It was a surprise to many when Kinglsey Amis won the Booker Prize in 1986 for The Old Devils for this was an author who, according to the wisdom of the masses, was long past his prime. I don’t know what the reaction was in Wales but I suspect the commentary there may have concentrated on his portrayal of the country than the quality of his writing. My countrymen do tend to get a bit huffy about how our nation is represented. But then we are known for our hot tempers (not for nothing is our national symbol a fire breathing dragon) and we do tend to take offence at implied slights to our national pride….

What in The Old Devils would have got the Welsh feathers ruffled? This is a tale about a bunch of old university mates who are mostly retired and, having been regular drinkers in the past, naturally gravitate to a pub called The Bible to while away the hours chewing the fat and carping about anything and everything. The drinking seems to begin well before lunch (not too long after breakfast in fact) and lasts as long as they can keep going into the night.  Not to be outdone, their wives gather in one or other’s homes to neck down a few bottles of vino.

Your average Celt wouldn’t turn a hair about heavy drinking, gossipy characters. They’re the kind of people who can be spied propping up the bar in many a grimy establishment throughout Wales. What would really get them hot under the collar however is how Amis tackles a theme about Welsh identity.

This largely centres on the character of Alun Weaver. He prefers this spelling of his first name to the more Anglicised ‘Alan’ since it’s an easy way to emphasis his Welsh credentials. He’s the only one of the old gang to leave Wales, making a career for himself in London as a writer and an expert on a poet called Brydan (a thinly disguised Dylan Thomas). But now after a 30 year absence he’s announced his return to his old stamping ground in South Wales intending to set up home with his wife. Cue lots of anxiety from those wives of the Old Devils who indulged in affairs with him and are either hoping for  a re-run or mortified with embarrassment about meeting him again.

Alun is what is often labelled as a “professional Welshman”, (or as one of his friends describes him “an up-market media Welshman”) the kind of person who gets trotted out whenever the BBC or its ilk need someone to comment on Welsh culture and society.  They don’t actually live in the country but feel compelled at every opportunity to parade their Welshness and love of ‘the old country’. Amis makes him a figure of ridicule, an ageing lothario with questionable literary skills, who essentially wants Wales to remain in some kind of time warp.

That was the whole point, to stress continuity, to set one’s face against anything that could be called modernism and to show that the old subject, life in the local villages, in the peculiar South-Wales amalgam of town and country, had never gone away…

The Old Devils probably wouldn’t appreciate the gentrification of a boozer like this

The last thing the local soaks want is to bottle Wales in aspic; they want change but they recognise a balance needs to be struck. A balance between the kind of Anglicised ubiquity which means  “Everywhere new here is the same as new things in England, whether it’s the university or the restaurants or the supermarkets or what you buy there. … Is there anything in here to tell you you’re in Wales?”  and the Disneyfication that Alun would seem favour in his books. One of the braver Devils  confronts him head on, accusing him of ruining Wales.

Turning it into a charade, an act, a place full of leeks and laver-bread and chapels and wonderful old characters who speak their own highly idiosyncratic and often curiously erudite kind of language.

Such carping doesn’t disguise the fact that between these men there does exist a close bond that approaches love and affection. Nor does Amis’s satire come without a degree of affection and understanding for these characters. He makes us laugh but there is a poignancy for these guys whose brains don’t want to acknowledge their best days are over though their bodies tell them otherwise. There are some wonderful cameos of the gang dealing with the infirmities that come with age including the difficulties of getting dressed when an expanding girth gets in the way of something as simple as putting on a pair of socks.

At one time this had come after instead of before putting his underpants on, but he had noted that that way round he kept tearing them with his toenails. … The socks went on in the bathroom with the aid of a particular low table, height being critical. Heel on table, sock completely on as far as heel, toes on table, sock round heel and up. …. Pants on in the bedroom, heel and toe like the socks but at floor level, spot of talc around the scrotum, then trousers two mornings out of every three or so. On the third or so morning he would find chocolate, cream, jam or some combination from his bedtime snack smeared over the pair in use and he would have to return to the bathroom specifically to its mirror for guidance in fixing the braces on the front of the fresh trousers, an area which needless to say had been well out of his direct view these many years.

It’s passages like this that show clearly how insult and ridicule can be transformed into high comic art. and how Amis,  is a master of that art. Even if there is a segment of the population that takes umbrage at his depiction of Wales, they surely have to acknowledge that with The Old Devils, there is clearly old life in that old devil Amis.

Without doubt one of the most enjoyable of the Booker prize winners I’ve read. And no, you don’t even need to be born in Wales to appreciate its humour.

Footnotes

Author: The Old Devils by Kingsley Amis

Published: 1986  by Hutchinson. Now available as a Vintage Classic imprint

Length: 384 pages

My copy: A rather battered orange coloured Penguin version that in fact belongs to my husband and has stayed with us through more than one house move because he loves it so much.

Why I read this: This links to my Booker prize project so I was always going to read it but was given a nudge by the 20booksofsummer challenge.