Sickness, recovery, recuperation. At such times what sort of reading material do you reach for? The question arose for me after I returned from the other side of the world with an injury which will keep me virtually housebound for some months.
At first, stupified by antibiotics, I felt too dazed to read anything more demanding than the opening credits of an old movie on TV. But as strength and interest returned little by little it was the old and familiar which I sought out – the literary equivalent of comfort food.
My first choice was Evelyn Waugh’s magnum opus Brideshead Revisited, a novel which has long been in my top five and to which I was returning for the fourth or fifth time – unwise perhaps in view of the old maxim ‘never go back’. Turning to the first page, I hoped my experience would not mirror that of the author who was reportedly “appalled” after re-reading the work, finding “distasteful” the book’s “rhetorical and ornamental language”.
On this reading I did find some of Charles Ryder’s internal monologues a bit overcooked and descriptive passages occasionally a tad florid – but those are mere quibbles. Overwhelmingly I was once again dazzled by the beauty and clarity of the narrative. Testimony to its potency is plain when viewing the impeccable 1983 11-episode TV series based on the book in which large passages of Ryder’s narrative, together with countless dialogue exchanges, are lifted verbatim from the pages of the novel.
The story arc, from sunlit carefree days in 1920s Oxford to the spirit-sapping gloom of the 1940s war years, is superbly handled by the author through a central character who is invested with qualities of detachment sufficient to lend an objectiveness to the first person storytelling.
Though how anyone without a good shorthand note or a tape recording can set down all those conversations in such detail is a mystery. But the suspension of disbelief is a necessary requirement when reading first person fiction – all narrators, it appears, being blessed with perfect recall!
The butler didn’t do it
That suspension becomes trickier when an unreliable narrator enters upon the scene, as happens in my follow-up choice of sick bay reading. This was my third encounter with Kazuo Ishiguro’s The Remains of the Day. An art gallery ticket tucked into the pages revealed that I last read it on holiday in August 1999. (The find instantly brings back a memory: witnessing a total solar eclipse from a Bavarian hillside, the sudden gloom silencing the chattering birds.)
Twenty years is a long time between readings but I’d always thought of this novel as a reliable favourite. This time though, I was a little less enchanted. On previous readings I was clearly not irritated by the narrator’s fastidious, very correct, rather Edwardian style of writing. This is of course deliberately and cleverly done by Ishiguro to paint a picture of the anachronous and insular nature of Stevens, the central character, who knows very little of ordinary life outside the confines of the great house in which he serves as butler.
Stevens is not at ease with himself as a human being, preferring to live as a virtual automaton. He has suppressed emotion and personality, shunned close relationships and excused himself from most kinds of normal life in favour of a Quixotic crusade to become the ultimate man servant – the personification of his interpretation of ‘dignity’.
The preservation of dignity, according to Stevens, is akin to “not removing one’s clothes in public”. It’s an odd remark but it tells us that Stevens isn’t comfortable stepping outside his professional persona for fear of losing respect; he has locked himself inside his ‘dignity’ and can’t find a way out – even if he wanted to. This detachment has built up a cold shield around the butler – one which Miss Kenton, the housekeeper, tries in vain to penetrate. Her timid romantic overtures – bringing flowers to his pantry, teasing him about the sentimental novel she finds him reading – freeze and snap in the permafrost of Stevens’s aura. Miss Kenton gives up, leaves service and marries.
Years later Stevens, still serving at Darlington Hall, Oxfordshire, travels to Cornwall to seek out Miss Kenton (now Mrs Benn) in the hope of luring her back into service and – though he cannot admit this to himself – reignite his relationship with the housekeeper on an altogether more personal level.
When Stevens writes: ‘No doubt, she is pondering with regret decisions made in the far-off past that have now left her, deep in middle age, so alone and desolate’, it is quite early on in the book and the reader has yet to discover his true nature. But we are being misled – as we find later – for here he is unconsciously considering his own position. Further into the novel, when Stevens’s achingly poignant backstory has been revealed, we are quite sure that when he quotes Mrs Benn as writing in her letter: ‘The rest of my life stretches out as an emptiness before me’, it is a misattribution and it is his own bleak future which is being contemplated.
Hardy, Chandler and back to Waugh
So The Remains of the Day stays in my top five and I will one day again revisit Brideshead, though, by that time, I will probably need to have it read to me! Number three, currently on the nightstand, is Thomas Hardy’s The Mayor of Casterbridge to which I return for the umpteenth time. It’s my favourite Hardy novel (with Tess close behind) and it never fails me. At root I suppose I have fairly unsophisticated tastes when it comes to entertainment. With books, plays or movies, I like a beginning, a middle and an end – and a cracking good yarn in between. The Mayor of Casterbridge delivers on all counts.
There’s some snobbishness about Hardy’s novels (the author regarded himself as a poet first) which I fail to understand. Dickens, Trollope and Thackeray all get the nod of approval. Even Stevenson and Conan Doyle are lauded. But for some reason Hardy gets the raspberry. Well let them sneer. I shall continue getting great enjoyment from rereading the Wessex novels whether in sickness or in health.
I reckon I’ll need two more ‘comfort food’ books to see me back on my feet. So after Hardy it will be a complete change: Raymond Chandler’s Farewell My Lovely, another of my top five and my favourite Philip Marlowe novel. The film of the book (released as Murder, My Sweet in the USA) features the excellent Dick Powell as the down-at-heel Shamus. Forget Bogart – for me, Powell was the best Marlowe to grace the screen. A great book and a fab movie!
