A Flying Man: Farooki’s Cad Fails The Sympathy Test

The Flying Man by Roopa Farooki

Roopa Farooki’s fifth novel The Flying Man is a strange one. It’s a brave author who attempts to win sympathy for a protagonist who is anything but likeable. It’s a gamble that didn’t quite pay off.

The eponymous flying man – so called because of his habit of flitting from one country to another – is Maqil Karamis, charlatan and fraudster extraordinaire. He keeps one step ahead of detection by adopting new identities and moving his base of operation. One time political activist, playwright and journalist, he morphs into a gambler, businessman, fraudster and thief.

Despite the light-hearted tone of Farooki’s narrative, Maqil isn’t the kind of rogue for whom you can have even a sneaking admiration because, with each new assumed identity, he leaves behind a trail of abandoned wives and children.

This is a man who seems perpetually in flight.

In his youth he flees from what he views as the stultifying conventionality of his family home in Pakistan, preferring the freedom of life as a student in New York. He arrives with three identities: Maqil to his family; Sonny to his mother and Sunny to his father.

But “let loose in the Land of the Free … ” he quickly assumes a fourth more enigmatic identity as MSK, “the campus international man of mystery.” Even this isn’t enough for him and he tries on more ‘costumes’ before deciding he quite likes being Mike Cram “an anonymous man who could be from anywhere.”

Over the course of the book he turns up as Mehmet Khan, Miguel Caram and Mikhail Lee in Paris, Cairo, London and Hong Kong. Along the way he collects three wives, though doesn’t bother with the niceties of divorce. When he’s had enough of the relationship, or the effects of his conniving, fraudulent activities threaten to catch up with him, he just disappears.

Rogue or cad?

The Flying Man verges on being a fun adventure novel but the humour never overcame my general feeling of unease about the sordid way in which Maqil treats his family.

Though he tries to court our sympathy with the occasional moment of self candour, his ‘mea culpa’ isn’t convincing. For this is a man who has made such a success of being a fraud, it’s hard to believe anything he says. I was more in sympathy with his second wife Samira and the twins he abandons, than with this chameleon. He wasn’t a loveable rogue, more of a cad who shies from anything that involves commitment or responsibility.

Maybe I would have been more empathetic if I’d understood more clearly why Maqil had this compulsion to be constantly on the move. But we seldom got deep enough into his personality to discover his motivation beyond a sense that he hates to be bored. Is that enough to make him a believable character? Not in my book. I wanted a fully rounded character but what I got was a shadowy figure that flitted from page to page.

This experience hasn’t put me off reading Roopa Farooki, I just have to find the right book.

The Flying Man: Fast Facts

Roopa Farooki was born in Lahore, Pakistan, but moved with her family to London when she was seven months old. She worked in advertising before she turned to writing fiction full-time.

Her first novel Bitter Sweets was published in the UK in 2007 and shortlisted for the Orange Award for New Writers that year.

The Flying Man, published in January 2012 , was longlisted for the Orange Prize in 2012.