Posted by BookerTalk
Jason at We Need to Talk About Books hit on a great idea with his “books read but not reviewed” posts. Such a great idea that I’ve borrowed it to deal with a backlog of reviews that I never seem to be able to get through. I’ll start with which was the first year of this blog. Luckily I had a few notes scribbled on a document to help me recall the books.
Cranford by Elizabeth Gaskell . This became a much talked about book when it was turned into a highly successful television series in the UK. Broadcast in three series from 2007, it featured some class actors like Judi Dench, Eileen Atkins and Imelda Staunton. The story is set in the early 1840s in the fictional village of Cranford in the county of Cheshire in North West England, and focuses mainly on the town’s single and widowed middle class female inhabitants who are comfortable with their traditional way of life and place great store in propriety and maintaining an appearance of gentility.
There is clearly an opportunity to reflect changes in the world around them but that never came across to me in the first few episodes I watched. It felt too whimsical amd cosy for my tastes. The book, when I got around to reading it left me with the same impression (just to be clear I read book one of what is series in effect). I was missing the depth of social understanding that I’d found in Gaskell’s North and South (reviewed here).
Woman in Black by Susan Hill. The play of this book was one of my best theatre experiences of the late 1980s. It’s still doing the rounds so I won’t give any details away thet will spoil the surprise and shock. It’s far superior to the later film adaptation starring Daniel Radcliffe by the way. The book upon which both versions were based was published in 1983. It’s a relatively slim volume written in the style of a traditional Gothic novel about The Woman in Black is a 1983 horror novella by Susan Hill, written in the style of a traditional Gothic novel about a mysterious spectre that haunts a small English town, heralding the death of children. The suspense is handled well and it kept me engaged theiughout a red eyed flight when I couldn’t sleep. But I wouldn’t give it many marks for quality of writing. Susan Hill seemed to think stuffing the narrative with lots of adjectives was the best way to conjure up the atmosphere. It didn’t. It just left me feeling irritated.
The Witch Hunter by Bernard Knight. This is part of his Crowner John series which revolves around the figure of a coroner based in Exeter, England in the twelfth century. I’ve read or listened to audio versions of about half of them and they are all excellent at conjuring up the spirit of those times. I dont recall the plots usually, preferring the way Bernard Knight in eyes the uncertainties of life in those times, the struggles of a monarch trying to extort his power across the whole country in the face of opposition by the powerful barons and vested interests. Knight shows the coroner as a man of principle, determined to fulfill the responsibilities for this newly established role even if thet means he comes head to head with the county sheriff who happen so be his brother in law. In The Witch Hunter he has to contend with a community that views the death of a prominent burgess as a signof witchcraft. Personal interests intervene when the coroners beloved mistress Nesta is implicated. I’m surprised this series doesn’t have more visibility because it’s highly readable. I’ve posted about the series in general here.