It begins in Devon with Christmas pudding plucked from a child’s mouth by his beloved though sternly Evengelical father. It ends with a glass church floating on a barge along a river in the Australian outback. What lies between is a marvellously idiosyncratic tale of two misfits: a gangly, nervous clergyman called Oscar Hopkins (nicknamed ‘Odd Bod’) and a frustrated, unconventional heiress called Lucinda Leplastrier.
Oscar and Lucinda, Peter Carey’s Booker prize winning novel from 1988, is a love story in which these two unlikely partners-in-life stumble their way to a relationship. Chance brings them together: a toss of a coin convinces Oscar that God is calling him to be a missionary in New South Wales. On board the ship taking him away from from England he goes to Lucinda’s state-room to hear her confession and discovers their shared passion for gambling. In Lucinda’s cabin the two experience a kind of euphoria, playing poker together for penny stakes. Chance also threatens to drive them apart: to prove his love, Oscar wagers he can transport a glass church built in Lucinda’s glass manufacturing factory through unchartered terrain and erected on her behalf in a remote bush settlement. It’s a foolish proposition – though breathlessly stunning in appearance, a ‘crystal-pure bat-winged structure’, its cast-iron framework and glass sheets weigh more than thirty hundredweight. Readers who by this stage of the book is well aware of Oscar’s ineptitude at most things, wouldn’t trust him with such a mission. But Lucinda is a girl in love so she stakes her fortune on his success. The results are unexpected – having set readers on a breadcrumb trail with an unnamed narrator who declares he is the great-grandson of Oscar, Peter Carey springs a surprise about this lineage in the book’s denouement.
Oscar and Lucinda is an episodic novel related in 111 short chapters that chart Oscar’s and Lucinda’s lives with many digressions that introduce a host of minor, odd yet credible, characters. Peter Carey delineates their physical characteristics and their personalities so magnificently that they linger long in the imagination. Oscar himself is a magnificently-drawn character. Scarecrow thin with a triangular face, frizzy red hair “which grew outwards, horizontal like a windblown tree in an Italianate painting…” and a nervous habit which made him unable to ever sit still. He also has a morbid fear of the sea:
It smelt of death to him. When he thought about this ‘death’, it was not as a single thing you could label with a single word. It was not a discreet entity. It fractured and flew apart, it swarmed like fish, splintered like glass.
This fear provides one of the most telling scenes in the novel where, all other attempts to get him up the gangway having failed, his friends and father have to resort to a cage used to load the animals on board for the voyage to Australia . Oscar is clearly a man trapped by his own nature, a theme repeated towards the end of the novel where he is towed up river inside the church.
The man inside the church waved his hands, gestures which appeared … to be mysterious, even magical, but which, inside the crystal furnace of the church, had the simple function of repelling the large and frightening insects which had become imprisoned there.
They flew against the glass in panic. They had the wrong intelligence to grasp the nature of glass. They based against ‘nothing’ as if they were created only to demonstrate to Oscar Hopkins the limitations of his own understanding, his ignorance of God, and that the walls of hell itself might be made of something like this, unimaginable, contradictory, impossible.
Even more vivid for me was the portrait of Mrs Stratton, the indomitable wife of an Anglican vicar, she loves nothing more than a good theological argument. Introduce a question on the merits of the Nicine Creed versus the Athanasian Creed or the nature of divine grace and she’s off ….
She sought the high ground, then abandoned it. She plunged into ditches and trotted proudly across bright green valleys. She set up her question, then knocked it down – she argued that her own question was incorrect. She set alight to it and watched it burn.
Oscar and Lucinda is a novel where the plot and characters get a bit fantastic at times but one where I couldn’t help but get swept along, eagerly wanting to know what happens next. It’s a novel which could frustrate the hell out of people who prefer novels that go from A to B in a direct line and don’t want too many themes and ideas. But for readers who love oddities and playfulness yet also appreciate a narrative of sensibilities, I hope this will be as much of a joy for them to read as it was for me. This has now gone down as one of my favourites among all the Booker prize winners.
The Book: Oscar and Lucinda by Peter Carey was published by Faber and Faber in 1988. My paperback edition is from 1997.
The Author: Peter Carey was born in Australia. He worked in advertising for many years while trying to build a career as a novelist. He is one of the few people to win the Man Booker Prize twice – with Oscar and Lucinda and The True History of the Kelly Gang. There is a fascinating interview with him in the Paris Review in which he talks about the frustrations of trying to get his first fiction efforts published and his writing process.
