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Armchair BEA: Novellas and short stories

Day 3 of Armchair Book Expo America (BEA) and the attention turns today to novellas and short stories. 

I don’t read that many works of fiction that are short. This year was the first time I’d ever read any Alice Munro for example and that was only because it was the book club selection for that month.

It isn’t that I have a specific aversion to short stories, or that i think they are the poorer cousin of the novel because I don’t. Having tried a bit of fiction writing myself I can appreciate that it is often harder to create a convincing picture of the world and a convincing set of characters when you have less than 5,000 words in which to do so than in a novel  where the word count could reach as much as 100,000.

i think my issue is that if the author is particularly successful at creating this believable fictitious world then I feel cheated when it comes to an end too soon. It’s a bit like when you were young and you were packed off to bed just when the interesting programs came on the TV.  It’s simply not fair!

For me the outstanding short story I’ve read in recent years is Kate Chopin’s The Awakening. Written right at the end of the nineteenth century this was a work that stunned readers because of the way it challenged the idea that marriage and motherhood gave women all the fulfilment they needed in life.  It’s a story of Edna Pontellier, a woman in Louisiana who rejects the domestic role and instead embarks on a quest for freedom, with the huge personal sacrifice that entails.

Chopin herself paid a hefty price for having published this story. Faced with criticism that it would encourage young people to have ‘unholy imaginations and unclean desires’ she printed an apology for her heroine’s behaviour. Then the story simply disappeared. It wasn’t rediscovered until the 1960s as a result of the women’s movement which saw it as an example of early feminist writing. Critical opinion now considers Chopin to be a writer whose work can be compared with Gustav Flaubert and Guy de Maupassant.

What I loved about this story was the psychological complexity of Edna’s character and the enigmatic nature of the narrative (Chopin uses many metaphors drawn from nature in this book). It’s so enigmatic that there is a question mark about the nature of the ending. I shall say no more in case I spoil it for anyone who hasn’t read it.

 

 

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