Blog Archives

Bookends #14: May 2019

This week’s Bookends features a new novel from an author in Wales, an article and podcast about narrative voices and an article about the value of creative writing courses.

Book: Crushed by Kate Hamer

I enjoyed Kate Hamer’s debut novel, the disturbing, psychological The Girl in the Red Coat last year. She’s just published her third novel which sounds just as dark and intriguing. Crushed is about an obsessive friendship between three girls. Over the course of one long hot summer, they find their friendship pushed to a breaking point as one of them convinces herself that her thoughts can influence events in the world around them.

Podcast/Article: Narrators Singular, Plural and Vanishing

Narrators have been much in evidence this week. Early in the week, a Tea or Books? podcast episode on the topic helped make a treadmill almost a pleasure.  Simon (Stuck in a Book) and Rachel (Book Snob) discussed their preferences for multi-narrator novels or single narrator novels. Some interesting points about the desire for nineteenth century writers to use devices like diaries and letters designed to give added credibility and authenticity to their fiction. You can listen to episode 71 here In the same week I read an article in The Publisher newsletter about “vanishing narrators” – novels where the narrator is not the main character, such as The Great Gatsby or The Name of the Rose. Just be warned that reading/listening to these will have you scurrying to write down the titles of yet more books to read/buy.

Article: Value of Creative Writing Courses Questioned

You can rely on Will Self to create a stir. This time he’s done it by questioning the value of creative writing graduate programmes. In an interview for the BBC’s Radio 4 prime time news programme Today, Self said today’s students are unlikely to make a living from literary fiction, suggesting their courses might instead give them a career writing video games. “The people coming out of these courses are never going to make a living as novelists, certainly not in literary fiction though that’s a somewhat suspect term. Basically writers are chasing too few readers at the moment,” he said. You’d expect the universities who provide such courses would reject Self’s views but the publishing industry has also weighed in. More details are available via The Bookseller.

 

And so that’s a wrap for this episode of Bookends. Have you found anything new exciting and to read this week that might entice me?

Bookends #13: April 2019

This week’s Bookends features an article about Faber and Faber as they mark their 90th anniversary, a blog post about reading those books that regularly appear in those “100 books you must read” kind of lists and a book set in the Australian outback

Book: The Lost Man by Jane Harper 

A friend has been raving about this new novel from Jane Harper. I waited impatiently while she finished it and was looking forward to getting my paws on it yesterday. But it was not to be ….her husband has got in first and snaffled her copy. If he turns out to be a slow reader I know I’ll be too impatient to wait and will end up buying my own copy.

This is the third novel by Harper. Her first two – The Dry and Forces of Nature – were best sellers and this new one looks to be heading in the same direction. It begins deep in the Australian outback at the location of a lone grave, a memorial to a stockman who died 100 years previously.  Curled up beside it is a more recent body. How he died is not a mystery. The more difficult questions are why and how.

Although this sounds like a fairly typical crime thriller, everything I’ve read about Harper’s work indicates this is too simplistic a description. it’s a tale about family relationships saga that has crime and thriller elements woven in and tackles head on issues of sexual and domestic abuse. It also apparently brilliantly evokes the harsh beauty of the Queensland landscape.

The Sydney Morning Herald calls her “one of the most interesting Australian crime writers to emerge in the past decade.”  Not surprisingly she’s been longlisted for the 2019 Australian Book Industry Awards. If you’re tempted, this review by Theresa at Theresa Smith Writes could tip the balance for you.

Blog Post: The Stupid Classics Book Club

A few weekends ago The Sunday Times in the UK published a list of their top 100 contemporary classics. Cue groans from around kitchen tables throughout the country when readers tally up how many of these “should read/must read” books they abandoned in frustration or had no inclination to even open.

The solution devised by Elisa Gabbert, her husband and two friends was to create the Stupid Classics Book Club. The idea was “to read all the corny stuff from the canon that we really should have read in school but never did “. In a piece she wrote for Paris Review she freely admits it started as a joke but in the process she, and her fellow club members, found some of their pre-conceived notions were turned upside down. Other books they anticipated they wouldn’t enjoy did indeed prove tiresome. But it was still a useful exercise to read them says Gabbert:

I find these lists incredibly tiresome. Of course, you don’t have to read anything. Some books will be triggering or make you deeply unhappy; there just isn’t enough time. But if you want to speak or write knowledgeably about them, you really do have to read them. You can’t just assume you know what they’re like. I’m glad I read Fahrenheit 451 even though I despised it. Now I know exactly how it’s bad, and I can hate it for the right reasons.

