Relating this tale of woe in Akhil Shama’s Family Life is the youngest son of the Mishra family, eight year old Ajay. He’s a bit of a rascal who loves to make up stories to impress other kids of his age. “Everybody in America has their own speedboat” he boasts to boys in Delhi even though he has no idea if this is true. After his brother’s accident, he concocts more and more fabulous stories about Birju’s condition. It’s partly his way of making a connection, of trying to fit in with an alien environment in which he is one of the very few Indians in his school. But it’s also his way of expressing the complex and conflicting emotions stirred up by the accident.
Whenever I told someone about Birju, I felt compelled to lie about his wonderfulness. Because we had received so little money in the settlement, which meant Birju was an ordinary boy, lying seemed the only way to explain that what had happened to him was awful, was the worst thing in the world. birdie i said had rescued a woman trapped in a burning car. Birju had had a great talent for music and a photographic memory. ….. I concocted the ideal brother. These fantasies felt real. They excited me. They made me love Birju…. They also cultivated rage at the loss…
As Ajay gets older the conflicting emotions about his brother never completely go away Every moment of his mother’s day is devoted to caring for Birju while his father takes to drink. In their grief they often lose sight of the needs of the younger boy. One cheerless Christmas Day, Ajay erupts, sobbing to his parents that he too deserves something, for enduring — at least some pizza. “I am so sad,” Ajay confides to his father one evening. “You’re sad?” his father responds; “I want to hang myself every day.” Coming home from school one day he is desperate to tell his parents he was ranked first in his class. But all he gets from his mother is “very good’, not pausing even from a moment in her manipulation of the wasted limbs of his brother.
I had been feeling proud as well as guilty but now I felt a collapse. And then I became disgusted with myself for my vanity in wanting to be thought special…
This is the aspect of the novel that resonated most with me. Much of the early part of Family Life feels like well trodden ground as Akhil Sharma lays out what life is like for new immigrants. Look how different things are in America the book says although we already know that from works by other transplanted authors. Where Family Life felt fresh was in its treatment of Anjay’s guilt at being the surviving brother and the creative ways in which he tries to find an outlet – trying to become an author by meticulously adopting Hemingway’s writing style or daydreaming about conversations in which God gives him advice while dressed in a Clark Kent style cardigan. This is the emotional heart of the novel, yet its impact comes from the often understated manner in which Anjay describes his feelings.
“A year had gone by since Birju’s accident. My father began shaving him. The first time he did this was one afternoon. My mother and I stood and watched as he put shaving cream on Birju’s cheeks … Birju lay there calmly as my father lathered him. I thought of how Birju had wanted to be a doctor. It seemed unfair that something like this could happen and the world go on.”
Unfair and yet the world does go on since ultimately Family Life is a story about endurance and survival. Anjay achieves the glittering career denied to his brother, proving that the American dream can become reality though for the Mishra family it materialises only after they are brought to the brink of loneliness and despair.
End Notes
Family Life is Akhil Sharma’s second novel and is partly autobiographical. By the time he handed over his manuscript to the publishers he was nine years overdue. Their patience was rewarded when Sharma won the 2015 Folio Prize with this novel.