lists incredibly tiresome. Of course, you don’t have to read anything. Some books will be triggering or make you deeply unhappy; there just isn’t enough time. But if you want to speak or write knowledgeably about them, you really do have to read them. You can’t just assume you know what they’re like. I’m glad I read Fahrenheit 451 even though I despised it. Now I know exactly how it’s bad, and I can hate it for the right reasons.
I can go along with that to a certain extent: reading only what you know you enjoy means you never challenge yourself. Staying within your comfort zone can be limiting. But I don’t completely buy the idea: if I start reading a book I suspect I won’t like and do indeed find I absolutely loathe it, I see little point in persevering to the bitter end just to be able to say I read it and now I know why I hate it.
What do you think -do you agree with Gabbert? Read the full story here
Article: Faber and Faber
Faber and Faber is marking its 90th anniversary this year, a landmark which triggered an interesting article in the Daily Telegraph this week. I never realised that there is only one Faber – the company was formed by Geoffrey Faber but the “and Faber” was supposedly added following a suggestion by the poet Walter de la Mare (whose work the company went on to publish) to add a second Faber into the company name ‘because you can’t have too much of a good thing’.
Another piece of useful/useless information I gleaned from this article was that the company turned down a number of books that went on to become mega hits: Paddington Bear; Down and Out in Paris and London; 1984. Oops….
To their credit though they have spotted some outstanding talent over the years: thirteen Nobel Laureates and six Booker Prize-winners (including the most recent Milkman by Anna Burns) isn’t to be sniffed at….
I wish I could add a link to the article but the Daily Telegraph operates a pay for view/subscription model…..
And so that’s a wrap for this episode of Bookends. Have you found anything new exciting and to read this week that might entice me?