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WWWednesday 10 April, 2019

I got my days mixed up this week so my WWW Wednesday is actually coming to you on a Thursday.

What are you currently reading?

I have three books on the go at the moment.

Zola and the Victorians by Eileen Horne

Zola and Victorians

In 1888, the works of Emile Zola were denounced in the House of Commons in London as “vile” and “diabolical”. Zola’s novels were – according to Samuel Smith of the National  Smith – sold to “young girls in low bookshops”, leading directly to prostitution.  Zola’s British publisher, Henry Vizetelly, was subsequently prosecuted and imprisoned, his health suffered and he was ruined financially.

Horne’s book reconstructs the events using  court records, Hansard transcripts, letters, journalism. It’s a fascinating topic but I so wish Horne had done a better job of creating dialogue between the various members of the Vitzelly family.

 

 

One Woman Walks Wales by Ursula Martin

One Woman Walks Wales

This is an extraordinary account of Ursula Martin’s decision to walk through Wales to raise awareness of ovarian cancer.

She initially set out to do a route that she could cover the six months between hospital appointments for check ups after her own treatment four years earlier. But she miscalculated and ended up walking around 3,700 miles. It took her 538 days On her own most of the time. Camping in the wild most nights (without a tent). Without equipment to make a hot meal.

I’ve reached only day two of her journey and already I’m thinking she must be crazy. But also far braver and more determined than me.  I know she made it because this year she was trekking through Romania. In the snow.

An American Marriage by Tayari Jones

american marriage

This is my book club selection for April. I wasn’t jumping for joy when I heard this had been selected. Not that I knew anything about the book, it was just the title that was off-putting.

But I’m pleasantly surprised by this tale of a couple whose life together is severed when he is accused and imprisoned for a crime they both know he did not commit.

This was an Oprah Book Club title in 2018 and apparently one of Barack Obama’s best books of 2018.

 

 

 

 

What did you recently finish reading? Dignity by Alys Conran

Dignity

I enjoyed Alys Conran’s debut novel Pigeon (see my review here) which won the Wales Book of the Year award in 2017. Her latest novel Dignity which was published at the beginning of April, is I think just as good.

It’s a tale of three women: Evelyn, an engineer’s wife in British India; Magda, an old lady stuck in an empty house; and Susheela, a young English carer of Bengali descent in a British seaside town on the verge of collapse. Review coming soon……

 

 

 

What do you think you’ll read next?

 I had this idea last week where I would identify the categories of books I like to/want to read, and then make my next reading choice based on a cycle of those categories.  So I’d read a classic, say, then a book in translation, followed by a Welsh author, a prize winner, crime fiction or a ‘new this year’ book.  I didn’t include non fiction since I tend to read those simultaneously with a work of fiction.

This sounded a good idea at the time but then the doubts began to creep in. Does it feel too rigid, not spontaneous enough. What if I’m not in the mood for that particular category?

And then I challenged myself: who says you have to stick 100% to that cycle? It’s your plan so you get to make up the rules.

Rule number 1: if I don’t feel in the mood for a particular category at the time, I can skip to the next category in the sequence. For example if I really don’t fancy a translated book, I can skip to a Welsh author……

Rule number 2: There isn’t one. There is only one rule. No sense in making this a burden.

All of this is a long winded answer to a simple question: what am I thinking of reading next? I don’t know exactly what I’ll read next. All I can say is that since I’ve just read a book in translation (Emile Zola’s The Kill), and then a Welsh author (Alys Conran), it will either be a prize winner or – if none of those take my fancy, a crime novel….

WWWednesday 20 March, 2019

I’m writing my latest WWWednesday post  in a fog generated by the jet lag from my lengthy trip down under. So if it doesn’t make sense, you know why….

 

What are you currently reading? The Kill (La Curée) by Émile Zola

 

 

I’m long overdue a return to the world of the Rougon-Macquart families as depicted in Émile Zola’s 20-volume  series. April 1 sees the start of  an annual event of reading all works related to Émile Zola – which has given me the impetus to pick up The Kill. This is the second novel in the series and deals with the lives of the extremely wealthy Nouveau Riche in Paris in the mid nineteenth century, laying bare their lust for power and money.  Zola describes this period as

… a time when the rush for spoils filled a corner of the forest with the yelping of hounds,, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and money.

It’s got off to a terrific start with some lengthy descriptive passages showing the excesses of the Second Empire (middle of the nineteenth century).

What did you recently finish reading? Once Upon a River by Diane Setterfield

 

I’ve seen a number of comments in the blogosphere that Setterfield’s book is rather slow and overly long. That wasn’t my reaction at all. Even though it contained some mythical elements, which usually are a turn off, I thought this was a terrific story.  Review to follow soonish….

What do you think you’ll read next?

Dignity

I have an advance copy of the latest novel by Alys Conran that I’d like to read soon (it’s published on April 4). I thoroughly enjoyed her debut novel Pigeon (see my review here) which won the Wales Book of the Year award in 2017. Her new novel Dignity is a story of three women: Evelyn, an engineer’s wife in British India; Magda, an old lady stuck in an empty house; and Susheela, a young English carer of Bengali descent in a British seaside town on the verge of collapse.

Also vying for attention are two works of non fiction, both of which were Christmas presents: Michelle Obama’s memoir Becoming  and The Salt Path by Raynor Winn, a memoir of a couple who lose their farm and home when the husband gets a diagnosis of a terminal illness. With nothing left, they make an impulsive decision to walk the 630 miles of the sea-swept South West Coast Path, from Somerset to Dorset, through Devon and Cornwall.

Pigeon by Alys Conran

E28AFC27-B0FC-48C6-AB12-195A55AD1DFDMany authors can go through their entire career without a single award or literary prize to their name which makes the recent success of Welsh author Alys Conran even more extraordinary. At the 2017 Literature Wales Book of the Year Awards earlier this month she swept the board with three prizes for her debut novel Pigeon. It’s a remarkable achievement considering she was in competition with Cynan Jones, an author of international standing, whose critically acclaimed fifth novel Cove was also shortlisted.

Pigeon was selected unanimously for the overall Book of the Year title because it lingered in their minds long after the judges had finished reading it said judging panel chairman Tyler Keevil. As a coming of age story littered with domestic violence, broken homes and mental illness it certainly has an emotional pull. Conran takes us on a journey through the memories of two children, Iola Williams and her closest (indeed her only) friend Pigeon, who live in a Welsh town surrounded by slate quarries. In the opening scene the pair chase an ice cream van and then debate at length their choice of flavour. It lulls us into thinking this is a tale filled with idyllic days of innocent fun but it doesn’t take long to find this is a novel that debunks all those myths about childhood.

Both children live in broken homes. Iola’s dad has disappeared, her mother and her beloved Nain (grandmother) are dead, leaving the girl in the care of her hippy elder sister. Pigeon, a sallow-faced skinny boy with shoulders as ‘delicate as egg shells’ lives in the garden shed of the crooked house he shared with his seamstress mother until he was ousted from his bedroom when stepfather Adrian and his daughter moved in. Pigeon is regularly beaten by this man (Pigeon refers to him only as as Him or H) and has to watch his mother lose all her spirit and independence through Adrian’s bullying.

To channel his energy and anger he plays truant from school, disrupts Sunday School meetings and makes up adventures and stories about bad people. Iola doesn’t fully believe in Pigeon’s fantasy world but she still goes along with his five-stage plan to prove Gwyn, the ice cream seller, is up to no good and may even be a murderer. The plan goes disastrously wrong; the first of two calamities that results in a forced separation of the friends and threatens to sever their relationship. As they emerge from childhood into early adulthood they have a chance to start afresh but only if one of them can lay to rest their feelings of guilt from the past.

The path to redemption for Pigeon comes through his encounters with Elfyn, a father figure under whose guiding hand Pigeon learns to build dry stone walls and rediscover a willingness to speak his native language. Throughout his life Pigeon has been fascinated by words, collecting them and savouring their novelty ‘with their strange textures: clay, metal, soap textures, and the strange tastes of the words as he says them into the cold air.’ Sent to a young offenders institution in England he has no choice but to learn English though this means he has to suppress part of his self.

But slowly Pigeon learnt that English was a weapon, and could be a shield. You needed it in pristine condition, and you needed the tricks of it, so you could defend yourself. Your own language was a part of your body, like a shoulder or a thigh, and when you were hurt there was no defence. When the kids argued in Welsh at home on the hill it was a bare knuckled fight. But English. With English what you had to do was build armour, and stand there behind your shield to shoot people down. Pigeon buried his own language deep.

Words and language are significant in more than one sense with Pigeon. This is the first novel to be simultaneously published in both English and Welsh. The text also blends both languages: the children’s Welsh dialogue is often rendered directly, without translation. Though this could be daunting for some readers, particularly when confronted by words that appear to have no vowels, it doesn’t spoil the experience of reading the novel because as this example shows, the context makes the meaning understandable.

‘Sut mae?’ says Gwyn shakily.

The sniffing quietens.

‘Be ydach chi’n ei wneud yma?’ His Welsh even more formal than usual. Asking the question, there’s a sinking feeling that he doesn’t want to know why they’re here after all.

Although Pigeon is the eponymous hero he doesn’t get to tell his own story. The narrative voice belongs principally to Iola , an intelligent and observant girl who relates their escapades and her own sense of loneliness with unflinching honesty. What we learn about Pigeon comes from Iola or a third person narrator, an approach that perfectly reflects the parallel Conran draws between this boy and the bird whose name he shares. Pigeons – as anyone who has read Bill Bryson’s Notes from a Small Island will know – are generally considered unintelligent and dull but Conran has her narrator remind us, they’re also capable of heroic feats, carrying messages long distance in times of war. As the boy Pigeon grows into manhood he too finds the courage to take control of his life.

Pigeon is a memorable novel with characters that tug at the heartstrings. It has a few flaws – the backstory of Gwyn’s Italian mother Mrs Gelataio (you can join me in groaning over that name) and her determination to find her son a wife for example  – jarred  with its over reliance on the comedy of her Anglo-Italian lingo and Conran overdid the theme of story-telling. But it’s still a very strong first novel and I’ll certainly be keeping a close eye on what she does next.

She does have another novel in the pipeline but she was keeping the details close to her chest when I caught up with her after the awards ceremony. All she would say is that it’s about a friendship and is set in a British seaside resort. “Not in Wales,” she emphasises. But after a few seconds, adds: “ That could change.”  No date is set yet for to completion and she won’t be drawn on that so we just have to hope it doesn’t take as long as the seven years of gestation with Pigeon. She doesn’t write with a plan in mind, preferring to let the work grow organically. Pigeon grew from a single image of children chasing the ice cream van.

“Working on the novel was a long journey but it taught me a lot about how to be an author,.” she reflected. She new she wanted it to be a hybrid book, not a pure coming -of-age tale, and one that was very much a book from Wales that blended English and Welsh languages. It was her publisher’s idea however to produce simultaneous translated versions. As a fluent Welsh speaker Alys Conran could have done the translation  herself but chose not to do. “I couldn’t have done a translation so effectively it would have even writing another book and I really didn’t want to write a second Pigeon.”

Invariably the question arises about the lack of prominence of writers from Wales on the world stage. “Look at the other writers in the shortlist for these awards, Cynan Jones and Jo Mazelis do have an international following” counters Alys. She does accept that there are challenges in getting the same level of attention for fiction from Wales as that enjoyed by Ireland and Scotland. “I’ve heard people make negative comments about books set in Wales, that they don’t have enough scope. But that seems very unfair – Steinbeck and Faulkner set their work firmly in one location yet we don’t hear comments about lack of scope so why should this apply to Wales?”

While her Welsh identity is important to Alys Conran, equally critical is that she doesn’t view it as a constraint. “Identity shouldn’t be a straight jacket and authors shouldn’t view it as if it stops them writing about broader issues.  I prefer to see it as a privileged point of view through which we can look at the world.”

Footnotes

About the book: Pigeon is published by Ceredigion-based publishers, Parthian.

About the author: Alys Conran was born in North Wales, studied literature at Edinburgh and then completed an MA in Creative Writing at Manchester. She is currently a lecturer in. Relative writing at the University of Wales in Bangor. Her fiction, poetry, and translations have been placed in several competitions, including The Bristol Short Story Prize and The Manchester Fiction Prize. At the 2017 Literature Wales Awards she topped the public vote for the Wales Arts Review People’s Choice Award and then went on to pick up the Rhys Davies Trust Fiction Award and the overall Book of the Year award for her debut novel Pigeon.

Oh dear Oh dear….

After months of restraint the floodgates of book acquisition opened wide this week: five purchases, a review copy and two library books.

The library books are in aid of the #1968Club hosted by Simon of Stuck in a Book and Karen at kaggsysbookishramblings which starts on Monday, October 30. If you’re not familiar with the club, you can find an explanation here.  Despite having more than 200 unread books on my shelves I didn’t have even one that was published in 1968. A quick trip the library and problem solved however. I’m reading Agatha Christie’s By the Pricking of My Thumbs which was the third of her novels to feature Tommy and Tuppence Beresford in the role of amateur detectives. I’ve also taken the unusual (for me) path of reading a work of science fiction. Chocky is a short novel by John Wyndham whose novels I loved when I was much younger. This one features a 12 year old boy who suddenly begins holding conversations with an invisible companion. It turns out not to be a benign imaginary friend but  an alien consciousness sent from its home planet to locate other planets that can be colonised.

New-purchases-2017Now that my broken arm has mended to the point where I can drive again, I’ve been re-acquainted with retail outlets which of course includes bookshops. I haven’t been in one for about 3 months so must have been feeling rather deprived because when I did cross the threshold of a little independent bookseller last week, I was so dazzled I could easily have walked away with half the shop.  They had a wonderful display of the books shortlisted for the Wales Book of the Year Award, an accolade which is given annually to works of poetry, fiction, and creative non-fiction in Welsh and English. The winners will be announced on November 11 and I’ll be going to the event so I thought I should be at least familiar with the three shortlisted fiction titles.

  • Pigeon by Alys Conran: A coming of age novel that turns into something of a murder mystery. Set in North Wales it undercuts ideas of the countryside as a childhood idyll
  • Cove by Cynan Jones: Jones’ fifth novel opens with a kayaker struck by lightening during a sudden storm. Injured and adrift, his memory is shattered. He has to rely on his instincts to get back to shore.
  • Ritual, 1969 by Jo Mazelis: A short-story collection that has a dark, gothic atmosphere

 

I also got tempted by two other novels: The German Girl by Armando Lucas Correa , an author I’ve not come across before. This is a novel about a family who flee Nazi-occupied Germany  only to discover that the overseas asylum they had been promised is an illusion. I also picked up Notes From An Exhibition by Patrick Gale. 

Continuing on the theme of fiction by writers in Wales, the wonderful team at Honno Press have sent me Snow Sisters, the latest novel by Carol Lovekin. Two sisters discover a dusty sewing box in the attic of their secluded home on the edge of the sea. Once opened the box sets free the ghost of a Victorian child who is desperate to tell her secret.

If I’m not careful all the good work I’ve put in during the year to reduce my collection of unread books will be wiped out. So I just need to believe that there are no new books being published in the next few months. That’s true isn’t it?

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