Captivating Tale of Loss And Longing: The Jeweller [review]
The Jeweller by Caryl Lewis. Translator: Gwen Davies
With The Jeweller award-winning author Caryl Lewis has created a gem of a novel about the despair and longing of a solitary woman.
Mari lives in a small cottage on the edge of a West Wales seaside town, alone but for her pet monkey and photographs of strangers. By day she operates a market stall selling vintage clothing and jewellery collected by clearing the houses of the dead. By night she works on shaping and polishing an emerald so its rare ‘fingerprint’ can be revealed.
In the midst of velvety green was a fingerprint – a bubble of air in a perfect pattern. …. A blooming foliage they called “garden” is quite common in an emerald but a single fingerprint is rare. The inclusion would make the gem easy to break but so lovely if she managed to cut it right.
As she searches for the inner beauty of her gem, Mari also searches for answers about her past. What she eventually discovers transforms her outlook on life and her relationships with the market stall holders who are her only friends. But the journey to a new life requires the loss of the old one, including the pet whose presence has sustained her through her darkest moments.
I loved the way Caryl Lewis shows the close bond between Mari and Nanw, her monkey. Nanw regularly misbehaves, throwing all her toys out of the cage, and driving Mari to distraction with her constant demands for attention. But then when night falls, and it’s just the two of them in the cottage, there is comfort in the monkey’s presence.
Mari lay back on the bed with a happy Nanw, nosetip touching nose, one gaze wrapped in the other’s as though it were a gift shared. Leathery hands combing human hair, both close to sleep.
Nanw’s decline and the effect it has on Mari is a deeply moving and almost mythical episode in the novel. I understood that it marked a watershed in Mari’s life, and that she could not move forward until this part of her life came to an end. And yet I was so rooted in this relationship that a large part of me felt the wrench when it came to an end.
This was the first novel by Caryl Lewis that I’ve read. It captured my attention immediately because Mari is such a richly complex and engaging character. She tries to give this impression that she has everything in her life under control but it’s all a front. She is in reality a desperately sad and vulnerable woman. It’s fortunate that she has in Mo, another market trader, a friend upon whom she can rely.
The Jeweller is beautifully written, with a lyrical quality that is a testament to the skills of Gwen Davies’ translation. If you want to experience this for yourself, read an exclusive extract from the opening of the book.
The Jeweller: Fast Facts
Caryl Lewis is an award-winning Welsh-language author who has published eleven books for adults, three novels for young adults, and thirteen children’s books.
She won the Wales Book of the Year Awards in 2005 with Martha, Jac a Sianco (Martha, Jack and Shanco), and Y Bwthyn (The Cottage) in 2016.
The Jeweller was published in Welsh as Y Gemydd in 2007.
Caryl Lewis has also written extensively for cinema and television. Her credits include the adaptation of Welsh-language scripts for the acclaimed “Nordic Cymru” crime series Hinterland which was produced back-to-back in Welsh and English.
Her short story The Root can be read on line here
Prepare To Be Entranced By Agatha Christie’s Dream House
On a placid river bank in Devon, tucked away from inquisitive eyes, stands a Georgian mansion once owned by Agatha Christie.
Greenway House was a “dream house” and “the loveliest place in the world” according to Christie. It was a place where ‘The Queen of Crime” could retreat from the public eye and surround herself with family and friends.
Devon itself had a special place in her heart because it was where she was born. She maintained a house there throughout her life although she and her husband also had a home in Berkshire.
She often used her characters to extol the beauty of the region. ‘Devon is so beautiful, those hills and the red cliffs,’ Vera Claythorne says in And Then There Were None.
And the county’s hills, islands and coves inspired the characters and locations of many of her novels. Hercule Poirot and Miss Marple both ventured to the area around Torquay (the town of Christie’s birth) to solve heinous crimes.
Greenway itself featured prominently in the 1956 murder mystery Dead Man’s Folly. In the book it is described as a small, white, one-storey building set back from the road with a small railed garden round it. The internal layout is that of Greenway as are the paths that wander through woodland and gardens down to the riverside quay.
The book’s description is so close to the reality that Greenway was used as the setting of the 2013 television adaptation of Dead Man’s Folly, with David Suchet in his last performance as Poirot.
A Bargain Home That Lasted A Lifetime
Agatha Christie bought Greenway in 1938 when she noticed it was up for sale. In her autobiography she described it as ‘a house that my mother had always said, and I had thought also, was the most perfect of the various properties on the Dart.’
She and her husband, the noted archaeologist, Max Mallowen, went to view the property. It was as idyllic as she remembered from her childhood. The couple were astounded to learn the asking price of £6,000 was so low.
They drove away excited by their visit. She records she told her husband: ’It’s incredibly cheap,’ I said. ‘It’s got 33 acres, it doesn’t look in bad condition either, wants decorating, that’s all.’
Greenway was never Agatha’s primary residence, it was the family holiday retreat—a place where the family gathered for Christmas and Easter, and where she spent her summers. Locally she was always known as Mrs Mallowen .
In 1940, while Mallowan was working for the Anglo-Turkish Relief Committee in London, Agatha Christie used Greenway as her base. The danger presented by German air attacks did not deter her from her work. She wrote to her agent Edmund Cork: ‘A great deal of air activity here – bombs all round are whistling down!’
War Disrupts the Peaceful Retreat
The Christies had to move out in 1943, when the house was requisitioned for use as officers’ quarters for the US navy. In January 1944 a flotilla of twenty four landing crafts together with their commanders and support staff, arrived in the River Dart from the USA. More than 50 captains and members of the planning team stayed in the house until just before D-Day.
