Some pieces are small, others large, but all are calculated to deceive, to lead one astray, in order to make the solution of the puzzle as difficult, as challenging, as possible. In our tradition, how a puzzle is made, and how it is solved, reveals some greater truth about the world.
This quote comes from an episode in Mark Henshaw’s The Snow Kimono in which a professor of law tells a story about his father’s fascination with traditional Japanese jigsaw puzzles. It could equally describe the way Mark Henshaw’s narrative is constructed. Each chapter builds on the preceding one, enabling the story to unfold one layer at a time and bring with it ever-deepening insights and fresh revelations.
The novel opens in Paris in 1989. Retired police inspector Auguste Jovert receives a letter from a woman in Algiers, where he once served as an intelligence officer. She claims to be his daughter. Back home in his apartment he finds a stranger waiting for him – Tadashi Omura, a former professor of law of the Imperial University of Japan who bears a strong resemblance to the Emperor Hirohito. Omura begins to relate the story of his own lost daughter Fumiko and his friend, the arrogant and brilliant novelist Katsuo Ikeda. As the story of a fractured friendship, lost lovers and orphaned children unfolds, Jovert cannot help reflect on the parallels with his own life which, like Ikeda’s, is built on a lie.
Each strand of the narrative pivots between various characters and locations, in France, Japan and Algeria. It’s written in a slightly off-beat enigmatic style which keeps readers uncertain how everything fits together and how it will all end. Many of the tales use beautiful evocative imagery.
Behind me, the mountain peaks blaze like white teeth in the first rays of the sun. Darkness seeps back into the earth. The grey-tiled rooftops of the village, clustered together like sleeping cattle, begin to surface.
or in another scene:
Banks of cloud the colour of egg white hung low and flat on the horizon.
The Snow Kimono is a meditation on love, loss and betrayal but one whose meaning becomes evident only in stages. Omura counsels Jovert early on in their relationship that if he wants to understand, then he needs to change his perspective. “In Japan we have a saying. If you want to see your life, you have to see it through the eyes of another. But what if what you see is not what you want to know.” Jovert, reminiscing about his career comes to appreciate that the techniques he used in his career would not be sufficient to reveal the truth about life “… life, unlike crime, was not something you could solve. What people told you was not always the truth; the truth was what you found out, eventually, by putting all the pieces together.”
The non-linear structure and the enigmatic nature of the plot alone would make The Snow Kimono a fascinating novel but add the haunting, fluid, lyrical style and the result is the most remarkable novel I’ve read all year. From the first page I was enthralled. By the time I got to the last page I wanted to start all over again to try, like Jovert, to put all those pieces together.
Mark Henshaw was born in Canberra, Australia. He published his first novel, Out of the Line of Fire, 26 years ago to huge critical acclaim. Since then he’s published detective novels under the pen-name of J.M.Calder but under his own name, nothing. Why the long silence? An interview in Sydney Morning Herald may provide the answer.
The Snow Kimono is published by Text Publishing. They took on the publication after 32 other publishers turned it down. The Snow Kimono went on to win the New South Wales Premier’s Literary Award in 2015.