Why I read this book: This was one of the 12 Booker prize winning titles remaining to be read in my Booker Prize project. I moved it to the top of my list on the recommendations of our experts on authors from ANZ: Whispering Gums and ANZlovers .
This week’s Top Ten Tuesday looks to that season of mists and mellow fruitfulness and asks what we’ll be reading this Autumn from our TBR. Making a list of what I’m going to read is always tricky for me since I don’t like planning too far ahead knowing that I am highly unlikely to stick to the list. I prefer the serendipitous approach where I can. Plus I have (foolishly??) embarked on a university module about children’s literature so will need to devote some reading time to those texts. But in the interests of playing along with the game here’s a list of books that might have a chance of being read in the next few months. I’ve gone for a mixture of Booker prize winners, crime, books in translation and classics.
- Oscar and Lucinda by Peter Carey. I’ll be reading this as part of my Booker prize project. It won in 1988 (he went on to win the Booker again in 2001 with True History of the Kelly Gang. This will be my first experience of reading Carey’s work but so many people have said this is a great book that I will begin with high
- Another from my Booker list is The Finkler Question by Howard Jacobson which won in 2001. I know from various comments on this blog that it’s not to everyone’s taste but I dipped into it a few weeks ago just to get a feel for the style and didnt have an issue with what is generically labelled ‘Jewish humour’.
- An Elergy For Easterly by Patina Gappah: This is a collection of short stories that was on my #20booksofsummer list but I never got to finish
- Frog by Mo Yan. My knowledge of authors from China is pitiful so this is an attempt to remedy the situation,spurred on by the deeply moving experience of reading about the Cultural Revolution last week via Madeleine Thien’s knock out Man Booker 2016 shortlisted title Do Not Say We Have Nothing. Mo Yan won the Nobel literature prize in 2012. Frog, first published in Chinese in 2009 is ostensibly the life story of the author’s aunt, a midwife, told through a series of letters to a celebrated but unidentified Japanese writer. It covers a broader period than Thien’s novel because it goes back to the Japanese occupation of China, then moves ahead to the victory of the Communist party in 1949, the hunger and violent political upheavals of the first 30 years of communist rule and, finally, the lurch to a peculiarly rampant form of state-directed capitalism. It’s going to be powerful I suspect.
- Continuing on the theme of China, this seems like a good time to finally get around to reading The Good Women of China by Xue Xinran. She is a British-Chinese journalist currently living London and writing for The Guardian. The Good Women of China is primarily composed of interviews Xinran conducted during her time as a radio broadcaster in China in the 1980s. However, she also details some of her own experiences as a woman in China.
- English Music by Peter Ackroyd. This has been on my shelf since 2011.It was recommended when I asked for suggestions of books that would typify England. I ended up reading a different recommendation – Iris Murdoch’s The Sea, The Sea but now think it could be time to revisit Mr Ackroyd.
- Candide by Voltaire. This is book number 4 on my woefully neglected list of books for the Classics Club challenge. With less than a year to go I find I’ve read 28 out of the targeted 50 so time to put a spurt on.
- Ditto for the Vicar of Wakefield by Oliver Goldsmith which is on the list at number 5 and I did actually start reading it about a year ago but other things intervened. I don’t normally go for overt humour in novels but this sounded wry rather than laugh out loud.
- And now it’s time for some crime. Those misty/rainy days are perfect excuses for insulting in something a little dark but not too bloodthirsty. The British Crime Classics imprint sounds the perfect solution to me and thanks to the generosity of Ali at I am the possessor of The Hog’s Back Mystery by Freeman Wills Crofts which is set deep in the English countryside. You can see Ali’s review here and why I’m keen to read this.
- 1947 club: This is an initiative by Karen at Kaggsy’s Ramblings and Simon of Stuck in a Book which will run October 10-15. It’s only a few weeks ahead but I still don’t know what I am going to read. Maybe Hans Fallada’s Alone in Berlin which is based on the true story of a working class husband and wife who, acting alone, became part of the German Resistance. .More on the 1947 club is here
The order in which these books appear in my list has no significance at all. I reserve the right to read in whatever sequence I want ….
I equally reserve the right to read only some of them or indeed none of them if something else comes along that exerts a greater pull. 🙂