When they were allowed back into their home after the end of the war it was to find two additions to the property. Agatha Christie was deeply unhappy about the 14 lavatories she had been left and went into battle with the Admiralty to get them removed.
The second addition was much more welcome. The library in the house was as a recreation and ‘mess room’ by the officers. During their six-month stay a landing craft captain who was a graphic artist, painted a frieze on the walls, depicting places visited by the flotilla in the 11 months it took them to reach Greenway.
The Admiralty offered to paint it over, but Christie refused, saying that it would be a historic memorial and she was delighted to keep it in her house. She enjoyed the ‘slightly glorified exaggeration of the woods of Greenway” and a representation of a pin-up girl in the nude “which I have always supposed to represent the hopes at journey’s end when the war was over.’
Agatha Christie at Home
In 1959 Greenway was made over to Christie’s daughter, Rosalind, who moved to live at the estate with her husband in 1968. After Christie’s death in 1976, Rosalind took on the role of safeguarding her mother’s work and reputation. The family donated the house to the National Trust in 2000 giving fans of the writer the chance to walk in her footsteps.
I visited Greenway in 2018. The National Trust has done a fabulous job in preserving the spirit of the place (working closely with her grandson). As you walk through each room there are signs everywhere of how the Mallowen family spent their time at Greenway.
There are dominoes and card games laid out in front of the fire in the drawing room which also boasts a Steinway Piano. The hallway is festooned with picnic baskets and walking sticks and of course the library is walled with bookcases.
Agatha and her husband seem to have been great collectors. There are little silverware items on a bedside table, lots of china in display cabinets and – the most wonderful assembly of lacquered and wooden boxes. Every room looks as if the family has just left and will return in a few moments.
It’s a delight to wander through the house but if you decide to make your own trip there, do make time to take in the gardens. I was there in the midst of a very hot summer’s day but if you go in spring you’ll apparently find a magnificent display of rhododendron and camellias. If ever there was a good reason for me to pay a return visit, this would be it.
This is part of a series in which I look at the homes that provided shelter, solace and inspiration for some of history’s greatest literary talents. If you’ve made a literary pilgrimage do leave a comment to describe your experience.
Can You Say Goodbye To Your Books?
No-one likes to bid farewell to books. But unless you have a home with ever-expanding wall, there comes a point when your stock of books exceeds the space available.
But how many of you shy away from making that ultimate decision to let go of a book?
A columnist in one of the UK national newspapers once confessed that she felt unable to give any of her books away.
About to move house she was faced with the prospect of finding space for her collection of roughly 10,000 books in a property half the size of her current abode. Such was her reluctance to part with any of them she even pondered farming her son out to his grandparents because that would give her another 150 feet of shelving.
Too Precious To Lose?
I can’t give away unread stuff, obviously, but I can’t give away the things I’ve read either. They all carry memories — of the places I read them (all of Austen one glorious fortnight with an equally bookish friend at the end of university), the people who gave them to me, the long-gone second-hand shops I found them in …
She has my sympathy.
I too have books that are precious because of the story of how they were bought or acquired.
Take my copy of Delia Smith’s Complete Cookery as an example.
I acquired this in 1993 as part of a prize from The Economist . It’s moved home three times and it’s covered in greasy dabs but it’s seen me through many large family Christmas lunches so there’s no way I’m giving that one away.
I’m just as reluctant to let go of my copy of Germinal by Emile Zola. It’s not simply that it’s my favourite title from his Rougon Macquart series but the fact that buying it became an international quest.
I’d taken it on holiday to South Africa. One hundred pages from the end I accidentally drenched it in sun tan cream. Desperate to know what happened I began a search in every bookshop in every town we visited. I found a second hand copy eventually, just a few days before we were due to fly home. Every time I look at the book I’m taken back to that holiday and that quest.
Decision Time
I used to keep most of my books even if they had no special memories or provenance.
I’d finish a novel, think “I might want to read this again” and shove it back on the shelf.
Did I ever go back and re-read? Hardly ever in fact. The only ones to get a second look-in were those that could be loosely described as classics. The rest just gathered dust.
The few attempts I made at a clear out usually resulted in me creating a pile to give away and my husband removing at least half of them because “I might want to read that”.
But that was in the days when I had only a modest collection of unread books. Once I started blogging, that collection exploded.
A few months ago I shared with you the strategy I’m adopting to bring a semblance of order to my piles of unread books. As much as I love having masses of books, I do need to scale back so I can actually get in the storage room where all of these are stacked.
There’s no big cull in the offing. I’m not taking drastic action and sweeping aside whole shelves. I’m just being more pragmatic.
That stack of books I thought I might re-read, is now about half its previous size.
I’m also being very disciplined with myself whenever I finish reading a book. Unless I am absolutely certain I will re-read it, it goes straight into a bag of books to try and sell via Ziffit.com or donate to family, friends or charity. Very rarely do I now keep the copy once I’m done reading it.
It was tough doing this at first. I had several false starts where I put a book into the bag only to take it out again the next day. It’s possible I suppose that I’ll experience some moments of regret in the future when I discover a book I fancy re-reading is one I no longer have. But I can’t see that being a major problem; I can always borrow it from the library.
The books I’ve kept are primarily classics. They are books that I think are ultra special. I suppose if I was a devotee of Marie Kondo I’d say they are the books that “spark joy” every time I look at them and read them. The ones I’ve given away might be perfectly good reads, it’s just that they are not special enough to warrant space on my shelves or on my floor.
