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Exposure by Helen Dunmore: Review

exposureI owe Helen Dunmore an apology. She’s been a writer I’ve been aware of for years but though I knew she had a strong following, it wasn’t until last year that I got around to reading her myself. My mistake was to make The Greatcoat my first experience. In my review I described this as a novel in which Dunmore did a superb job of creating the atmosphere of post World War 2 Britain but I found the plot implausible. What I didn’t realise was this was not her usual genre. How fortunate then that the publication this year of her new novel has given me a chance to see where I went wrong.

Exposure is set a few years after The Greatcoat but the view of England it conveys is of a country still suffering from the deprivations of the war years. We’re in 1960. Rationing has been lifted. London is no longer blighted by yellow smog thanks to the Clean Air Act. But the country is still in a make do and mend mentality and just as suspicious of ‘foreigners’. For the inhabitants of this small island, suspicions about ‘foreigners’  morph into anxieties that there may be spies lurking in their midst. This is the time of the Cold War and tension between the West and the Eastern Bloc.

Dunmore brings domestic and political concerns together through a plot in which the life of a seemingly ordinary middle class family living in a very ordinary  terraced house in London is thrown into turmoil when the father is arrested.  Simon Callington is an insignificant figure. Every day he dutifully heads off to his civil service job at The Admiralty, returning home to listen to a play on the radio or spend time with his railway-mad son.  He becomes an innocent bystander in a plot to cover up a spy ring when all he did was to help out an old friend (who turns out to be the real spy).Yet he is the one in jail awaiting trial. Meanwhile his wife Lily gives up her teaching job and escapes public attention and humiliation by spiriting the children far away to a small village on the English coast.

For both Lily and Simon, the crisis is a time when both fear the secrets of their past lives may be uncovered. Lily was once Lili Brandt,  a Jew taken to London as a small child to escape the fate dealt to so many of her family in Germany. In London she worked carefully to eradicate all traces of her accent and build a new life. But the investigation into Simon’s actions threaten to expose her origins to people who equate all Germans with Nazis.

The issue of secrets is evident right from the opening of the book:”It isn’t what you know or don’t know: it’s what you allow yourself to know” thinks Simon as he sits in a railway carriage lost in reflections about the past. Did he really not know that his oldest friend Giles and his boss at the Admiralty, were not pillars of the Establishment but part of an espionage ring? Or did he know and choose to ignore it? Either way he gets caught in the web of concealment when a Top Secret file goes missing and he is set up as the fall guy with the threat his former homosexual habits will be exposed if he doesn’t fall into line.

Exposure isn’t a spy thriller. The focus isn’t on the mechanics of espionage or in the suspense of discovering the guilty party. Though the plot does move at a rapid pace the interest lies really on exploring the consequences of one small decision, one small act, on a family.  While Simon is an interesting figure, it’s Lily who holds our attention with her resilience and determination to protect her family and stay loyal to her husband.

This character and the atmosphere Dunmore creates through small details of domestic life made this a very satisfying book to read. If this is an example of what she can do, I’ll be making an appointment with her back catalogue soon I suspect.

Thanks to the publishers Random House for providing a copy via NetGalley.

For other views on this novel do take a look at the reviews on Shoshibookblog and HeavenAli.

 

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