Leaving LA, it’s back across the pond to Britain for my final restorative read – The Sword of Honour trilogy by Evelyn Waugh. When I first read these wartime novels I had to buy them separately – and I still have the copies. But now Men at Arms, Officers and Gentlemen and Unconditional Surrender are available in one volume and if you haven’t read them, plan to do so. You won’t be disappointed.
Since today is Valentine’s Day what better opportunity can there be to talk about how fiction represents romance and love? St Valentine is traditionally associated with courtly and romantic love but authors through the ages have shown different facets of the emotion. So today I’ve picked ten fictional couples whose relationships represent different dimensions of love.
Since the course of true love doesn’t always run smoothly, let’s start with a few examples of troubled relationships.
Pip and Estella
We begin with an example of unrequited love via Charles Dickens’ Great Expectations. Pip, the humble blacksmith who gains wealth from a mysterious benefactor, falls in love with the glamorous Estella though she is aloof and hostile towards him. Dickens’s ending makes it ambiguous whether the two ever marry.
The Butler and the Housekeeper
Kazuo Ishiguro’s Booker prize winning novel The Remains of the Day, gives us an example of love that is never declared. Stevens the butler at Darlington Hall has practiced restraint for so long that he cannot ever allow himself to relax enough to show his true feelings. His relationship with the young housekeeper Miss Kenton at times comes close to blossoming into romance but even when Miss Kenton tries to draw closer to him, his stunted emotional life holds him back.
Sebastian Flyte and Charles Ryder
Love of a different nature is shown in Brideshead Revisited by Evelyn Waugh, where two young men meet as students at Oxford. Charles Ryder, who comes from a sterile, loveless home, is mesmerised by the glamorous and wealthy Flyte family and their stately home at Brideshead. He spends idyllic summers with Sebastian but is powerless when his friend descends into depression and alcoholism. Bruised by the experience, Charles falls into a loveless marriage and then finds temporary solace with Sebastian’s sister Julia. The question readers have to decide for themselves is whether Sebastian was simply the appetiser for the real deal of Charles’ love for Julia or is she second best to Sebastian?
Elizabeth Bennett and Lord Darcy
Sometimes love happens between the most unlikely of individuals. The romantic clash between the opinionated Elizabeth Bennett and the proud Mr Fitzwilliam Darcy is one that has delighted readers since Pride and Prejudice was published in 1813. Jane Austen gets them off to a rocky start however. In their first encounter Darcy thinks Jane”…tolerable, but not handsome enough to tempt me.”
“From the very beginning— from the first moment, I may almost say— of my acquaintance with you, your manners, impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form the groundwork of disapprobation on which succeeding events have built so immovable a dislike; and I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry.”
Frank Doel and Helene Hanff
You could argue that isn’t strictly a romantic relationship since the author Helene Hanff and the antiquarian bookseller Frank Doel never meet. But I’d challenge anyone to read the letters that fly from New York to London in Hanff’s memoir, 84 Charing Cross Road, and not come to the conclusion that there is something more going on than just a mutual affection for books.
Gabriel Oak and Bathseba Everdene
In Far From the Madding Crowd, Thomas Hardy shows love can endure despite many challenges. Gabriel Oak (his name is a big clue as to his nature) doesn’t give up when the uppity Miss Everdene rejects his marriage proposal. He becomes a servant on her farm while she embarks on a disastrous relationship with a solider. But when she needs him most, he is ready to forgive…. Hardy is careful to show that the love that Gabriel and Bathsheba share is not the passion of a first love but a sadder and wiser connection born out of trials and tribulations.
Sapper Kip and Hana the nurse
I can’t talk about love without mentioning my favourite Booker prize winner, The English Patient by Michael Ondatjee. It shows that sometimes love flourishes in the most unlikely of situations. In this case, in a bomb-damaged Italian villa during the Italian Campaign of World War II, where four people are thrown together unexpectedly. Hana, a troubled young Canadian Army nurse, is caring for a man severely burned in a flying accident. The death of her lover causes her to believe that she is cursed and that all those around her are doomed to die. The arrival at the villa of a Sikh British Army sapper, reawakens her emotions. But their affair is shortlived. Kip is horrified when he learns about the Hiroshima bombing, leaving the villa to return to his native India. He never sees Hana again though he never stops recalling the effect she had on his life.
Dexter and Emma
How long can you be in love with someone and yet never realise it? For the couple in David Nicholls novel One Day, it takes almost 20 years for them to get together after they spend the night together on their graduation from Edinburgh university. The novel visits their lives and their relationship on that date – 15 July – in successive years in each chapter, for 20 years. Does it all end happily? Not quite. But you’ll have to read the book to discover why not.
Benjamin Braddock and Elaine Robinson
I can’t end without an example of what many people would consider to be the ultimate romantic gesture. In The Graduate, Benjamin, a new college graduate with no idea what to do with the rest of his life, is seduced by an older woman, Mrs. Robinson. But then realises it’s her daughter Elaine that he loves. Slight problem: she is about to marry another boy. Queue a desperate race to get to the church before Elaine says I do. If you’ve watched the film starring Dustin Hoffman and Anne Bancroft, you’ll know there is a dramatic ending involving a bride and a bus. I’m not cheating here by the way – the film is in fact based on a novel of the same name written by Charles Webb and published in 1963.
So there you have 10 couples who each, in one way or another, reflect love in many forms. Are there any couples you think of instantly when the subject of love crops up?