Dystopian crime mash up The Last fails to deliver
The Last by Hanna Jameson
Dystopian fiction meets crime thriller in Hanna Jameson’s much-praised debut novel The Last.
This is not a harmonious marriage however. The Last is novel in which the two genres seem to be in conflict with each other instead of blending into a new and exciting narrative style.
The premise is an interesting one. A nuclear war has destroyed much of the Western world. The guests at a hotel deep in the Swiss countryside learn the truth in text messages sent hurriedly by their loved ones in the destroyed cities.
Twenty people remain in the hotel, cut off from the outside world and fearful whether help will arrive. As days roll into weeks and the sun never shines or rust coloured clouds produce rain, the survivors become ever mor fearful for their future.
Some cannot deal with the uncertainty and immediately make plans to get to the nearest airport, ferry port or border. Others decide that suicide will bring a blessed relief.
In the midst of the upheaval, the body of a young girl is found in a water tank. No-one recognises her or even recalls seeing her in the hotel. But it’s clear that she was murdered and the murderer may still be in the hotel.
As the days progress, one guest, the American historian Jon Keller, decides to make it his mission to search for the truth about the girl. He begins keeping a daily journal of events, interviews with all the remaining guests and searches of the 1,000 rooms.
It’s through Jon’s eyes that we follow the reactions of his fellow guests, all of whom, have, until now been strangers.
The Last contains plenty of dramatic incidents. The survivors discover bandits in the woods outside the hotel; an expedition to find food in the nearest city results in death and one guest suffers a drugs overdose.
An Overcooked Narrative
But it felt like Hanna Jameson was trying too hard, throwing just about everything possible into the mix. Strange footsteps in the night. A hotel with a history of unexplained deaths. Guests who disappear never to be seen again. Rivalries between the survivors. Uncertainty on who can be trusted and who is a danger.
If this is all familiar ground so too is Hannah Jameson’s depiction of how a group of people would react in the fact of catastrophe. They argue a lot; challenge the right of anyone to lay down rules; resort to violence; worry about radiation poisoning; suffer guilt about family members etc etc.
But it’s hard to get attached to any of them because they are ‘types’ rather than characters; people who seem to have been chosen because they can prove useful to the narrative.
We have a doctor, a chef and a security expert . One guest is a student who turns out to be an ace with a gun. There’s also a guy whose job involves working with traumatised children – very handy for trying to tease info out of the two children in the hotel.
I never felt invested in any of these characters and in fact kept forgetting who they were. Their tendency to speak in platitudes and cliches didn’t help make them any more real.
… what we think of as right and wrong doesn’t exist anymore. Everything that happened before, it has no meaning now.
Murder Mystery Fizzles Out
Throwing a murder into the mixture didn’t really help. It’s honestly a mystery why it was even included because it’s not particularly central to the story. No-one in the hotel other than Jon seems particularly bothered about finding the murderer; they’re more concerned with just surviving. And even Jon seems to forget about his quest periodically.
I could be entirely wrong but my suspicion is that the murder element was slotted into the plot part way through the writing; a kind of force fit rather than an integral part of the story.
The Last is a promising concept. It’s been compared to Agatha Christie’s And Then There Were None and Stephen King’s The Shining but the comparison doesn’t work. There’s little of Christie’s sense of mystery and even less of King’s menacing atmosphere.
Though it’s a fun read in many ways and does keep you reading the pages, ultimately the book doesn’t live up to its original promise.
10 Wonderful Classics. Number 4 is Absolutely Stunning.
a classic is a book which which each rereading offers as much of a sense of discovery as the first reading
Italio Calvino
Literary critics, historians, authors and avid readers all have different opinions on which works of literature can be considered “classic”. Are they novels which captivate because of their lyrical, figurative language? Are they works that ask profound questions about our society and what it means to be human?
The answer is of course Yes and Yes.
I think of classics as works that are unforgettable as a result. Reading them is an intensely rewarding experience. And the initial joy on first reading never goes away. Each time you read the book you discover a new layer of meaning or a new question to consider.
Coming up with a list of just 10 classics makes Brexit negotiations seem like a piece of cake. There are easily twice that number I could have included. I’ll enjoy seeing your reactions and debating what should or should not have made the list.
A Seventeenth Century Classic
1. Paradise Lost by John Milton (1667).
I can remember sitting on my bed in my university room feeling daunted by having to read this for a tutorial.
It was a monster of a book because of the extensive notes that explained all of Milton’s references. And boy did I need those explanations since I was not blessed with a deep knowledge of the Bible (the price for not paying attention in Sunday School) or Greek and Roman myths.
But I still found this epic a gripping read with its rebel angels, the clash of good and evil, creation of the world and then the fall from grace of Adam and Eve. Yes it’s long and the prose is often convoluted but utterly memorable.
Nineteenth Century Classics
This was the century that saw the greatest change in the form and nature of the novel. Starting with the first realist texts of the early part of the century, and ending in the realm of stream of consciousness.
So many wonderful novels from which to choose that I could easily have just done a list of 10 favourite 19th century novels. But I’ve tried to pick ones that I never tire of reading.
2. Pride and Prejudice by Jane Austen (1813)
There is no way that a list of favourites from the nineteenth century could ignore Jane Austen. Pride and Prejudice can be read as a romance story which ends happily ever after. But as the title indicates Austen was more concerned about issues of social class and the precarious position of unmarried women.
3. Jane Eyre by Charlotte Bronte (1847)
This was one of the first classics I ever read and it’s still giving me pleasure 50 years later. Obviously my understanding and interpretation of Charlotte Bronte’s most famous novel has changed over those decades. But that’s one of the beauties of this novel, that it can be read in many different ways.
At it’s most basic level it can be a story of a put-upon orphan to finds love and happiness. Delve deeper however and you can find ideas about women’s right for independence and a fulfilling life; the unenviable position of governesses and 19th century attitudes towards science in the form of phrenology.
4. Middlemarch by George Eliot (1871)
My all-time favourite novel.
I know many people who have started to read this book but struggled because it’s a bit slow to get going and has a very large cast.
One way to read it is to think of it like a soap opera with a few key relationships – the ‘eternal triangle’ of Dorothea, Casaubon and Ladislaw and the predatory Rosamund who snares Dr Lydgate and almost bankrupts him.
Look beyond that however and you’ll find a novel about ambitions for great medical discoveries, altruism and electoral reform. All are thwarted.
This is a novel about big ideas but one that also shows how gossip can bring a man down.
5. Germinal by Emile Zola (1885)
This was my first experience of reading Zola and, though I’ve gone on to read a few others by him (see my list here) , this is the one that has a special place in my affection.
It’s hard reading not because Zola’s prose is impenetrable but because of the subject matter – a struggle for survival by impoverished miners in France. They take strike action in the hope of a better future but their rebellion is violently crushed by the army and police.
Uncompromisingly harsh this is a novel that is absolutely unforgettable.
6. The Awakening by Kate Chopin (1898)
A novella about a woman who feels trapped in her role as wife and mother. It was castigated at the time of its publication but has come to be viewed as a key feminist text.
Edna Pontellier’s process of “awakening” and self-discovery that constitutes the focus of the book takes several forms: she learns to swim, has an affair and leaves her husband and children. But her freedom doesn’t provide her with happiness.
The ending is enigmatic – does Edna’s action represent a failure of her bid for freedom or is it a liberating triumph?
Twentieth Century Classics
8. A Passage to India by E. M Forster (1924)
Set against the backdrop of the British Raj and the Indian independence movement in the 1920s, Forster’s novel traces the disastrous consequences when well-meaning but clueless representatives of the colonial class mix with those who are subjects of the Raj.
It features a tremendous set piece of an expedition to the Marabar caves where something happens (exactly what is a typical Forsterian ‘muddle’ that causes the disgrace of an Indian doctor and inflames the ruling Sahibs.
The novel might feel a bit dated at times but it’s on the ball in its depiction of the difficulties in bridging cultural divides.
9. Heart of the Matter — Grahame Greene (1948).
Few authors do a better job of portraying people undergoing a moral crisis and tortured by their consciences.
Greene himself didn’t care much for this book. But I love this story of a British police officer in an African outpost who becomes embroiled in a moral crisis In the end there is no way out for him, except one of eternal spiritual damnation.
10. Cry, the Beloved Country — Alan Paton (1948).
I’m staying in Africa for my final choice.
This novel is set in South Africa on the eve of apartheid. It features a clergyman who travels to Johannesburg from his home in a small rural village and discovers racial tension, economic inequalities between black and white and a breakdown of traditional values.
Paton uses multiple voices to expresses his love for South Africa and his fear for the future of his homeland.
This is a novel of protest in a sense but it is also an appeal for justice.
So there you have my choices. What would be on your list?
How Technology Transformed My Relationship With Books
Remember the days when the only way to listen to a book was via the radio?
The options were limited. BBC Radio 4 had Book at Bedtime and about 15 minutes of a serialisation within Woman’s Hour. When Parliament wasn’t in session we had the treat of another 15 minutes slot in the morning where Today in Parliament normally sat in the schedules.
All fine if you happened to be somewhere near a radio at the allotted time. But if not, it was just hard luck.
How life has changed
Today I no longer have to tie myself to the radio schedules or sit in one place to listen. I can use BBC Sounds as a catch up service, listening in via my computer while I move about the house or garden.
But I don’t even have to restrict myself to radio broadcasts.
I can listen to audio recordings of books whenever I want to and wherever I want to be.
Thousands of books
Available any time of day or night
On every day of the year.
Advances in technology have affected virtually every aspect of our lives. But I’ve only now realised just how much they’ve changed the way I engage with books, and in particular with audio versions of books.
1970s and 80s: All Hail The Cassette Tape
While searching for a screwdriver in our garage yesterday, I came across some of my husband’s very old and sad-looking cassette tapes. I’ve yet to work out what they were doing in the boxes of tools mixed up with the pliers and hammers… but that’s maybe another story.
Cassette tapes? Never heard of them? They’re no longer around (except as a very niche trend. But they were essential pieces of equipment for those of us whose teenage and young adult years spanned the seventies and eighties.
Audio cassettes (also known as compact cassettes) were little plastic cartridges containing two spools of magnetic tape. All you had to do was buy the cassette version of an album recorded by your favourite band; slot the cassette into a player; grab your headphones and away you’d go into musical heaven.
The launch of Sony’s Walkman in 1979 gave even more flexibility – now we could listen while we walked, worked or just lounged around.
You could even create a playlist by recording selected tracks from another cassette or from a radio station.
But the joys of cassettes weren’t confined to music. In the mid 80s I discovered you could also get audio recordings of books on cassette. The local library had a great selection available at minimal cost. By then cassette players came as standard fixtures in cars. Instead of arriving at work agitated after listening to politicians argue on the prime time radio news programmes, I could be chilled having listened to a good book.
It wasn’t quite a case of unbounded pleasure however because, though cassette tapes were light and portable, they did have one major flaw: the tape tended to get mangled inside the plastic casing after multiple plays.
I’d be in my car, listening to a recording, when suddenly it would stop. Inevitably it happened at the most exciting/interesting part of the story.
If I was lucky, I could eject the cassette. But yards of tape would have come off the spools and would be lying crinkled and twisted in a spaghetti mess on my lap .
The remedy was primitive. And not one you could embark upon while stuck at the traffic lights.
You grabbed a pencil, wedged it into one spool and tried to hold it rigid while slowly attempting to wind the tape back onto the other spool. A painfully slow process with only a faint hope of success.
1990s: Shiny New Objects
Which was why, when the next gizmo came along, I embraced it with unparalleled joy. In 1982 the technology whizz kids at Philips and Sony launched a new audio storage device they called the compact disc (CD).
It marked the beginning of the end for the cassette tape. And the introduction to a new way of consuming more books
It took a few years before I latched onto CDs but I rapidly became a fan, ditching all my cassette tapes in favour of these ultra-light shiny objects. I wasn’t the only one – most of us had purpose build CD storage towers in our homes and wallet-style carrying cases in our cars.
In 1993, the tide had turned completely and sales of CDs outstripped those of cassettes for the first time. By then the technology giants had figured out how to make CD players in cars shock proof (no more skipping a track when you drove over a pothole). A few years later the first portable CD player, the CD Walkman, came on the market making it easy to take your music wherever you went.
I still have one of these portable CD players though I seldom use it.
If you just wanted music you’d be in a good spot because the albums were cheap to buy. Just as well because the discs had a terrible tendency to get scratched. It was partly my own fault. I kept forgetting to put them into their protective cases. So they’d be ruined and unplayable.
But I wanted audiobooks. And that had its own challenges.
The storage capacity of each disc meant a whole book required at least six discs – sometimes double that for one of the chunkier classics. It made them way too expensive to buy, especially at the rate I would get through them. The library fortunately began investing in the new format but a whole audio book was quite a large package. Fine if you just wanted to listen in the car but not much use for taking on flights or long train rides. They took up far too much space.
Technology for a New Century
In 2001 Steve Jobs, chief executive of Apple, invited us to say “hello” to the brave new world of full portability and solid state technology.
The days of flimsy tape and scratchy discs were over, he said. It was time for the era of the IPod. A small device with astonishing capacity and potential.
It wasn’t his promise of 1,000 songs in my pocket that appealed to me most. What really sold me on the iPod was that I could use it to listen to audio books. It didn’t just store these recordings, the associated ITunes application gave me access to an enormous library via a few clicks. Not just a library of books, but with the birth of podcasts in 2004, a library of thousands of programmes and discussions about books.
I bought my first iPod in 2002 during a work trip to Michigan. I couldn’t drive back to my hotel fast enough so I could open the box and begin playing with my new toy.
Except that I couldn’t.
This much heralded white gizzmo only slightly bigger than a cigarette packet refused to function. Not even when I discovered that I first had to charge the battery. The old cassette and CD players never had that problem – all they needed was a power supply or a few AA batteries.
Eight hours or so later and still not so much as a peep. So back to the store for a replacement. Same thing happened again. By now I was seriously questioning whether the iPod was all it was cracked up to be.
It was. It still is.
Every once in a while a new product comes along that changes everything.
Steve Jobs, 2001
Steve Jobs wasn’t exaggerating when he made that claim about the Ipod. It certainly transformed part of my life.
Listening to an audio book made the long flights I had to take for work much easier to bear. They helped when international time zone differences would see me awake in the early hours of the morning in a strange hotel room, unable to get back to sleep. In more recent years when I was undergoing chemotherapy treatment I used my little machine to access some relaxation and breathing exercises I could get via the ITunes application.
Are We Ever Satisfied?
Technology never stays still does it? Each generation of the iPod since 2001 has been smaller. And lighter. And more powerful. I’m on my fourth device now and can’t imagine being without one. Although my phone has some of the same functions I still prefer to listen to audio via the iPod.
As enamoured as I am with this brand of MP3 player, it does have its frustrations.
- The battery charge doesn’t last anywhere as long as it did on the early versions.
- ITunes library is now over-complicated. It seems impossible to completely delete Podcast episodes.
- Too many apps I don’t want but can’t delete (like my non existent stock portfolio).
- In-ear headphones that keep falling out. Are my ears different sizes to everyone else’s? I’ve bought many, many pairs over the years both low price and high end. And none of them have worked. I’ve resorted to using the hook over versions but the wiring is fragile so they break easily.
I’ve learned to live with most of these frustrations. But there’s one that drives me crazy.
I absolutely hate ear phone cables. There I’ve said it.
They always always always end up in a knot. I wind them carefully as soon as I finish using them. Tuck them into my bag in a neat roll. But you can bet the next time I go to use them they’ll be in a mess. Again.
Added to this is that they get in my way in the gym, dangling right where my arm wants to move – invariably I catch my thumb on the cable and the machine goes careering onto the floor. It’s favourite landing place is underneath the treadmill; a retrieval process which involves much swearing and grunting. By the time the two of us are re-united, the play function has helpfully skipped a chapter or two.
My Wishlist For the Future
Technology never stands still. Earlier today came news that Apple will launch a new video streaming service and a new version of the Apple iPhone. Samsung will launch its new folding phone within a few days (a snip at $1800). None of these advancements interest me.
What I really want, what I really really want is a more streamlined way to listen to my audio books. One that
- doesn’t involve dangling cables
- connects to the player via Bluetooth but doesn’t require me to wear heavy headphones ( the rap artist look doesn’t appeal)
- fits snugly in my ears
- allows voice control to select tracks, change volume etc – that way I can keep both hands on the steering wheel or go walking in cold weather without having to remove gloves.
See, my needs are quite simple. These advancements are not as sexy as those the techno folks are undoubtedly working on right now. I just hope they don’t come up with something that robs me of my ability to listen to books easily, cheaply and with great sound quality.
Haunted by A Gentle Survivor [Review]
A Whole Life by Robert Seethaler
It would be hard to find a book on my shelves with a less exciting title than A Whole Life by Robert Seethaler. The synopsis didn’t sound promising either. Which is why this novella remained on those shelves unread for two years.
But all assumptions this would be a dull book were swept aside after only five pages. Although nothing of any great magnitude happens throughout the 160 pages, this tale of a quiet, unassuming man who lives a simple life in an alpine valley, captivated and bewitched me.
A Whole Life is exactly what it says on the cover: the tale of the entire life of one man.
That man is Andreas Egger. His life is unremarkable. He never achieves greatness. He can’t boast of sporting prowess or exceptional intelligence. Nor can he point to awards or inventions. He’s just a dependable man, a hard worker who simply wants to get on with life as quietly as possible.
He was a good worker, didn’t ask for much, barely spoke, and tolerated the heat of the sun in the fields as well as the biting cold in the forest. He took on any kind of work and did it reliably and without grumbling.
Andreas arrives in an Austrian mountain village as a four year old boy. He dies more than 70 years later, only once having left the valley when called up towards the end of the 2nd World War.
Life does not prove kind to this man.
Andreas has no clear memory of his mother, never mentions any father. The relative who gives him a home beats him so extensively, he’s left with a permanent link. But somehow Andreas, slow of speech and awkward in his movements, survives.
He grows strong, stronger than any other man in his village. He finds love only to lose it after a pitifully short time; escapes death in avalanches and storms while working as a cable car mechanic and endures hell as a Russian prisoner of war.
When he returns to his valley he makes his home in a sparsely furnished one room shed embedded into the hillside. To earn a living he reinvents himself as a guide for tourists on walking holidays.
Sometimes it was a little lonely up there, but he didn’t regard his loneliness as a deficiency. He had no one but he all he needed and that was enough.
Despite all the hardships, Andreas never descends into self pity or recriminations. Never rages against his ill-fortune. He’s not without hopes and desires but doesn’t fret about what might have been.
In his life he too, like all people, had harboured ideas and dreams. Some he had fulfilled for himself; some had been granted to him. Many things had remained out of reach, or barely had he reached them than they were torn from his hands again. But he was still here.
Andreas simply accepts his lot and endures whatever life throws at him. One day at a time.
Amazed By Life
The Whole Life gives us a tender portrait of an unassuming man endowed with more capacity for forbearance than most individuals. Seethaler’s narrative voice is equally calm and measured throughout, drawing us ever deeper into Andreas’ inner thoughts as we follow every twist and turn of this man’s life.
The other villagers view him as an odd figure, “an old man who lived in a dugout, talked to himself, and crouched in a freezing cold mountain stream to wash every morning.”
But though his needs are simple, Andreas is not a simple man in the sense of lacking in intelligence. He delights in the beauty of the landscape around him. He marvels at the changes in the world around him; the arrival of electricity in the valley, man’s landing on the Moon. He accepts them all in the spirit of “silent amazement” and wonder, with which he views his own life:
He had never felt compelled to believe in God, and he wasn’t afraid of death. He couldn’t remember where he had come from, and ultimately he didn’t know where he would go. But he could look back without regret on the time in between, his life, with a full-throated laugh and utter amazement.”
This is an evocative, tender novella, lacking in sentimentality yet deeply moving in its portrayal of a quiet soul.
Fast Facts: A Whole Life
Robert Seethaler was born in Vienna but grew up in Germany.
A Whole Life, translated by Charlotte Collins, was his fifth novel but the first to be translated into English. It was published in 2015 and went on to be shortlisted for 2017 Booker International Prize and the 2017 International Dublin Literary Award
I read this as part of my booksofsummer reading list.
Summer Reading 2019: It’s A Wrap
Clearly I am a fan of taking things to the wire.
I finished book 13 from my #summer reading list with five minutes to spare before the end of the deadline. But if September 3 had come and gone and I still had a few pages left to read, I don’t imagine anything disastrous would have befallen me.
I’m pretty chuffed that I managed to read 13 books. . I know plenty of other bloggers reached the heights of 20 but that was never going to happen for me.
If I was being disingenuous I would also count the three books that I started but abandoned half way. But somehow saying that I read 14.5 books doesn’t have much of a ring about it!
My original summer reading list had 15 titles. They were all designed to take me on a virtual summer holiday around the world. The original list and the list of what I actually read are somewhat different however.
Passport Stamps Collected
I never did get to India and my journey to Asia wasn’t very successful but I did still manage to visit Wales (twice) ; Austria; Croatia; Canada; US; Jamaica; Australia, England (three times) and Rwanda.
The books from the list that I finished were :
Wales: Ghostbird by Carol Lovekin
USA: Breakfast at Tiffanys by Truman Capote
Austria: A Whole Life by Robert Seethaler
Croatia: Hotel Tito by Ivana Simić Bodrožić.
Jamaica: The Long Song by Andrea Levy
Canada: The Cruelest Month by Louise Penny
Australia: Shell by Kristina Olsson
Journeys Abandoned
I got about half way through these books but it was a struggle. The Midwife was about the weakest.
Finland: The Midwife by Katja Kettu. This was one of those novels that assumes readers are deeply interested in the historical background of the story. While a certain amount of that can be interesting and helpful, with this book it was confusing and dull.
Indonesia: Twilight in Djakarta by Mochtar Lubis. This started well, focusing on a desperately poor man who is eking out a living as a rubbish collector. But then the whole book got bogged down in a discussion about Communist. If I wanted to know that much about Marxist theory I cold just have bought a pool on political ideology.
Malaysia: Ghost Bride by Yangsze Choo. This was on the reading list for a MOOC course on historical fiction although I never got around to reading it at the time. It’s based on traditional beliefs about death and the afterlife held by the Chinese population of Malaysia. I enjoyed reading that element but then the book turned into some odd story about a girl who tries to solve a murder in the spirit world. Weird…
Unplanned Detours
South Africa: A Dry White Season by Andre Brink
When I put that summer reading I overlooked four books I had committed to review. This is what took me off course and kept me in the UK for longer than expected.
England: A Single Thread by Tracy Chevalier
England : Sanditon by Jane Austen
England: Once Upon a River by Diane Setterfield
Wales: The Jeweller by Carys Lewis
Rwanda: The Barefoot Woman by Scholastique Mukasonga. This was a replacement for one of the books I abandoned.
New Tickets Needed
These are the books I never got around to reading. All except for the Kate Duigan have been in my ‘owned but unread’ shelves for several years.
India: A Fine Balance by Rohinton Mistry
South Africa: A Dry White Season by Andre Brink
New Zealand: Ships by Fiona Duigan
China: Frog Music by Mo Yan
Germany: Alone in Berlin by Hans Fallada
I might squeeze in one or two before the year is out. Given my lack of success with the two Asian authors on my summer reading list, I might try the Mo Yan. Have any of you read it? Would you recommend this book?
Why I’m Passionate About My Library Card
Do you remember the first time you entered a public library?
The feeling of excitement when you received your first membership card?
The thrill of turning a corner to find thousands of books just waiting to be picked off the shelf and read?
I was nine years old when I joined the public library in my home town. It wasn’t a grand affair – no marble pillars framed the entrance nor where there any sculptures of Greek gods adorning the roof.
It was just a modest double fronted building that looked more like a house than a public building. It’s the yellow building in this photograph.
Doesn’t look much does it?
But to a young reader like myself it was paradise.
I had learned to read when I was four years old. In those early years my school could just about keep up with my appetite for more and more reading material.
But as I grow older and changed schools, my demands quickly exceeded supply. Neither my pocket money nor the family income stretched to buying new books every week.
Discovering New Worlds
The public library came to my rescue. Although it didn’t have a huge stock, it had enough copies of classics like Treasure Island, Heidi and Black Beauty to keep me going, supplemented by birthday and Christmas presents and the occasional treats. That building became my route into new worlds and new experiences entirely different from everything I had known before.
Isaac Asimov captured the power of the public library so well in a letter in 1971. It was in response to a request from a children’s librarian at a newly opened public library in Troy, Michigan who wanted to attract as many youngsters to the premises as possible.
Marguerite Hart asked a number of notable people to send a congratulatory letter to the children of Troy, explaining what they felt were the benefits of visiting such a library. Here’s Asimov’s response.
This was as true for me as a nine year as it was when I was sixteen years old and used the same public library to introduce me to translated fiction. I spent the entire summer engrossed in Jean Paul Sartre, Albert Camus and Tolstoy.
How much of their work I understood is another question entirely. The point was that I was stretching my brain, getting myself ready for more advanced literature studies. Sadly the curriculum never encompassed these guys and stayed mainly in the tradition of Chaucer, Shakespeare, Bronte, and Milton. The Tolstoy did prove useful in our discussions on Russian history though.
Life Long Supporter
Fast forward more than 50 years and I’m still a proud card-carrying member of my local public library system. I wish I still had one of those original cards (maybe you had one too – they were small brown envelopes in effect) . But all I have now is a credit card style.
Even though I can afford to buy my own copies of books I still love popping into one of the local branches.
I use my public library system to sample authors I’ve never read or genres I’m uncertain about. And to read newly published titles ( as a rule I don’t buy hardcopy versions and sometimes it’s too long a wait for the paperback) .
If the non fiction selection was better I’d go looking for some poetry or biographies but unfortunately the stock is heavily weighted to celebrity memoirs.
Now of course my options are not limited to physical books. I can sit at home, scroll through the on line database of audio books and ebooks. Within minutes they get delivered to my computer. I love the convenience but nothing beats a visit to a bricks and mortar building and a browse through real shelves!
In Defence of Public Libraries
I’m a staunch advocate of the value of the free public library ethos. Always have been. Always will.
But I wonder how many years are left in which I – and the eight million other active library members in the UK – can continue to enjoy the benefits of this system?
In the UK, the future of the public library is under threat. Between 2010 and 2017 at least 478 libraries have closed in England, Wales and Scotland. This is the result of successive years of budget cuts by the local authorities in whose control they lie.
Although the Public Libraries and Museums Act 1964 says these authorities have a statutory responsibility to provide a library service, they are getting around the legislation by converting professionally-run branches into community and volunteer led libraries.
It happened in my village three years ago. Our small but much appreciated library was threatened with closure. Residents were essentially threatened – unless we took over the operation (and all the costs), the branch would close.
I was so angry I tracked down a solicitor willing to take our case to the High Court. Here we are on the day of the hearing.
We lost (on what the legal team agreed was a technicality). The village library is still open though with significantly reduced hours and struggles to raise enough funds just to keep the lights on.
The moral of the story?
If you have a public library near you, please please use it.
You don’t even have to borrow any books (or DVDs, CDs). Many larger libraries use an electronic pad at the door which automatically registers number of visitors. Footfall counts when it comes to reviews of libraries.
Use It Or Lose It
Nor does it matter if you do borrow books but never read them. The library will still include your borrowing in their performance statistics – the more items issued, the harder it is for a local authority to argue the library is not being used.
But also remember that in 28 countries around the world every time a book is borrowed, the author gets a small fee. It’s a scheme called Public Lending Rights and is designed to compensate authors for the potential loss of sales from their works being available in public libraries. You can find a list of participating countries here
Public libraries are as important today as they were when I was a child. But if we don’t use them and don’t value them, one day we may wonder why there is a derelict building where once there was a treasure house.
Are you a supporter of public libraries? What do they mean to you? I’d love to hear your story so please leave a comment below
Touching tale of dignity and vulnerability [book review]
Dignity by Alys Conran
In her second novel, Dignity, Alys Conran delivers a touching tale of three women separated by generations, history and culture. Yet they are united in their spirited assertion of their right to independence and their search for the meaning of ‘home’.
Through the first person narratives of these women, Dignity takes us from a modern English seaside resort that has seen better days to pre-war India under British control. As the narrative progresses it asks questions about the nature of home and the impact of colonialism on the individual.
Pride and Dignity in Old Age
First we encounter Magda who lives alone in a seaside town that is well past its best. Confined to a wheelchair in a sprawling, disintegrating Victorian house, her only visitors are care workers. Magda resents their presence as she fiercely tries to maintain her dignity in the face of declining health and advancing years.
Every care worker despatched to help her feed and wash, experiences the brunt of her bad temper and sharp tongue. Shusheela, a part time student and daughter of Bengali immigrants, is the only care assistant who finds a way to penetrate Magda’s stubborn exterior. She recognises that Magda uses rudeness as a shield and that “underneath it all, she’s desperately sad.”
Shusheela has problems of her own. Still grieving after her mother’s death, she is trying to support her widowed father and her ex-army boyfriend, Ewan, who is is suffering from PTSD. And then she discovers she is pregnant.
The discovery becomes the catalyst for an unlikely – and sometimes fraught – relationship between these two women. Magda’s practical, no nonsense attitude proves to be exactly the support Susheela needs. She recognises that this girl is not like the legion of other care workers – this one has dignity.
The girl’s Bengali heritage unlocks Magda’s memories of her childhood in colonial India and the terrible secrets surrounding her mother Evelyn.
It’s Evelyn’s story that most captured my interest. She arrives in India as the young wife of an engineer ( a man she barely knows), apprehensive about how to create a new home up to the standard of that left behind in Britain.
Upholding The Raj Tradition
Even before her ship docks she is marked out as different from the other British wives. She has brought no romantic novels with her nor does she share their love of gossip. Dignity shows how adjusting to her new life and the expectations of a Raj wife, prove challenging. She dislikes the way servants are treated and the parochial attitudes of the other wives.
She tries desperately to maintain her independence, to forge her own way of dealing with India. But gradually Evelyn changes; worn down by the expectations of respectability and the pressure to conform. The schoolteacher who arrives in India as warmhearted and independent in spirit becomes as cold as her husband and cannot even relate to her daughter.
… I become toughened like old meat into a kind of sergeant major, and, when I look at myself in the glass, I become, day by day, more like the hard-faced Englishwomen who have surrounded me since I arrived, my brow creased by resentment…
Dignity is a touching story that shows the damage of the colonial experience. You feel for Evelyn in her confusion on first arriving in India and in the criticism she faces because of her relationships with the servants.
It’s evident that this is a story that cannot end happily for her.
But Evelyn is not the only victim. For Magda having been raised surrounded by servants and privileges is suddenly despatched back to England. A country that is not Home, but a foreign land. One in which she will be alone.
Dignity is a novel I enjoyed right from the first pages. The characters could easily have been stereotypes but Alys Conran has made each woman distinctly human and grounded in reality.
As the story wends it way through the lives of these three women it raises questions about the effect of the Colonial experience and also the meaning of “Home”.
Views of Home
Evelyn thinks about “Home” all the time she is India. It’s what all the wives do, eagerly scrutinising the outfits of any new arrival so they can copy the latest fashion. But Evelyn that all their memories are idealised the longer they are out of England. Home for her is
sitting in my mother’s kitchen, shelling peas, with light flowing in through her net curtains and the sound of children playing outside…
But she knows this is an England that cannot exist. That home is fading just as much as she is, that “the very guts of me are being worked on by this India ….and I am slowly less and less of what I was.”
Her daughter’s view of home is significantly less idealised. Though there is a doormat at her house which bears the word “Home’ this is a building which she views more like a fortress. A house that “has to hold out against the changing world outside.”
This is a touching, thoughtful novel, showing characters who are vulnerable and uncertain how to deal with the issues that life has thrown at them.
I had enjoyed Alys Conran’s debut novel Pigeon which won the Wales Book of the Year award in 2017. But I had wondered whether she would be as effective when she broke out of her Welsh milieu. The answer is an unequivocal yes.
Dignity by Alys Conran: Fast Facts
Dignity was published by Weidenfeld & Nicolson, an imprint of Orion Publishing, in April 2019. My copy was provided free by the publishers in return for an honest review.
Alys Conran was born in North Wales. She is currently a lecturer in creative writing at the University of Wales in Bangor. In 2017 she won the Book of the Year prize in the Literature Wales Awards for her debut novel Pigeon.
CerianMai96
Edward Colley
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