I can go along with that to a certain extent: reading only what you know you enjoy means you never challenge yourself. Staying within your comfort zone can be limiting. But I don’t completely buy the idea:  if I start reading a book I suspect I won’t like and do indeed find I absolutely loathe it, I see little point in persevering to the bitter end just to be able to say I read it and now I know why I hate it.

What do you think -do you agree with Gabbert? Read the full story here 

Article: Faber and Faber

Faber and Faber is marking its 90th anniversary this year, a landmark which triggered an interesting article in the Daily Telegraph this week. I never realised that there is only one Faber – the company was formed by Geoffrey Faber but the “and Faber” was supposedly added following a suggestion by the poet Walter de la Mare (whose work the company went on to publish) to add a second Faber into the company name ‘because you can’t have too much of a good thing’.

Another piece of useful/useless information I gleaned from this article was that the company turned down a number of books that went on to become mega hits: Paddington Bear; Down and Out in Paris and London; 1984. Oops….

To their credit though they have spotted some outstanding talent over the years: thirteen Nobel Laureates and six Booker Prize-winners  (including the most recent Milkman by Anna Burns) isn’t to be sniffed at….

I wish I could add a link to the article but the Daily Telegraph operates a pay for view/subscription model…..

 

And so that’s a wrap for this episode of Bookends. Have you found anything new exciting and to read this week that might entice me?

Bookends #12 December 2018

This week’s Bookends features an article about reading African women writers, a blog post about the importance of context in our reading and a book written by a woman who for eight years was hardly out of the media spotlight.

Book: Blue Sky  by Kate Atkinson

Big SkyKate Atkinson used to be one of my favourite authors. But we parted company when she brought out A Life after Life in 2013. I abandoned it half way through. I know I was in a minority in saying that I didn’t enjoy this novel (it won the Costa Book of the Year) but sometimes that happens.  Her next book, A God In Ruins picked up some of the same characters and themes so it didn’t appeal to me.

I’ve yet to catch up with her most recent novel Transcription which features a young woman who is recruited by an obscure wartime department of the Secret Service.

But now, thanks to Susan at A Life in Books I discover that she already has another book in the pipeline. Big Sky will be published in 2019 and will mark a return after a nine year absence to her detective series, featuring the ex-Cambridge Constabulary private investigator, Jackson Bodie.

The publishers Transworld will not release details of the plot until next year so until then we’ll have to make do with the cover image….. I’m hoping however that these two books will see the return of my love affair with Atkinson.

Blog Post: Books of the Year

This is the time of year when many publications and bloggers reflect on the last 12 months and decide what titles make their ‘Books of the Year’ list. The Millions newsletter has been running a series of articles on this theme for the past few weeks – you can read them here 

If you don’t have the time to read through all these lists, help is at hand via Kate at Books are My Favourite blog who has amalgamated multiple published lists into her Top 50 Books of 2018. This is a great resource because it shows which books which most regularly appeared in “Best of ….” lists. Judging by this, An American Marriage by Tayari Jones is the outstanding hit of this year since it appears in 17 separate lists.

What I found interesting about Kate’s list was how few of the 2018 Booker Prize contenders are included. Only 11 lists included The Booker winner Milkman by Anna Burns. It actually rated lower overall than three other candidates: The Mars Room by Rachel Kushner, The Overstory by Richard Powers and Washington Black by Esi Edugyan.

Here is Kate’s post 

Article: African women writers

reading-africaGuardian journalist Gary Younge was embarrassed by how few women writers from Africa he had read. Though he was familiar with many of the big names like Chimamanda Adichi and Nadine Gordimer, there were many more countries about whose literature he knew nothing. So he decided to do something about it by making 2018 his year of reading African women writers.

He’s now read 19 books by authors from Morocco, Ghana, Zimbabwe, Nigeria, Sierra Leone, Senegal, Egypt, Somalia, Uganda, Ethiopia, Cameroon and Guadeloupe.

As a result his perceptions have been turned on their head. When he began his project he expected that reading African women would be “self-improving but not necessarily enjoyable.” But to his surprise it’s been “mostly the latter and often both.” He’s read books that portrayed ordinary domestic scenes and love between Africans, books that dealt with migration and books set against a background of political upheaval.

I recognised a few of the author names he mentions but there are many more who are new to me. These will be great additions to the list of books to read for my World of Literature project. 

If you’re thinking of making a 2019 resolution to read more broadly, this article could gie you some good pointers about authors to explore. Read Gary Younge’s article here 

 

 

And so that’s a wrap for this episode of Bookends. Have you found anything new exciting and to read this week that might entice me?

%d bloggers like this: