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#6degrees from the Congo to Uganda via a few bars

It’s time to play the Six Degrees of Separation game again. The starting book this month is The Poisonwood Bible by Barbara Kingsolver. I know it was highly regarded when it was published but I didn’t care for it that much. However I read it so long ago I can’t remember exactly why it didn’t hit the spot, just that it didn’t. Maybe if I read it again I might have a different reaction (that often happens) but I have far too many unread titles to go down that path.

Kingsolver’s novel features a family who go to The Congo as missionaries intent on converting the local population. This was at a time before there were two countries both using the word Congo in their name. Today we have the the Democratic Republic of the Congo to the southeast and its smaller namesake, the Republic of the Congo. It’s to the latter that we go for my first link…

broken glass

Alain Mabanckou’s Broken Glass is set in a seedy bar in a run down part of the country’s capital. One of its regular customers, a disgraced teacher is asked by the proprietor of the Credit Gone West bar to capture the stories of his clients. They turn out to be a misfortunate bunch all thinking they have been hard done by and wanting to set the record straight.

 

old-devilsThey’re not unlike some of the characters in Kingsley Amis’ Booker Prize winning novel The Old Devils. This lot are university pals living in a rural part of Wales and, having been regular drinkers in the past, like to spend their time in the pub. Their hostelry of choice is called The Bible and its here that they meet, often not long after breakfast, to while away the hours with gossip, updates on their various medical ailments and generally complaining about almost everything.

thedevilinthemarshalseaantoniahodgsonThey might have more justification for their complaints if they  were inmates of the place which is the setting for my next book in the chain: The Devil in the Marshalsea by Antonia Hodgson. The Marshalsea is a fetid, stinking prison for debtors – once in, unless you have private means to pay for ‘luxuries’, you end up in the worst section, the “Common Side” where death is inevitable.

English authors

Fortunate then the man who can find a way out of this as does Charles Dickens’ Mr Dorrit. In Little Dorrit, her father William gets his escape ticket when it’s discovered he is the lost heir to a large fortune. Dickens uses this novel to satirise the  bureaucracy of government (brought to life in the form of his fictional “Circumlocution Office”). He also takes a pop at the class system and its notions of respectability.

NW

A desire for respectability also makes its appearance through two childhood friends in Zadie Smith’s novel NW.  To leave behind her black working class upbringing, one girl changes her name, becomes a successful barrister and moves to a plush home in a desirable part of London. Her friend has less success, though she has a degree in philosophy she is still living in a council flat not far from her family home. But their past refuses to remain hidden.

Allournames

Identity is the theme of my sixth and final book, one that I bought on my first trip to the Hay Festival and so caught up in the moment that I came away with an armload of books by authors completely unknown to me. Fortunately, one of the them, All Our Names by Dinaw Mengestu proved to be a thought-provoking book.  An African boy arrives in a mid Western USA town on a student visa. Little is known about him, only his name, his date of birth and the fact he was born somewhere in Africa. But he’s a fake, a boy who escaped from a civil war in Uganda by swapping identities with a friend who becomes a paramilitary leader.

And so we end as we began in Africa. Along the way we’ve visited a few bars, a prison and a suburb of London. As always I have included only books I have read.

Where would your chain take you? You can join in by visiting  Books Are My Favourite and Best 

 

 

 

Armchair Bea: on literary genres

BEAToday’s topic for BEA Armchair is where I nail my colours to the literary mast. The question is: What fictional genre do you most love – or hate?

The answer for me is quite simple: I’m a realist fan to the core. In a bookstore or library, I steer well clear of shelves categorised as ‘romance’ or ‘ science fiction’. I know they have a huge fan following but they leave me completely cold.

I read some romance stuff when I was younger, usually because it was lying around in a friend’s house and there was nothing else to read or because someone in school said “you must read this’.  But it all feels like the same story just with different character names and locations. Any book that has a cover like this has me running in the opposite direction.

romance 2

Even worse would be anything in this vein

romance

It’s not that I have an aversion to good looking men but those rippling muscles didn’t get there by accident. He’s going to be spending so many hours at the gym he’s hardly likely to have time to spare for me is he? And if you’ve watched any of these guys in the gym, you’ll know that they like nothing more than standing in front of the mirror admiring their muscles.

I want to read about real people, the kind that I could conceivably meet in the street. They have real sounding names (ones that authors have spent considerable time agonising over so they sound authentic) and do ordinary things – they are not always flying off to some exotic destination to fix world hunger or solve the Middle East crisis but instead have to do the supermarket run or worry about their ageing mum and the cost of healthcare. They have real problems, and real concerns.

The kind of books I want to read are ones I can relate to, not because I know that part of the world where they are located, or because I have experience of the culture of the central characters. But because they engage my interest in things which are common to us all as humans – to use a phrase from one of my favourite films Shadowlands: “We read to know we’re not alone”.

That doesn’t mean my favourite kind of reading is always about portentous issues or the style is sombre. One of the best reads for me this year so far has been Broken Glass by Alain Mabanckou – a very funny novel about a bunch of characters in a dilapidated Congolese bar. They’re no hopers who have an exaggerated sense of their own importance but as much as we laugh at them, there is a part of their story which makes us realise that their own experience might easily have been ours.

Review: Broken Glass by Alain Mabanckou

mabanckouTake a seedy bar in a dilapidated part suburb of an African city; mix in a few odd ball characters and the stage is set for Alain Mabanckou’s effervescent narrative Broken Glass.

The eponymous narrator is a disgraced school teacher. He spends his days soaking up large quantities of red wine at the Credit Gone West bar.  Requested by the bar’s proprietor to write the story of the bar and its clients, Broken West finds himself beset by a string of misfortunates with hard luck stories who all want to set the record straight about their downfall. Each tries hard to convince Broken Glass that they are the innocent victims but Broken Glass exposes the delusions at the heart of their tales of woe. Some of the tales and episodes border on the absurd and the fantastical – in one scene two customers engage in a contest to prove who can urinate for the longest time.

Though most of the early part of the book is taken up with the stories related by his fellow patrons, Broken Glass gradually begins to reveal the story of his own misadventure and his growing revulsion towards these downbeats.  The tone veers between downright funny and bizarre and then, with a deft touch, to mocking satire on the nature of African politicians, the self-delusion of  upstart Congolese men or the mediocrity of authors.

It’s a clever book full of teasing (unattributed) quotations from other texts, from Hamlet to Catcher in the Rye and from One Hundred Years of Solitude to I Know Why the Caged Bird Sings, slipped into the narrative as if they are the narrator’s own words. It doesn’t take long to discover that Broken Glass takes his task as a writer and curator of the bar’s history very seriously.

even when I’m drunk I hate useless repetition or padding, as used by certain writers known to be first-class drivellers, who serve up the same old stuff in every new book and try to make out they’ve created a new word, my eye ….

This is a short book with a distinctive voice and style in which words, images and literary allusions freewheel with barely a pause or a full stop. It’s stream of consciousness but without any pretensions to grandiose statements about the universe or humanity.   I read this book as part of my Reading Along the Equator Challenge. It tantalised me with its references to ordinary life in the Congo – a dish called  ‘bicycle chicken’ seems a big favourite but how this dish is served or cooked or how it tastes remains a mystery. Alain Mabanckou is considered one of Africa’s leading living novelists with an impressive list of commendations and awards. I came across him by chance in a library book sale but  will now definitely want to read more of his work.

About the Author

Alain Mabanckou was born in 1966 in the Republic of the Congo (what he calls Congo Brazzeville to distinguish it from the neighbouring Congo Kinsasha  otherwise known as Democratic Republic of the Congo). He trained as a lawyer and worked in a legal practice in France for almost 10 years, writing poetry and prose at night. Success came with his first novel,Bleu-Blanc-Rouge (Blue-White-Red),  published in 1998  with which he won the Sub-Saharan Africa Literary Prize awarded by the Association of French Language Writers.is now a Professor in the French Department of the University of California in Los Angeles.

Discover more about him through an interview with FranceToday or The Economist.

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