Snapshot December 2015
Another 1st of the month today and once again I forgot to mark the occasion with the traditional saying “pinch, punch, first of the month”. This custom seems centuries old, coming from a time when there was a strong belief in the existence of witches. It was thought that salt would make a witch weak, so the pinch part is pinching of the salt, and the punch part was to banish the witch. The witch would be weak from the salt so the punch was to banish her.
I have my own little tradition to mark today however which is to capture what I’m reading, listening to and watching.
I’ve been riding the Booker Prize wave recently. Last week I finished The Sea The Sea by Iris Murdoch which was so much more enjoyable than I ever expected. Now I’m half way through The English Patient by Michael Ondaatje which was the joint winner of the prize in 1992 (only the second time in the history of the prize that it was split between two novels.) Set in 1945, it features four damaged people who take refuge in a damaged villa north of Florence as Europe emerges from the war. In an upstairs room lies a horrifically burned man. His name is unknown but his memory is intact and it takes him back to the North African desert and the woman he loved. Every page of this novel is a delightful experience of witnessing a masterful writer at his best. One to savour slowly….
My journey to work has been in the company of a couple of trembling, over excited women over the past few weeks. Throw in a ruined mansion, an overbearing servant, a blind man and the result is a sensation novel which turns on a secret involving illegitimacy. Dead Secret was the fourth published novel from the pen of Wilkie Collins. It’s the novel that immediately preceded his acclaimed Woman in White and what a difference between the two works. Where Woman in White is meticulously constructed and has some memorable characters (including the magnificent Count Fosco), Dead Secret is considerably over-written and the secret is very obvious to readers even if the characters themselves are not quick on the uptake. The only enjoyable aspects are the characters of the vicar’s friend (a man so feeble a slight breeze gives him palpitations) and a villainous male servant.
The energetic figure of Simon Scharma is bouncing across the screen in the BookerTalk household as we re-visit his superb series A History of Britain. Schama wrote and presented the episodes himself. His jocular style and very mobile facial expressions don’t appeal to everyone but I enjoy his story-telling, thematic approach. Much more engaging than dusty professors in tweed jackets that used to front BBC programs in decades past or the celeb presenters who turn up frequently now (reading everything to camera since they have no clue about the subject personally).