From beauty myth to family jealousy in six steps
It’s time for another Six Degrees of Separation where the idea is to create a chain of book connections. This month we begin with a non-fiction title from 1990: The Beauty Myth by Naomi Wolf.
There is in a clue in the subtitle “How Images of Beauty Are Used Against Women” about the primary message of this book. Wolf argues that as the social power and prominence of women have increased, the pressure to conform to unrealistic social standards of physical beauty has also grown stronger because of commercial influences on the mass media. Amongst her evidence she cites a rise in cases of eating disorders such as anorexia and bulimia and the rapid growth of plastic surgery.
The Beauty Myth became a best seller and generated considerable debate. I remember thinking when I read it that, though interesting and thought-provoking, it wasn’t anywhere near as convincing as Germaine Greer’s The Female Eunuch. I’ll give Wolf a lot of credit however for bringing the topic out into the open. Sadly, we see evidence regularly that the issues she saw then haven’t gone away.
Let’s stay with myth and beauty for my first link: Pygmalion by George Bernard Shaw, is a play about a professor who trains a poor, uneducated girl to act and speak like a lady. The title comes from the ancient Greek myth of Pygmalion, a sculptor unable to find any real woman who fitted his idea of the perfect female. He carves a statue out of ivory that is so beautiful and so perfect that he falls in love with it and wants to give it life.
Pygmalion is of course a story about transformation and change; a theme which is central to my next book; also by an Irish writer. In Nora Webster Colm Toibin gives us a deep and penetrating portrayal of a middle-aged widow struggling to remake her life after the premature death of her husband. She returns to the office work she thought she had left behind forever, begins listening to the classical music her husband never liked and starts making new friends. One of the most significant signs that she is moving on comes when she visits the hairdresser and emerges with a radical new style.
I could link to another work about transformation, Educating Rita by Willy Russel, in which a young uneducated hairdresser enrols for an Open University degree course because she wants more from life. I’ve seen the stage version and watched the film multiple times (it’s one of my all time favourites) but I can’t really use it for this chain since it would mean breaking my rule that I select only texts I’ve read.
So let’s go down a different path and to another book which uses hair styles as part of a theme about identity. The main character in Americanah by Chimamanda Ngozi Adichie only begins to feel truly free and true to her Nigerian roots when she decides she will no longer spend hours and vast sums of money on having her hair ‘relaxed’. Hair, she comes to realise, is a political issue in America with black women expected to relax their natural curls with strong chemicals in order to conform to comfortable white norms. Before she makes her first return home to the Nigeria she left 15 years earlier, she visits a salon to have her hair braided.
I’m sticking with the issue of identity for my next book. A Portrait of a Lady is one of Henry James’ most respected novels. It wasn’t one I enjoyed at first reading – I found it incredibly slow (page after page where nothing much happens except someone opens an umbrella)… I must admit I skimmed many passages. It wasn’t until I re-read the book that I began to fully appreciate this tale of a young American woman who insists that she must be free to write her own plot and then to live with the unfortunate consequences of her decisions. Still not sure I understand the ending however….
Consequences takes me to India and to a novel that won the Booker Prize in 1997. The God of Small Things by Arundhati Roy has two captivating characters in the form of Rahel Kochamma and her brother Esth. They’re used to being the centre of attention so when their new cousin arrives to spend Christmas at the family home, their noses are put out of joint. Their jealousy has tragic repercussions that don’t become apparent until the final chapters of the novel. Until then we’re treated to some tremendous comic scenes involving these effervescent twins.
The family rivalries depicted in Arundhati Roy’s novel remind me of Neel Mukherjee’s novel The Lives of Others which is set in India during the second half of the 1960s. In it we meet three generations of the large and relatively wealthy Ghosh family who live together in one house, their rooms allocated on a strictly hierarchical basis. The patriarchal Prafullanath and his wife Charubala live on the top floor., the widow of their youngest son is relegated to a storage room on the ground floor of the house. Inevitably there are tensions over saris and wedding jewellery.
And with that I’ve reached the end of a chain which has moved from notions of beauty through female identity to familial disputes. If you’re interested in how other bloggers created their chains, take a look at booksaremyfavouriteandbest and also find out how to join the meme hosted by Kate.
Posted on March 8, 2018, in Six Degrees of Separation and tagged Arundhati Roy, Chimamanda Ngozi Adichie, Colm Toibin, George Bernard Shaw, Henry James, Naomi Wolf, Neel Mukherjee, Six Degrees of Separation. Bookmark the permalink. 5 Comments.